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Introduction of corruption in hamlet
Introduction of corruption in hamlet
Introduction of corruption in hamlet
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Shakespeare’s Hamlet focuses on the disorder of Denmark. King Claudius murders King Hamlet by poisoning him through his ear. After committing such an audacious act, he engages in an incestuous marriage with King Hamlet’s wife, Queen Gertrude. Hamlet remains depressed about this incestuous marriage, and he does not accept King Claudius as his father. Hamlet considers Claudius to be “a little more than kin, and less than/kind” (1.2.64-65). Later, Hamlet and Horatio both witness a ghost of King Hamlet, which demonstrates that “something is rotten in the state of Denmark” (1.4.90). In the midst of this disorder, Polonius decides to side with King Claudius. Polonius sides with the dishonest Claudius, and he becomes involved inside the corruption.
Polonius tells Reynaldo to gain “some distant knowledge of” (2.1.13) Laertes. The phrase “distant knowledge” emphasizes that Polonius wants Reynaldo to spy on Laertes. He wants Reynaldo to “breathe [Laertes’s] faults so quaintly” (2.1.71) in order to “observe [Laertes’s] inclination in [himself]” (2.1.71). Shakespeare is characterizing Polonius as a self-centered counselor. Shakespeare employs the personification of breathing faults to demonstrate the severity of Polonius’s dishonesty. Polonius considers the action of spying to be as significant as breathing. Shakespeare uses the word “breathe” because breathing is an essential action in the human body. This indicates that Polonius considers the unscrupulous action of spying to be exceedingly significant. At first, Polonius advises his own son to “give thy thoughts no tongue/nor any unproportioned thought his act” (1.3.59-60). The word “unproportioned” implies that Polonius wants his son to be cautious of his actions. Yet, Polonius does not abide by his own words, and he commits a corrupt deed by spying on Laertes in order to protect his own
When Ophelia came to Polonius to inform him about Hamlet’s antic disposition, Polonius declared that it “is the very ecstasy of love” (2.1.101). The word “ecstasy” indicates Polonius’s disloyalty towards Hamlet. Polonius does not give Hamlet the respect of a Prince; rather he accuses Hamlet of being mad in love. Polonius only “believe[s]…that [Hamlet] is young” (1.3.124). Polonius’s critical diction emphasizes his disbelief in Hamlet. The word “young” demonstrates that Polonius considers Hamlet to be incompetent, highlighting his corruption towards the crown of Denmark. After Polonius thought that he found out the cause of Hamlet’s unusual behavior, he decided that “this must be known” (2.1.118), and he went to Claudius. Polonius’s reaction to Hamlet’s behavior indicates that he is corrupt. Polonius went to the disloyal king Claudius to tell him about Hamlet’s antic disposition, meaning that Polonius is siding with the corrupt king. Polonius refused to side with the Prince of Denmark; instead, he sided with the fraudulent Claudius. Moreover, he advises Claudius that he will send Ophelia, and they should “mark the encounter” (2.2.164). The word “mark” emphasizes that Polonius wants to spy on Hamlet. This means that Polonius is betraying the Prince of Denmark, reinforcing his disloyalty to the
In addition, Hamlet’s feigned insanity fooled Polonius into believing that he was simply mad with love for Ophelia. Because Polonius was the king’s advisor, he was greatly trusted by King Claudius. After Polonius reads Hamlet’s love letter, the king and queen begin to believe what Polonius is saying about Hamlet just being madly in love. “Do you think ‘tis this?” asked King Claudius.
In Hamlet, The new king Claudius is able to gain respect from the kingdom. He even steals the love of Hamlet’s mother Gertrude. The old king’s councilor, Polonius, becomes Claudius’s councilor and his best friend. He helps Claudius keep an eye on Hamlet and tries to keep him from finding out anything about his father’s death. Polonius believes that if he helps Claudius that he can make life better for himself and for his daughter and son. But in the end, his actions get him slayed, drive his daughter to insanity, and eventually set...
