Corruption of Authority in The Color Purple and Oliver Twist

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In both “The Color Purple”, published in 1982 and set in rural Georgia in the early 1900s and “Oliver Twist”, a contemporary novel set in London and published in 1838, the authors use corrupt representatives of authority to manipulate central protagonists and exemplify their weaknesses. In “The Color Purple”, this villain is Celie's stepfather, Alphonso, who is responsible for her psychological and physical torture and reflects the widespread misogyny of the era. Walker's purpose in setting the novel in the early 1900s is to reflect how society has changed for the better, but also to highlight parallels with modern life. Dickens creates an archetypal villain in Fagin, who constantly undermines Oliver psychologically. Dickens uses Fagin to contribute to his social commentary, a feature of “Oliver Twist” that enables Dickens to communicate strong views on the Victorian problem of exploitation of the vulnerable.

“The Color Purple”, an epistolary novel, is told from the narrative perspective of the central protagonist, Celie, in the form of cathartic letters to God, although the addressee changes to Celie's sister, Nettie, during the novel as Celie's faith in God falters: “what God do for me?”. This reflects the novel's purpose; nobody hears Celie’s voice. Using unheard letters allows Walker to communicate Celie's low status; Celie can only speak out through letters. Nobody else cares because she is a young, black woman and Alphonso is, as far as Celie's community is aware, her father. It can be said that Walker portrays Alphonso as a corrupt figure of authority to a great extent because he infiltrates all aspects of her life. A Marxist view can be applied; Celie's social circumstances determine her life, offering little opportunity...

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...s directly affected by Alphonso's abuse until adulthood, although his control over her can clearly be seen throughout the remainder of the novel. Oliver's opinion of Fagin does not change dramatically, although his final plea for mercy on Fagin can be seen as pitying rather than a reflection of Oliver's apparent idolisation of Fagin, which can be seen as a reversal of authority to an extent. However, it can be said that the characters are subsequently affected by their abuse in completely contrasting ways because Celie’s entire childhood and the majority of her adult life have been controlled by Alphonso’s influence, whereas Oliver is only a child; he has his adult life to compensate for his poor childhood. Generally, both writers successfully depict a strong, corrupt figure of authority relevant to the era in which the novel was written and also to a modern reader.

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