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Archetypal criticism the road cormac mccarty
Cormac mccarthy the road analysis essay
Cormac mccarthy the road analysis essay
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In The Road by Cormac McCarthy, a man and the boy live in a post-apocalyptic world in which fire has destroyed much of the landscape leaving forests and cities in ash and ruins. They spend a majority of their days trekking a southbound road, and throughout their journey on the road, they are unremittingly challenged by their environment. The threat of cannibals capturing them, the possibility of hypothermia, and imminent starvation are constant terrors. Each trial they face is met with the man’s constant attempts to encourage the boy. Due to the troubles they face and the security they lack, it is difficult for the man to keep the faith to continue on their journey. Because of the many mentions in the novel, the man and boy’s recognition of an omniscient being is proof they rely on a god to be their motivation and the man’s hope for the future is fueled by a higher power acting as their guiding light.
In McCarthy’s novel The Road, the protagonists’ actions are governed by an unspecified moral code. Morality is the understanding of right and wrong behavior, and, due to its universal meaning, it is an idea that has not been created by humans. Morality is best justified as a spiritual connection to a higher power. It is this higher power that has instilled in the man and the boy what is
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acceptable behavior in their time of desperation. It is a spiritual connection that guides acceptable behavior; the internal fire that is guiding the man and the boy can only be the result of a higher being initiating a spiritual connection. The first spoken words in McCarthy’s novel point to the man’s belief of a higher being existing in his universe. He says, “If he is not the word of God God never spoke” (5). The man believes if his son had not been created by a god then everything had come into being without a god. Wielenberg explains in his article, “God, Morality, and Meaning in Cormac McCarthy’s ‘The Road,” the god depicted in the book of Genesis is a god that creates through speech (1). Had the god not spoken, nothing would have been created because Wielenberg says, “a God that does not speak is a God that does not create” (Wielenberg 1). Therefore, the man merely agrees that, if a god existed but did not speak and therefore did not create, his son would not have come from a god. Consistently throughout The Road, the man and boy mention that they are “carrying the fire,” and they, particularly the boy, believe “carrying the fire” constitutes good morals (McCarthy 128). For example, a conversation takes place between the boy and a man that has come upon him on the road that illustrates the boy’s understanding of morality (McCarthy 283, 284). The boy asks the man if he is “carrying the fire,” and after the man says yes, the boy then asks another question and is almost surprised to find out the man doesn’t eat people. The man demonstrates he and the boy share the same morals and are therefore influenced by the same higher power that instills suitable behavior. Many Christians would believe the internal fire that guides the man and the boy is what they would refer to as the light of Christ. Christians believe that Jesus Christ was sent down from heaven to be a living sacrifice for the entire world. He was the son of God and his purpose was to live a perfect life and set an example of living through his words and his actions. When he was crucified, God sent the Holy Spirit as a constant reminder of the standard of behavior set by Jesus during his time on Earth. Christians refer to the Holy Spirit as the light of Christ because it acts as a moral compass, influencing and directing the actions of Christians and people everywhere. As Wielenberg says, “[C]arrying the fire and being a good guy are closely related: only good guys carry the fire” (4). Whereas bad guys steal, lie, break promises, and treat people as food, good guys maintain morale by refraining from those acts. Carrying the fire is synonymous with being guided by the light of Christ, and many Christians would testify in saying Jesus never stole, lied, broke promises or ate people. In another instance where “carrying the fire” is mentioned, the father and his son have encountered some people being held in an abandoned house, slowly being eaten limb by limb. While the two sit on the side of the road and eat all they have left of some apples, the boy becomes worried they will starve and asks the man if they would ever eat anyone. The man assures the boy that they would never eat anyone, no matter what, because they are “the good guys” and they are “carrying the fire” (McCarthy 128). This proves, through the spiritual connection to a higher being, they have a profound understanding of what is considered right behavior. Wielenberg explains in his article that not eating people is among other moral codes within the understanding of the man and the boy (4). Another important quality needed to survive the harshness of the road is the unwillingness to give up. The man and the boy face many challenges on the road, but, all the while, the man incessantly inspires the boy to keep his faith and to keep his eyes on the good that will come. The inspiration that the man gives to the boy is not something that he has mustered up himself. The man doubts the goodness of the higher being (McCarthy 11). One morning, while the boy is sleeping, the man goes off by himself and seemingly prays: “[A]re you there? he whispered. Will I see you at last? Have you a neck by which to throttle you? Have you a heart? Damn you eternally have you a soul? Oh God, he whispered. Oh God.” Although the man has his doubts about the higher being, it does not negate the fact that the higher being is continuously guiding and influencing the man’s decisions. In his song Don’t Give Up, Seth Dias encourages the listener to not “give up because the faith you lack,” and, in this moment of weakness, the man is angry that his god has not come through in the way that he expected.
