Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essays about draculas
A brief summary of the dracula by Bram Stoker
Literary elements bram stoker's dracula
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Coppola's Adaptation of Bram Stoker's Dracula
The legendary creature Dracula has mesmerized readers and viewers for nearly a century. In Bram Stoker's masterpiece, Dracula, the infamous monster affects each reader in a different way. Some find the greatest fear to be the sacrilegious nature of his bloodsucking attacks, while others find themselves most afraid of Dracula's shadow-like omnipresent nature. The fascination with Dracula has assimilated into all parts of society. Dracula can now be seen selling breakfast cereals, making appearances on Sesame Street, and on the silver screen. Countless film adaptations of Stoker's original novel have been undertaken by the some of the most skilled directors in Hollywood including, Francis Ford Coppola who completed a film adaptation of Dracula in 1993.
In creating his film, Coppola strived to create a film that remained true to Stoker's original creation. In fact, he insisted upon calling the movie Bram Stoker's Dracula, but in reality the movie fell well short of his lofty goals. Coppola realized the complexity of Dracula's character and hoped to combine all of the irresistible qualities that have made him legendary. Coppola however, became too attached to the loving seductive nature of Dracula and neglected the monster's horror. Stoker's original novel centers on the fear Dracula creates and the omnipotent nature of his existence. Dracula only directly appears in the novel a few places. The majority of his existence occurs on a sub textual level, which starkly contrasts the most recent film version.
In Coppola's film, Dracula has a very active and visual role in almost every scene. It is quite understandable the temptation Coppola had of showing Dracula a...
... middle of paper ...
... it is not. The movie is simply a vehicle for making money and is not truly a retelling of the original Dracula. The story is not Stoker's and is merely Coppola's representation of what he feels Dracula means to people in the twentieth century. The film has certain aspects of fear but falls drastically short of the fear that exists in Stoker's classic story. The movie will simply be added to the long list of films that have attempted to recapture the magical horror of Stoker's novel but have fallen drastically short.
Works Cited
Holte, James Craig. Dracula in the Dark: The Dracula Film Adaptations. Westport: Greenwood Press, 1997.
Stoker, Bram. Dracula. New York: Signet, 1992.
Bram Stoker's Dracula. Screenplay by James V. Hart. Dir. Francis Ford Coppola. Perf. Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves. Columbia Tristar, 1992.
Leatherdale, Clive. Dracula: The Novel and the Legend. East Sussex, England: Desert Island Books, 1985.
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths. Dracula was not the first story featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Once Jonathan arrives at the castle, he is met by the mysterious Count Dracula, a man described as strong and pale, with bright ruby lips and sharp white teeth. Although Jonathan is unaware of what Dracula truly is, he can already sense that something is amiss, and he gets worr...
Loosely based on the novel Dracula by Bram Stoker, the film is the story of a
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
roots and is by no means as socialist as it was. But is it still
In act 2 scene 6 and act 3 scene 6 of the play ‘Dracula’, the
Over the course of cinematic history, many filmmakers have attempted to recreate the chilling, unprecedented world of Bram Stoker’s Dracula. Arguably very few have succeeded, for the majority of directors tend to avoid the pervasive sexuality inherent in the novel. It is a difficult task to achieve, considering the blatant imagery surrounding sex and vampirism, such as the reproduction following a vampiric encounter and the phallocentric nature of the violence committed both by and against these creatures: penetration is involved in their hunting, and one must impale them with a stake in order to destroy them. Readers are thereby forced to admit that Dracula is, in fact, a highly eroticized piece of literature, though whether or not Stoker himself was aware of this suggestiveness, we cannot be sure. The most successful effort at capturing that sexual energy on film has been Francis Ford Coppola's 1992 movie, Bram Stoker's Dracula. In fact, it has often been proposed that Coppola’s version is too carnally focused in comparison to the original work, which leads a viewer to wonder about the purpose in this overt sexualization. It can be concluded that adding copious amounts of eroticism to the film is directly related to Coppola’s strive to depict Count Dracula as more human rather than monster, and sexuality in his film serves as a balance so that the lines between good and evil are blurred. Evidence for this deduction is found in three scenes in particular: Jonathan’s seduction by Dracula’s vampiric wives, Lucy’s demonic transformation, and Mina and Van Helsing’s relationship during the climax of the story.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
It has been nearly one hundred and seventeen years since Bram Stoker published his ground breaking novel entitled “Dracula” and only twenty-two years since the movie “Bram Stoker’s Dracula”, a film based upon the novel, was unleashed upon the world. The book and the movie were a success and influenced the creation of a genre that still is seen today in pop culture. Though many raved about the story, no one ever explored the source of this fantastical tale of blood shed. To understand where his inspiration took flight, one would have to look back five hundred and eighty-three years ago, when a notorious Romanian prince inflicted fear upon the masses. Vlad III, also known as Vlad Tepes or Vlad the Impaler, was a ruthless warrior with an intense blood lust and the sort of person Stoker would have drawn from to create his masterpiece. In exploring why Vlad would make such a likely candidate for Stoker, one need only take a peek into his blood-stained past and it would become quite clear.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.
are not taken as seriously as they have been. It would be safe to say,