Conservation and Preservation of the Pompeiian Architecture
The ancient Roman city of Pompeii was buried by a volcano in 79 AD. That should be enough to destroy any town, but the city's buildings were in fact protected by this coating of ash, and although it would never be inhabited again, it now bears witness to an incredible period of history. For thousands of years, the city lay virtually undisturbed, and protected from the elements and erosion. Excavations carried out over the last centuries have allowed the city to be once again buzzing with people, and even if this notion may appear romantic, the city is also affected by the elements once again, and that is a major problem.
Since it was freed from its ash coffin, Pompeii has not fared well. The millions of yearly visitors, who flock to the site to see firsthand the living legend that is Pompeii, are causing erosion in a way that was not anticipated. The balance that had kept the city protected for so long has been disturbed, and it is now a victim of an unacceptable degree of damages.
This two-part project will look at this problem. Part one will explain the main causes and nature of the damages: World War II air raids, the earthquakes (especially 23/11/80), vegetation, water, erosion by tourists, atmospheric pollution, and restorations. Most of the information for this paper comes from Jean-Pierre Adam's book, Dégradation et restauration de l'architecture Pompéienne, which is a very thorough and detailed description of the degradation of Pompeii. Part two will deal with what is or should be done to prevent further damage and restore what has been lost, which includes proper restoration, control of tourists, and effective management of the site a...
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On the afternoon of 24th August 79 AD, a volcano called Mt. Vesuvius erupted, which resulted in destroyed lives of citizens, it was estimated that there were 10 to 12 thousand people who occupied the city .The cities of Pompeii, Herculaneum and a few others were severely affected by the eruption. The cities are well known for its beautiful landscapes and its temperate climate.Pompeii is based in the south, close to Naples in the region of Campania in Italy.The eruption started a series of events such as pumice,rocks and ashes falling down and caused hot volcanic gases to rise high in the sky, people from around 100 miles away could see the event unfolding.The remains of Pompeii and other cities was frozen in time due to the pyroclastic surges
There are several prominent geographical features that played a major role in the daily life of Pompeii. The geographical location of Pompeii, its economic and industrial activity, entertainment and the Roman influence in the city’s architecture all convey different geographical features. These features contributed in shaping the way the city’s inhabitants went about their daily lives, and all had a profound impact on Pompeii
The Pompeii exhibition at LACMA was an astounding visualization of history. The exhibition provided all sorts of objects; from sculptures, glass figures, painted art, and more. These art pieces specify the kind of life that was taking place in the Bay of Naples during the second century. As we know the cities around the Bay of Naples, which include Pompeii and Herculaneum, became tourist attractions when the cities were excavated after they were buried from the volcanic eruption of Mount Vesuvius. However, the comprehension of how the art pieces made their way into the museum is just a little fact of the history behind them. With this exhibition we are able to feel like we are back in time and living in the exhilarating time of Pompeii.
In conclusion, Pompeii still has unexcavated areas which modern day experts are debating to keep not excavate anymore, and instead leave it for future archaeologists with more advanced technologies than current times. Since the introduction of archaeology in Pompeii in the 19th and 20th century, the city that was uncovered and full of mysteries is now coming back to
“… he [Heinrich Schliemann] found layers of ruins … and two bore unmistakable signs of violent destruction. One of these layers, the seventh according to more recent excavators, was no doubt the city of Priam and Hector. The historicity of the Homeric tale had been demonstrated archaeologically.” - M.I. Finley, the World of Odysseus
Throughout the ages, many scholars and future-scholars have offered an explanation for the meaning of structures from the ancient years, either by their placement or construction. None has fascinated or pushed scholars for reasons than structures and art of the ancient Romans, more specifically those constructed in the years of the Pax Romana and Crisis and Decline of the Roman Empire (27 BC to 284 AD).
Nearly two millenniums ago a massive eruption rocked the Roman city of Pompeii, destroying buildings and coating the town in deep layers of volcanic ash. Fortunately, this same ash served as a tool for preservation and has allowed archaeologists to discover the remains of various types of Pompeii’s art. The values, beliefs, and daily workings of Roman culture have been brought to new light through the paintings, mosaics, statues and other forms of art found in the lost city of Pompeii.
