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Mythological essay
Mythological essay
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Contrasting the Black Orpheus Film and the Greek Myth of Orpheus
and Eurydice
If you met a man named Orpheus who had a girlfriend, would you assume her name was Eurydice? Many people would, because the myth of Orpheus and Eurydice is from “many, many thousand years ago” and is still passed on today, verbally and through works of literature. In his 1959 film Black Orpheus, Marcel Camus interprets this well-known myth, making changes to the story to make it more dramatic and interesting. Black Orpheus is substantially different from the original myth because Orpheus has a girlfriend before meeting Eurydice, Hermes plays a different role, Orpheus kills Eurydice, Orpheus cannot bring Eurydice back from the underworld, and Orpheus’ death is different.
The first factor that is different is Orpheus has a girlfriend before he ever meets Eurydice. His girlfriend, Mira, is very controlling of him. She is very jealous after he meets Eurydice at the depot, but he does not even ask her name. When Orpheus and Mira go to the registry to get a marriage license, the clerk asks if Mira is Eurydice based on the myth and upsets her. As they enter the registry, Mira is telling Orpheus to do certain things to look nice, while another woman is helping her man fix his tie. This shows how controlling she is. Orpheus asks if Mira got what she wants as they leave the registry, but she wants something else. To celebrate the engagement, Mira wants Orpheus to buy her a ring, but he has to use his money to get a guitar he had on reserve. Then Mira just wants him to pick out the ring and she will loan him the money, but he doesn’t have time, so she buys an expensive ring while he gets his guitar. Orpheus is like a caged bird with Mira because she keeps ...
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...tory into a fable by adding a moral at the end, one that might be: Do not cheat on your girlfriend, because she may seek revenge. Another take on this would be that since Orpheus interferes the first time Death tries to take Eurydice away, he must die for his actions. In contrast, in the original myth Orpheus meets Death only in the underworld, after the Maenads have killed him.
In closing, it is obvious that Marcel Camus’ Black Orpheus deviates from the given myth of Orpheus and Eurydice. Camus creates his own extra characters and hints at many lessons to learn in life so as to add a learning effect to the story. Significant differences exist between Black Orpheus and the myth because Orpheus has a girlfriend, Hermes plays a different role, Orpheus kills Eurydice, Orpheus does not bring Eurydice back from the underworld, and Orpheus dies in a different manner.
For example, Corrigan said, “Sometimes he claimed the scar along his thigh indicated he was actually the biblical figure of Jacob. Jacob, the brother of Esau? Jacob, who wrestled God’s angel and lived” (80). Corrigan, in this excerpt from the novel, alluded to the bible story in Genesis. One who knows the story of Jacob and Esau would be able to make connections between those from that story and the characters in the book. This biblical allusion caused some readers to be able to make deeper connections in the novel but yet does not hinder the understanding of someone who does not recognize the reference. Corrigan also wrote, “You so easily remember the times I was Eurydice, when the ward’s locked door slid closed between us. Do not forget I also have been Orpheus, on my knees in the boat, asking all the devils for your face in the trees” (100). This allusion to Greek mythology aided the reader in understanding one of Corrigan’s central themes in her novel. In the story Orpheus was a poet who was able to entrance enemies with his singing and lyre playing. After his wife, Eurydice, was killed, he traveled to the underworld to rescue her. Corrigan writes that she and Danny took turns being both Eurydice and Orpheus in that one was doing the rescuing and one was being rescued. They were there for each other through their troubles and
The film is fairly close to that of the play. The main reason for the differences between the movie, "Oedipus Rex" and the play "Oedipus the King" are mainly because of the simple fact that you are able to actually see it happening in the movie. Also because they had to cut down the dialogue for the movie because the play’s dialogue was very long, and if they hadn’t have shortened it, then it would have been very long. The play, of course, had much more dialogue that that of the movie.
Sophocles' Oedipus Tyrannus can be argued that it is related loosely to Rita Dove's The Darker Face of the Earth. This comparative and contrasting characteristics that can be seen within both plays make the reader/audience more aware of imagery, the major characters, plot, attitudes towards women, and themes that are presented from two very different standpoints. The authors Sophocles and Dove both have a specific goal in mind when writing the two plays. In this paper I will take a closer look of the two, comparing and contrasting the plays with the various elements mentioned previously.