The man is crying out to “God,” desperate for him to intervene (McCarthy 12). In the third line of his song, Dias explains to the listener that “he’ll let you bend but not break.” If the higher being that Dias is writing about is the same that governs the moral code in the man’s world, then the god that exists in the man’s universe is allowing for the man and the boy to experience trial but is protecting them from being crippled or torn down by the same
trials. This raises the question of does the higher power allow for the man and the boy to practice free-will or has it pre-destined all the things that they will experience? If the higher power does not let the man and the boy experience anything that they can’t handle, does that mean that it intervenes to prevent things from straying from a plan that it has set out? And, does that also mean that the god is motivating and encouraging the man to go along with a plan that has been set out for him? As Wielenberg points out on the first page of his article, there are many instances where a higher being seems to have intervened. For example, the man and the boy are starving and running low on supplies when they find a bunker filled with food (McCarthy 138). Later, they are again on the brink of starvation and the boy spots a house in the distance and they find food inside of it (McCarthy 202). Still later, the boy encounters the man on the road after his father dies, giving the boy another chance at survival (McCarthy 281). A pattern of such experiences develops throughout the book, and it is these events that suggest a divine intervention has taken place. In accordance with the preceding paragraph, another example occurs later in The Road on pages 238 through 240. The man and his son have reached the coastline and have come across an abandoned, shipwrecked boat named “Parajo de Esperanza” (McCarthy 223). The man has spent two to three days strip searching the boat and salvaging any resources he can find. On his final trip aboard the ship, the man finds a flare gun (McCarthy 240). It is not an easy find and, had the man not lingered on the boat just a few moments longer, he would not have found it. The spiritual being that exists in this book is capable of motivating the man and the boy in a wide range of decisions, and the instance that occurs on page 240 is an example of how the spiritual being motivates them even in what seems like the most insignificant of moments. Despite the many trials they face, the man and boy remain persistent in their state of mind. They choose to act in ways that are filled with morality and good judgement, an antithesis of the choices many people are making in the world around them. The spiritual connection they have to a higher being anchors them in faith and allows them to find encouragement through this higher being.
In Cormac McCarthy’s The Road, the author makes various references to the Bible and to religion. Those references also can be compared on how they have changed the way of humans in real life. Along with how the boy maintains his innocence throughout this whole book even when he witnessed events that could’ve changed him. The man tried to the best of his abilities to preserve the innocence of the boy. Through all of the obstacles that they both faced, the man managed to keep the boy safe and even in his last moments he was sure that he taught his boy how to tell when people were good.
In Cormac McCarthy’s book The Road, the two main characters struggle to keep moving forward. Their motivation to push onward is found in the bottom levels of Maslow’s hierarchy of needs; which are physiological, safety, and emotional. Each of the levels are equally important in order for the man to reach self-actualization. In order to reach the top level, however, the man must fulfill the bottom levels first.