The private and public leisure activities of Pompeii and Herculaneum were largely abundant. Many activities could be participated in and were used often. These include Drama performances, gladiatorial games, drinking, gambling, brothels, exercise, gardens, baths and food and dining. All these were an important part of Pompeian and Herculaneum life. They were seen as important to keep the body and mind healthy in most cases. Though some opposed some of the activities like brothels, gambling and drinking. But all give a important look into the life of those in Pompeii and Herculaneum before the catastrophic eruption of Vesuvius which completely destroyed both towns and all its inhabitants.
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
Pompeii is possibly the best-documented catastrophe in Antiquity. Because of it, we know now how the Pompeians lived because they left behind an extensive legacy of art, including monuments, sculptures and paintings. Pompeii lay on a plateau of ancient lava near the Bay of Naples in western Italy in a region called Campania, less than 1.6 kilometers from the foot of Mount Vesuvius. With the coast to the west and the Apennine Mountains to the East, Campania is a fertile plain, traversed by two major rivers and rich soil. However, in the early days, it was not a remarkable city. Scholars have not been able to identify Pompeii’s original inhabitants. The first people to settle in this region were probably prehistoric hunters and fishers. By at least the eight century B.C., a group of Italic people known as the Oscans occupied the region; they most likely established Pompeii, although the exact date of its origin is unknown. “The root of the word Pompeii would appear to be the Oscan word for the number five, pompe, which suggests that either the community consisted of five hamlets or, perhaps, was settled by a family group (gens Pompeia)”(Kraus 7). In the course of the eight century B.C., Greek and Etruscan colonization stimulated the development of Pompeii as a city around the area of the Forum. A point for important trade routes, it became a place for trading towards the inland. Up until the middle of the 5th century B.C., the city was dominated politically by the Etruscans.
The Fragment of a Fresco is dated to 50-25 B.C., generally categorizing it into the Second Period of Roman paintings and placing its creation during the time of transition of Rome from a Republic to an Empire. This particular fresco was discovered in Pompeii, which is considered one of the leading sites of such pieces of art. While many Roman frescos throughout all four styles depict scenes of historical importance in both military and cultural aspects, this particular piece, Fragment of a Fresco, provides more of an architectural and interior design quality than that of other pieces from this time period.
Zanker, Paul. The power of images in the Age of Augustus. Ann Arbor: University of Michigan Press, 1988. (P. 158 ~ 159)
Throughout history, there have been several significant architectural movements. The last, and perhaps most enduring movement is that of Classic Greece. Although for centuries, the architecture of ancient Greece has been admired, mimicked, and replicated, its beginnings are somewhat surprising to one unfamiliar with the history of the region. It is important to understand the history and mechanics of Classic Greek architecture in order to fully appreciate its form, function, and beauty. “Ancient Greek architects strove for the precision and excellence of workmanship that are the hallmarks of Greek art in general. The formulas they invented as early as the sixth century B.C. have influenced the architecture of the past two millennia” (metmuseum.org).
... although we may never be able to understand exactly what soil failures can occur when a natural disasters take place, as time goes on and testing instruments and materials advance we will hopefully have a better understanding of what we can do to avoid soil failures and come up with a better and more sufficient method of improving the soils structure and strength permanently. While researching the information for this report I feel I have a much better understanding for construction geo-technics and foundations especially regarding the deformation, liquefaction and pile information related to this specific event. I hope to carry the information I have learned from this event into the construction field and apply them towards an authentic project that’s taking place and know that the information, regarding soils, I have given input on will be precise and accurate.
Mount Vesuvius is a strato-volcano consisting of a volcanic cone (Gran Cono) that was built within a summit caldera (Mount Somma). The Somma-Vesuvius complex has formed over the last 25,000 years by means of a sequence of eruptions of variable explosiveness, ranging from the quiet lava outpourings that characterized much of the latest activity (for example from 1881 to 1899 and from 1926 to 1930) to the explosive Plinian eruptions, including the one that destroyed Pompeii and killed thousands of people in 79 A.D. At least seven Plinian eruptions have been identified in