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The road cormac mccarthy critical essay
The road cormac mccarthy critical essay
Literary analysis of "the road" by Cormac McCarthy
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In Cormac McCarthy’s novel The Road, a man and his son journey across a post-apocalyptic terrain in search of a place in the south that is more suitable for life. Their travels highlight their struggles and the evils they face in this post-apocalyptic society. For example, the man and the boy must constantly search for food in a dead world that only has a limited amount of food left, and if they stop searching or do not find anything, they will surely die. They must also run from the “bad people” who enslave, prostitute, and eat people. Because there are so many “bad guys” out there, the man trusts no one on the road, and he tries to avoid other humans as much as he possibly can. The boy is extremely trusting, and he wants to help everyone …show more content…
The narration even says, “If he is not the word of God God never spoke” (McCarthy 5). The man has gone through a lot in his lifetime, and because he has been living in this post-apocalyptic society, he has seen the absolute worst in people, which has shaken his faith. Everyone they meet on the road is corrupted in some way. Some people eat other people in order to thrive in this dying world, while others steal from desperate people to keep moving on. Either way, the man has only seen people motivated by personal gain except for the boy. The boy preforms selfless acts for others out of the goodness of his heart, and it greatly saddens him when he cannot help other people. The boy is the last thing in the world that he perceives as good, so he places his child on a pedestal. He is saying that if the boy is not the physical embodiment of Christ, then God simply does not exist. The article “God, Morality, and Meaning in Cormac McCarthy's The Road” by Erik J. Weilenberg brings attention to this idea when he states, “The man’s declaration is that either his son is the word of God, or all practical purposes, the Universe is a godless one” (Weilenberg
In Cormac McCarthy’s book The Road, the two main characters struggle to keep moving forward. Their motivation to push onward is found in the bottom levels of Maslow’s hierarchy of needs; which are physiological, safety, and emotional. Each of the levels are equally important in order for the man to reach self-actualization. In order to reach the top level, however, the man must fulfill the bottom levels first.
It has been three years since humanity was still alive. The year is 2020; very few people are left in America. A great series of large volcanic eruptions covered the region. No one could have prepared for them, and not one person predicted these tragedies. The author, Cormac McCarthy, shows the enticing travel of a father and his son. They must travel south for warmth, fight the starvation they are facing, and never let their guard down. They will never know what insane people might be lurking around the corner.
The boy is a symbol of hope for the future of the world and he is proof that some humanity still exists in this dark world. The thief sees this in the boy, since McCarthy describes him seeing something “very sobering” to him in the child’s face. The boy wants to be the good guy so badly that he does not want to hurt their enemies, a fairness that the father finds hard to advocate. The boy symbolizes hope and the innocence and goodness in this new and acrid world. The goodness in the boy is one even his father cannot understand; a goodness buried deep within the boy.
Many find reverence and respect for something through death. For some, respect is found for something once feared. In a passage from The Crossing by Cormac McCarthy, a man cares for a wolf that has died. The prominent religious motif and the paradox contrasting beauty and terror create a sense of awe that is felt by the narrator as he cares for the wolf.
Cormac McCarthy’s novel, The Road, is set sometime in the future after a global disaster in which tells a story of a nameless boy and father who both travel along a highway that stretches to the East coast. This post-apocalyptic novel shows the exposes of terrifying events such as cannibalism, starvation, and not surviving portraying the powerful act of the man protecting his son from all the events in which depicts Cormac McCarthy’s powerful theme of one person sacrificing or doing anything humanly possible for the one they love which generates the power of love.
The Road by Cormac McCarthy is about a father and son who are surrounded by an apocalyptic world where they are trying to survive. Many of McCarthy’s books are about negative or violent times like Blood Meridian and All The Pretty Horses. McCarthy enjoys writing about the terror in the real world. When writing literature, he avoids using commas and quotation marks.. Many works of literature have a plethora of themes throughout them, in The Road, the theme that sticks out the most is paternal love. The boy is the only thing that stands between the man and death. Aside from that, the father doesn’t kill anyone for food, he only takes the life of people who threaten the boy. Lastly, the man allows the boy have the last of their supplies, food,
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
Everyone has their own different opinion of how they want to interpret religion, but there are always some common things that can be picked out from any religion and that is the image of a prophet or a Messianic figure. That can be seen in McCarthy’s book that the boy is seen in the image of a Messiah, because he has been kept pure throughout all of the havoc that has happened. There was an instance when the father was looking at the boy and he thought: “Then he just sat there holding his binoculars and watching the ashen daylight congeal over the land. He knew only that the child was his warrant. He said: if he is not the word of God God never spoke” (McCarthy 5). What can be taken from that part is that it is uncertain if the boy believes in God, but it is certain without a doubt that the man does. He believes that the boy could be a symbol of holiness. Shelly Rambo asks the question of, “how are we to interpret this language within the context of a world that bas collapsed? The context is critical here. How do we read images such as the breath of God and the Messianic references to the boy after the end of the world?” (Rambo 104). Like stated before, everyone will have their own interpretation of what is said in this book. Some will interpret it with a deep spiritual meaning and some may not have a literal interpretation to it. But it can be seen that the boy might have the same type of
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
I perceive the value of human life as invaluable. Your text enables me to envision how life would be without the comfort and security of civilization. The man’s views on life are judged by his experiences and his sole objective is to keep him and the boy alive. The father repeatedly promises himself and the boy that he would do anything for him. “My job is to take care of you. I was appointed to do that by God. I will kill anyone who touches you.” (pg 80).The boy returns the act of concern that the man has for him. The boy puts a large emphasis on that the man also must eat and drink ‘you to’. His compassion and willingness to help others in need brings conflict between him and his father. “Cant we help him? Papa? No. We cant help him.” (pg 51) The difference of the father’s practicability and the boy’s compassion is predominant. The text reinforces the idea that all life is sacred and important.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
In the work The Road by Cormac McCarthy a father and son struggle to survive in a post-apocalyptic world with evil surrounding them. They always refer to themselves as, “The good guys,” (McCarthy 66) and try to not become evil. They see things like cannibalism as evil, and would rather go hungry than succumb to this evil. The father constantly tries to keep the child’s eyes away from the gruesome scenes that characterize this environment.
The boy constantly begs his father to be sympathetic and charitable to the drifters that they encounter on the road, but the father usually refuses or either puts up an argument before finally giving into the boy, and handing over one or two cans of food to the stranger. Although “the man” is in survival mode, he expresses no compassion for humanity and therefore represents “the bad guys”. “They came upon him shuffling along the road before them, dragging one leg slightly and stopping from time to time to stand stooped and uncertain before setting out again.”(McCarthy 49). “They followed him a good ways but at his pace they were losing the day and finally he just sat down in the road and did not get up again.”(McCarthy 49). “He was burntlooking as the country, his clothing scorched and black.” “One of his eyes was burnt shut and his hair was but a nitty wig of ash upon his blackened skull.”(McCarthy 49, 50). “What is wrong with the man?” “He’s been struck by lightning.” “Can’t we help him?” “Papa?” “No.” “We cant help him.” “The boy kept pulling at his coat.” “Papa?” “Stop it.” “Cant we help him Papa?” “No.” “We can’t help him.” “There’s nothing to be done for him.” “They went on. “The boy was crying” “He kept looking back.” (McCarthy 50). I was agitated with “the man” during this part of the novel, because I feel that he should have at least stopped and checked on the fee...