Both Polonius and Ophelia try, unsuccessfully, to manipulate Hamlet into a place of inferiority. In the first scene of Act II, Polonius and Ophelia discuss the meaning of Hamlet's odd behavior. Though the two characters agree his actions arise out of the torment of spurned love, they arrive at that point through very different means. At the beginning of the dialogue, Ophelia says that she has been "affrighted" by Hamlet in her bed chamber. (II,i 75)
The scene between Hamlet and Polonius took place in Act II Scene 2. In Hamlet's first encounter with Polonius, he immediately insulted the old man by calling him a "fishmonger". He then quickly changed his opinion and complemented Polonius by calling him an honest man. Hamlet said, "to be honest, as this world goes, is to be one man picked out of ten thousand". As we know Polonius definitely was not such a man. Hamlet was portrayed as a clever lad, who was playing a psychological game with an old fool. He asked Polonius whether or not he had a daughter, pretending he did not know that Ophelia was Polonius's daughter. When Hamlet was asked about what he was reading, he replied by saying, "words, words, words". Throughout this scene, Hamlet revealed himself to Polonius as a mentally unstable man. He was playing a fool himself, while ingeniously using this to make Polonius look like an even bigger fool. He cleverly insulted Polonius' appearances indirectly, by referring to the book he was reading. According to that book old men had grey beards, their faces were wrinkled, they had a plentiful lack of wit, and so on. He was describing Polonius exactly. Perhaps the most humorous part took place when Hamlet, while saying, "for yourself, sir, shall grow old as I am, if like a crab you could go backward", he advanced towards Polonius, causing him to walk backwards. Those words and the actions on the stage revealed Hamlet to be a daring young man. When Polonius finally left, Hamlet dropped his pretense and yelled, "These tedious old fools!". In Act III Scene 2, Hamlet used a recorder, the musical instrument, as a telescope when Polonius entered the scene. He asked Polonius, "Do you see yonder cloud that's almost in shape of a camel?". Hamlet always pretended to be the madman in front of Polonius, while he actually made him look like an old fool.
When Polonius decides that he wants to know what his son is up to in Paris, he hires Reynaldo to spy on Laertes. His suggestion is that Reynaldo should say he has “some distant knowledge of him, as thus: ‘I know his father and his friends, and, in part, him’” (2.1.14-16). Polonius wants Reynaldo to lie about his friendship with Laertes in order to gain information on him. When Hamlet accidentally kills Polonius instead of Claudius, his mother tells Claudius that Hamlet “whips out his rapier, cries, ‘A rat, a rat!’” before stabbing Polonius behind a curtain (4.1.11). Gertrude swears to her husband that Hamlet had no intention of killing any human. While she is lying to Claudius, she is attempting to protect her son from harsh
Polonius, his [Hamlet’s] seeming opposite in so many ways, is, like Hamlet, an inveterate punster. To whom else but Polonius should Hamlet direct the taunt of “Words, words, words”? The aged counselor recalls that in his youth he “suffered much extremity for love, very near this,” and he has been an actor at the university. Polonius too has advice for the players: “Seneca cannot be too heavy, nor Plautus too light.” When Hamlet jibes at “so capital a calf” enacting Julius Caesar, killed in the Capitol, he reinforces the parallel to his own playacting and anticipates the slaying of Polonius behind the arras. (4)
This belief leads to the death of Polonius, and furthermore to the death of Hamlet. In the next scene, Hamlet's fate is sealed. Polonius, the "Wretched, rash, intruding fool", (81) was up to his old tricks, while Hamlet accidentally slays Polonius mistaking Polonius for Claudius. Later on, Laertes returns to avenge his father. "How came he dead?" (99) asked
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
Hamlet as Victim of a Corrupt World Troubled by royal treason, ruthless scheming, and a ghost, Denmark is on the verge of destruction. Directly following King Hamlet's death, the widowed Queen Gertrude remarried Claudius, the King's brother. Prince Hamlet sees the union of his mother and uncle as a "hasty and incestuous" act (Charles Boyce, 232). He then finds out that Claudius is responsible for his father's treacherous murder. His father's ghost asks Hamlet to avenge his death, and Hamlet agrees.