It has been three years since humanity was still alive. The year is 2020; very few people are left in America. A great series of large volcanic eruptions covered the region. No one could have prepared for them, and not one person predicted these tragedies. The author, Cormac McCarthy, shows the enticing travel of a father and his son. They must travel south for warmth, fight the starvation they are facing, and never let their guard down. They will never know what insane people might be lurking around the corner.
In Cormac McCarthy’s The Road, the boy and his father carry the fire within themselves. This image of fire is the true nature of their courage to continue on the road to the unknown.
Many find reverence and respect for something through death. For some, respect is found for something once feared. In a passage from The Crossing by Cormac McCarthy, a man cares for a wolf that has died. The prominent religious motif and the paradox contrasting beauty and terror create a sense of awe that is felt by the narrator as he cares for the wolf.
Cormac McCarthy’s novel, The Road, is set sometime in the future after a global disaster in which tells a story of a nameless boy and father who both travel along a highway that stretches to the East coast. This post-apocalyptic novel shows the exposes of terrifying events such as cannibalism, starvation, and not surviving portraying the powerful act of the man protecting his son from all the events in which depicts Cormac McCarthy’s powerful theme of one person sacrificing or doing anything humanly possible for the one they love which generates the power of love.
The Road by Cormac McCarthy is about a father and son who are surrounded by an apocalyptic world where they are trying to survive. Many of McCarthy’s books are about negative or violent times like Blood Meridian and All The Pretty Horses. McCarthy enjoys writing about the terror in the real world. When writing literature, he avoids using commas and quotation marks.. Many works of literature have a plethora of themes throughout them, in The Road, the theme that sticks out the most is paternal love. The boy is the only thing that stands between the man and death. Aside from that, the father doesn’t kill anyone for food, he only takes the life of people who threaten the boy. Lastly, the man allows the boy have the last of their supplies, food,
Imagine a world where everything is black and covered in layers of ash, where dead bodies are scattered throughout the streets and food is scarce. When earth, once green and alive, turns dark and deadly. A story about a man, his son and their will to survive. Within the novel Cormac McCarthy shows how people turn to animalistic and hasty characteristics during a post-apocalyptic time. Their need to survive tops all other circumstances, no matter the consequences. The hardships they face will forever be imprinted in their mind. In the novel, The Road, author Cormac McCarthy utilizes morbid diction and visual imagery to portray a desperate tone when discussing the loss of humanity, proving that desperate times can lead a person to act in careless ways.
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
In the post-apocalyptic novel, The Road, by Cormac McCarthy, a man and his son travel south through the ruins and ash of their demolished home. Crippled by fear, starvation, and loneliness, the man and his son struggle to maintain physical, mental, and emotion health. Throughout the novel, the characters remain unnamed, with little description of their physical appearance. The man shares all of his beliefs, memories, qualms, and feelings through his thoughts and conversations with the boy. The man has many compelling convictions referencing The Holy Bible and his unwavering belief in God. However, these accounts often contradict each other. Throughout the novel, the existence of God is indefinite. The ambiguity of the novel relates to the ambiguity of God’s existence; the characters are left in the dark about what is to come throughout their journey, just as they are left to wonder whether God’s light is illuminated or diminished among the wreckage of their forgotten world.
I have conflicting thought regarding Cormac McCarthy's novel The Road. My initial thoughts of the novel were that it was solely built on the complete devastation of two characters lives and the surrounding landscape and their constant search for survival. However after giving it further insight I discovered the underlying messages of the importance of good and bad people in my life, the beauty of the little things in life and constant greed showed by desperate individuals. I believe the novels successes comes from the messages of the significant value of human life and the importance of memories in our lives.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
In the work The Road by Cormac McCarthy a father and son struggle to survive in a post-apocalyptic world with evil surrounding them. They always refer to themselves as, “The good guys,” (McCarthy 66) and try to not become evil. They see things like cannibalism as evil, and would rather go hungry than succumb to this evil. The father constantly tries to keep the child’s eyes away from the gruesome scenes that characterize this environment.