The themes of consumerism and masculinity are constantly found throughout the novel 'Fight Club' (1996) by Chuck Palahniuk. Masculinity has come to mean guts and vigour, and a fervour for controlling your destiny. However, children are being taught in schools to be niches rather than to make a mark on the world. Palahniuk claims "They're taught to accept the world the way it is. I felt that all of my schooling was to get me a good corporate job so I could be a good corporate citizen, pay my taxes, live politely and then die." (Hill, 2004). Palahniuk sees the protagonists of Fight Club are in revolt against the destinies that society allocates to them. Consumerism The theme of consumerism is seen in the novel as a negative. "You buy furniture.
Throughout time, literature—including films which are culturally, historically, and aesthetically significant—has reflected the cultural psyche of a particular society in the sense that it brings attention to and defines conditions which exist within a particular society. Fight Club is a postmodern drama that examines the impact of a post-industrial society (within this paper, the terms “postmodern” and “post-industrial” are used interchangeably and assume the same meaning) on masculinity within American culture. Postmodernity, according to David Macey’s Dictionary of Critical Theory (307-309), began with the period of accelerated growth that immediately followed World War II, and the era is characterized by increased growth in the fields of science, technology, engineering, and mathematics. Thus, as Macey paraphrases economist Ernest Belgian, “…in the postwar period, market capitalism…[has] been superseded by a third technological revolution that gives rise to an era of…late capitalism;” that is, the technologi...
Chuck Palahniuk wrote an afterword for the paperback edition of Fight Club, in which he indicated that his novel was principally an updated version of F. Scott Fitzgerald’s The Great Gatsby: “Really, what I was writing was just The Great Gatsby, updated a little. It was ‘apostolic’ fiction – where a surviving apostle tells the story of his hero. There are two men and a woman. And one man, the hero, is shot to death” (Palahniuk 215). Much can be written about the similarities and contrasts between these two novels. In addition to this simple plot similarity, both novels provide powerful social commentary on the state of American culture and the detrimental impact of capitalism on the individual during their respective times. The Great Gatsby was published in the 1920s and Fight Club in the 1990s, giving two similarly written literary snapshots of American society at opposite ends of the twentieth century. The temptation is to analyze and compare these novels in terms of American consumerism at different times, the individual’s quest for self-identity in the increasingly conformist capitalist structure, or to focus on literary aspects, such as character and narrative structure. However, these obvious subjects seem secondary to an overarching thematic similarity.
“In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four” (Orwell 250). Winston lives in a time where a set of rules preventing him to be free are imposed on him – the Party defines what freedom is and is not. “Freedom is the freedom to say that two plus two make four. If that is granted, all else follows (Orwell 103)”. Winston expresses his views on The Party within his diary even though he knows it is not accepted by The Party or the Thought Police. The narrator in Fight Club uses fighting as a form of escapism from his anti-consumerist ideologies revealed by his alter-ego, Tyler Durden. “Fuck off with your sofa units and strine green stripe patterns. I say never be complete, I say stop being perfect, I say let’s evolve—let the chips fall where they may. (Fight Club)” Tyler urges the narrator to stop conforming to consumerist-imposed views of perfection and break barriers to evolve. Tyler and the narrator create a medium for people in similar positions to escape from societal bound norms; it is aptly named “Fight Club”. In comparison, both Tyler Durden and the narrator from Fight Club and Winston Smith from 1984 share
“I had to know what Tyler was doing while I was asleep. If I could wake up in a different place, at a different time, could I wake up as a different person?” (Palahniuk 32). When Tyler is in action, narrator is not contemporaneous in a sense that he is Tyler now. Tyler is someone who doesn’t give any importance to money-oriented world but he indeed believes in the willpower of constructing a classless society. The narrator is insomniac, depressed, and stuck with unexciting job. Chuck’s prominent, pessimistic, radical work, Fight Club, investigates inner self deeper and deeper into personality, identity, and temperament as a chapter goes by. Through his writing, Chuck Palahniuk comments on the inner conflicts, the psychoanalysis of narrator and Tyler Durden, and the Marxist impression of classicism. By not giving any name to a narrator, author wants readers to engage in the novel and associate oneself with the storyline of narrator. The primary subject and focus of the novel, Fight Club, is to comment socially on the seizing of manhood in the simultaneous world. This novel is, collectively, a male representation where only a single woman, Marla Singer, is exemplified. “Tyler said, “I want you to hit me as hard as you can” (46). This phrase is a mere representation of how to start a manly fight club. However, in the novel this scene is written as if two people are physically fighting and splashing blood all over the parking lot, in reality it’s just an initiation of fight club which resides in narrator’s inner self. The concept of this club is that the more one fights, the more one gets sturdier and tougher. It is also a place where one gets to confront his weaknesses and inner deterioration.