Claudius is the king of Denmark, who is a very powerful and assertive man. He is the type of person that will do anything to get what he wants and everything in his power to stay king. He will do what it takes to get his way, even if that means betraying the person he is supposed to be committed to and love, his wife Gertrude. Gertrude is the mother of Hamlet, who she deeply cares for and loves. She is convinced that Claudius does as well. In order for Claudius to stay as king he must keep Gertrude happy and pleased. He accomplishes this by pretending to love Hamlet in front of Gertrude when in reality he wants to kill Hamlet. Claudius faces the truth that his secret got out and Hamlet knows he killed King Hamlet. Not wanting to ruin his reputation and of course stay king he plans to have Hamlet killed. He lets Gertrude believe...
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
Polonius is over-eager and tries to give unwanted advice, during the play he is tactless and often rude. For instance, Polonius is a comic relief during his conversation with Gertrude and Claudius regarding Hamlet’s madness. Polonius rambling through his conversation contrasts with Gertrude’s seriousness of wanting to find out the reason to Hamlet’s madness. As Polonius begins to deliver to the king and queen the results of his investigation, he makes this statement, “My liege, and madam, to expostulate/ What majesty should be, what duty is,/ What day is day, night is night, and time is time,/ Were nothing but to waste night, day, and time;/ Therefore, since brevity is the soul of wit,/ And tediousness the limbs and outward flourishes,/ I will be brief. Your noble son is mad. . . .”(IIii,86-92) . Polonius’ speech is windy and nonsensical he wastes ti...
Following the performance of “The Mousetrap”, Hamlet is summoned to his mother's chamber. Upon arguing with Gertrude over the intentions of his play, and his reasons for wanting to distress the king so openly, Hamlet kills Polonius. “How now? A rat? Dead for a ducat, dead (III.iv.27-28)! Perhaps Hamlet did not know whom he was killing. “Thou wretched, rash, intruding fool, farewell! / I took thee for thy better”(III.iv.38-39)! Perhaps Hamlet thought he was killing the king.
... the only way to honour his father Polonius is by killing Hamlet. In addition, as Claudius reads the letter from Hamlet to Laertes he says “'Tis Hamlet’s character. “Naked” And in a postscript here, he says “alone.” Can you advise me?” (IV, VII, 52-53). This shows that Claudius takes advantage of Hamlet’s return alone as an opportunity for Laertes to kill him. Through Claudius’s actions the readers observe how he deceives Laertes into killing Hamlet for his own benefit without getting blood on his hands. Furthermore, Claudius’ desperation to kill Hamlet leads to him losing sight of what is important, which is being the king of Denmark, what he originally wanted, instead the lies he told and the manipulation he spread is now taking over. To conclude, it is evident through the play that the words and actions of Claudius have only lead to the spread of deception.
Old Hamlet is killed by his brother Claudius. Only two months after her husband’s death a vulnerable Gertrude marries her husband’s brother Claudius. Gertrude’s weakness opens the door for Claudius to take the throne as the king of Denmark. Hamlet is outraged by this, he loses respect for his mother as he feels that she has rejected him and has taken no time to mourn her own husband’s death. One night old Hamlets ghost appears to prince Hamlet and tells him how he was poisoned by his own brother. Up until this point the kingdom of Denmark believed that old Hamlet had died of natural causes. As it was custom, prince Hamlet sought to avenge his father’s death. This leads Hamlet, the main character into a state of internal conflict as he agonises over what action and when to take it as to avenge his father’s death. Shakespeare’s play presents the reader with various forms of conflict which plague his characters. He explores these conflicts through the use of soliloquies, recurring motifs, structure and mirror plotting.