In Oedipus Rex by Sophocles and “The Lottery” by Shirley Jackson, there is a deception where readers think one thing, but are presented with a different point of view. They are profoundly similar for various reasons regarding structure and theme. They are complementary in establishing the primary conflict of drama during the storyline; however, Oedipus Rex encompasses foreshadowing that divulges drama from past experiences. Additionally, the authors incorporate violence as a key component in the conflict presented. However, the drama differs in plot, as well as symbolism, in which the reader understands it before or amid the story through gradual discovery. The themes and presentation of these dramatic plots are initially compelling, distinctive,
The story of Orpheus and Eurydice is one that has been passed down through generations for thousands of years. Almost every generation has heard a rendition of how Orpheus and Eurydice fall in love with one another and are eventually parted by death. I say rendition because this myth is passed on by word of mouth, which in return causes the story to change depending on the story teller. This may also have a great deal to do with the different interpretation people form about the story. Black Orpheus, directed by Marcel Camus in 1959, is an interpretation or modern rendition of the Greek myth, Orpheus and Eurydice. Although this film does not adapt the literal meaning of the Greek myth in every scene, I do believe that many scenes adopt the symbolic nature of the film, particularly the decent to the underworld.
I believe that Oedipus the King was more intensely tragic and I think that if I
From the fourteenth to the seventeenth century the Renaissance transformed European culture and society. Many classical texts resurfaced and new scientific techniques arose. To many, Leonardo da Vinci is one of the most important figures in Renaissance history. He was given the name “Renaissance Man” because of his large role and impact. He had a large list of interests that spanned from science, art, anatomy, architecture, and mathematics. All of which were fundamental components that shaped the Renaissance era into what we know it as today.
The story of Orpheus and Eurydice is one that has been retold countless times over the years. It started as a Greek myth, later being made into a movie titled Black Orpheus. After reading the myth and watching the movie, it is easy to see that there are far more differences in the two works than similarities. These differences are not only in the way the story is told, but also in the organization of the events that take place and in the description of the characters. The main differences in these two versions of the myth are the role of the characters, the main plot scheme, and the journey into the underworld.
The myth of Eurydice is a sad story in which two lovers are separated by death. After his love dies, Orpheus journeys into the underworld to retrieve her, but instead loses her for good. Playwright Sarah Ruhl takes the myth of Eurydice and attempts to transform this sad tale into a more light-hearted story. However, despite humorous lines and actions throughout the play, the melancholy situation of the actual tale overwhelms any comicality present. Although meant to be funny, Sarah Ruhl's “Eurydice” can be seen as a modernized tragedy about two lovers who are separated forever by a twist of fate.
Joseph Conrad’s “Heart of Darkness” is the author’s most celebrated work. The book conveys the story of Marlow, who is a sailor on the ship. Marlow narrates the story describing particularly what he came across during his journey and experienced. When we look at the events that take place in the book, it is unquestionable that Women do not occupy a significant portion of the story; the story is predominately male dominated. However, does women’s lack of appearance make them minor characters? Or do women have a minor effect in the story? Having analyzed the book under the scope of “Feminist View”, we can answer these questions and say that women play considerable roles even though they occupy a small portion in the story. In my essay I will
In the story of Orpheus and Eurydice, the two get married but Eurydice quickly perishes. Overcome with grief Orpheus convinces Hades to let him bring back Eurydice to the world of the living. He agrees but on one condition; Eurydice has to walk behind Orpheus and he cannot look back to see if she's following. Orpheus agrees, but when the couple are just about to leave Erebus, Orpheus looks back to see his lover. With a final "Farewell" Eurydice
Pasquerella, Lynn. “The Death Penalty in the United States.” The Study Circle Resource Center of Topsfield Foundation. July 1991. Topsfield Foundation. 03 Feb 2011. Web.
The Editors of Encyclopædia Britannica. "Orpheus (Greek Mythology)." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 30 Mar. 2014.
Is the death penalty morally wrong? Anti Death penalty advocates argue life is "so" sacred that we shouldn't even be taking the lives of murderers, but what about the innocent people that died because of that murder. Steven D. Stewart, Prosecuting Attorney for Clark County, Indiana, put it best, " I believe life is sacred. It cheapens the life of an innocent murder victim to say that society has no right to keep the murderer from ever killing again. In my view, society has not only the right, but the duty to act in self defense to protect the innocent" (12).
Smith, Johanna M. Smith. "'Too Beautiful Altogether': Patriarchal Ideology in Heart of Darkness ." Joseph Conrad, Heart of Darkness: A Case Study in Contemporary Criticism , ed. Ross C. Murfin. New York: St. Martin's Press, 1989. Pp. 179-198.