Fight Club is a novel written by Chuck Palahniuk. This is a story about a protagonist who struggles with insomnia. An anonymous character suffering from recurring insomnia due to the stress brought about by his job is introduced to the reader. He visits a doctor who later sends him to visit a support group for testicular cancer victims, and this helps him in alleviating his insomnia. However, his insomnia returns after he meets Marla Singer. Later on, the narrator meets Tyler Durden, and they together establish a fight club. They continue fighting until they attract crowds of people interested in the fight club. Fight club is a story that shows the struggles between the upper class and lower class people. The upper class people here undermine the working class people by considering them as cockroaches. In addition, Palahniuk explores the theme of destruction throughout the book whereby the characters destroy their lives, body, building and the history of their town.
The main theme that is demonstrated in Fight Club is collective consciousness. Collective consciousness is a term coined by Emile Durkheim and it refers to a set of shared attitudes and beliefs that operate within a society as a unified force. They are a way of understanding and acting in the world in a specific way among society members. It was concluded by Durkheim that earlier societies were banded primarily by nonmaterial social facts or a strongly held morality that was common among members of the society. According to Durkheim, social interactions among members of a society lead to the development of a collective consciousness, particularly interactions between families and small communities, among people who have common interests, spend their recreational time together, or who share a common religion. All of these are present in the movie Fight club. The movie begins with a small group of people who are joined together in the act of fighting recreationally. At the beginning, only a small number of people take part in the fighting. Over time, however, more and more people gain an interest in it and eventually the group grows larger, while the members come to know one another within their group. The group is eventually “officially” organized as “fight club”, and with it, certain rules are established that are to be followed by its members. This sets up some of the values and norms that the members of the group follow. These rules become their shared way of understanding and acting in a specific way within the group. Collective consciousness is formed in the group when the individuals in Fight Club act and think in similar ways. More Fight Clubs are developed across the nation, and eventually the main character organizes the...
Ruddell, Caroline. "Virility and vulnerability, splitting and masculinity in Fight Club: a tale of contemporary male identity issues." Extrapolation 48.3 (2007): 493+. Literature Resource Center. Web. 9 Dec. 2013.
Society becomes so rationalized that one must push himself to the extreme in order to feel anything or accomplish anything. The more you fight in the fight club, the tougher and stronger you become. Getting into a fight tests who you are. No one helps you, so you are forced to see your weaknesses. The film celebrates self-destruction and the idea that being on the edge allows you to be beaten because nothing really matters in your life.
Chuck Palahniuk 's fiction is rich in its content and a challenging material for criticism. Almost all his novels focus on revolt against consumer culture. Ron Riekki says that "Palahniuk 's novels repeatedly take anti-capitalistic stances, mocking corporations, often destroying the symbols of capitalistic enterprise" (89). This chapter is devoted to the Marxist perspective of three of his novels. It handles Fight Club, Invisible Monsters and Choke as a postmodern example of men 's suffering from consumer capitalism. The three novels have common subtitles such as class struggle, alienation and the overdose of consumerism in America. Palahniuk seems to be interested in the culture of consumption. To consume involves feeling alienated and rejected.
Others often use masculinity, most often associated with strength, confidence and self-sufficiency to define a man’s identity. The narrator perceives Tyler Durden as a fearless young man who is independent and living life by his own rules. So is Tyler Durden masculine because of his no nonsense attitude or are his law breaking antics and unusual lifestyle seen as a failure because he is a man with neither family, money nor a well respected job? These typical aspirations are commonly defined as the male American dream, but does following life by the rulebook placed on males by society really make a male masculine? Fight Club specifically debunks the male American dream. It challenges’ the idea that the masculine identity is defined by material items and instead embraces the idea that masculine identity can be found in liberation from conformity and the ability to endure pain.
Fight Club “Its only after we’ve lost everything are we free to do anything”, Tyler Durden as (Brad Pitt) states, among many other lines of contemplation. In Fight Club, a nameless narrator, a typical “everyman,” played as (Edward Norton) is trapped in the world of large corporations, condominium living, and all the money he needs to spend on all the useless stuff he doesn’t need. As Tyler Durden says “The things you own end up owning you.” Fight Club is an edgy film that takes on such topics as consumerism, the feminization of society, manipulation, cultism, Marxist ideology, social norms, dominant culture, and the psychiatric approach of the human id, ego, and super ego. “It is a film that surrealistically describes the status of the American
“My boss doesn’t know the material, but he won’t let me run the demo with a black eye and half my face swollen from the stitches inside my cheek”(Palahniuk, par. 1). Chuck Palahniuk’s “Fight Club” deals with a man frustrated on many different levels; from his childhood to present day life. Fight Clubs' setting contributes to what makes Fight Club such a powerful story. The narrator who is never named, starts off in chapter six with what could be described as an office hell; complete with empty smiles and feeble minded speak of which color icon they will use for office reports. The beginning of chapter six reminds the reader of mindless zombie office speak and a lack of life, that is all too common in many peoples lives. The reader will most likely identify with what is written in a manner easily transferable to anyones life. I believe most people, when reading would characterize the office environment as the light side and the hours during fight club at the bottom of the bar the dark side. I would argue the complete opposite. For the narrator, all the hate, the disgust, the total contempt for humanity is created in that office environment. All the feelings of life, and meaning, and what I would characterize as happiness is all felt during the time fight club is in effect in the bottom of that bar.
Psychological disorders are widely represented in films, as well as in other media texts such as novels, television shows, etc. One film that portrays more than one example of a psychological disorder is Fight Club, a Twentieth Century Fox movie released with an R rating in 1999. Directed by David Fincher; and produced by Art Linson, Cean Chaffin, and Ross Grayson Bell, the movie mainly introduces Dissociative Identity Disorders (also known as Multiple Personality Disorders), but also hints at insomnia and depression. The movie is adapted from the book Fight Club written by Chuck Palahniuk. Fox marketed the movie using a “myriad of merchandise, including posters, the soundtrack, and even email addresses (yourname@fightclub.com)” (CNN). The movie’s production budget was set at $63,000,000 with the movie grossing $37,030,102 (Daily Box Office). The characters of the movie refer to themselves as the “middle children of history” with the feelings of having no purpose or place in life. They convey that they have no history-making events or real set goals and/or destiny to look forward to. They were brought up by society to believe that one-day they would be rich, famous and loved just as those depicted on television. This is symbolic of society during the surrounding time of the movie’s release. It is prevalent in modern society to strive to become someone/something that one sees in the media. The movie is directed towards Generation-X, but the “…hope was that the film would demonstrate the themes of the story to a larger audience. It would offer more people the idea that they could create their own lives outside the existing blueprint for happiness offered by society” (Palahniuk). This message was one that demanded that its viewers put all that drives them aside, and rethink what they had been taught from childhood. After the film’s release, instead of delivering the message that was intended, it was met with criticism and misunderstanding. This was due partly to the fact that it was scheduled for release shortly after the Columbine shootings. The movie became an easy target for those upset by the blatant violence which surrounded the Columbine incident. Although Fight Club is a film full of violence it is in reality one that promotes anti-violence, and points out to the audience the human impulses that cause violent behavior. Ironically, despite all of the med...
To begin, the story talks about a character named Bob. Bob was a former body builder, gym owner, product endorser, and a juicer (21). Bob can serve as the epitome of a man—tough, masculine, etc.—if it had not been for his misfortune. After “shooting too much testosterone” into his body, he developed “bitch tits” and attended the support group, Remaining Men Together, for his troubles. This issue’s severity is shown by the bleak and gloomy emotions expressed by Bob when he ran to the narrator while crying with his shoulders down (21). Bob’s image of being a man plummeted as he started to become more like a woman. As the story shows, the issues of becoming less of a man caused Bob to feel negatively about himself, as if he had to exemplify the image of a male in order to be accepted by society. There were many others like Bob who suffered from similar discontentment. To improve their masculinity, many “men raised by women” (50) used Fight Club as a way in expressing their masculinity, as if it would have a significant effect on their lives. Fight Club was an area where men could express their masculinity in the way of thrashing on each other. As Fight Club continued, it exponentially expanded, even to other states including Chicago, Seattle, and more (121). This shows that there were many men who felt that being
Our group collectively decided to choose the movie Fight Club as the movie to review for this case study. Fight Club was released on October 15, 1999 and is based off the novel written by Chuck Palahniuk in 1996. The movie was directed by David Fincher and featured several outstanding actors such as Brad Pitt and Edward Norton. We settled on reviewing Fight Club due to the films’ psychologically thrilling nature.