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Problems with racism in literature
Problems with racism in literature
Chinua achebe on cultural conflict
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Heart of Darkness and the Dehumanization of Africans
The Western world, generally speaking, is not kind to Africa and its native inhabitants. We acknowledge Africa's existence, but we do not want to see or understand anything about it beyond the obvious: overt things that are open to criticism like Apartheid (a European invention). The occasional praiseworthy entity is given momentary applause, but felicitations are short-lived and quickly forgotten. These statements refer just to politics, so one can imagine the rightful indignation by twentieth-century African writers when their work is largely ignored in favor of such enlightening fare as Heart of Darkness. One writer, Chinua Achebe, seeks to change this view by illustrating the complex, unquestionably civilized rituals and protocols of day-to-day African life. He is not alone in his endeavor, as several other writers also portray an Africa worthy of respect while they crumble the long-standing traditions of ignorant bias and patronization.
Can Achebe really change the perception that Africa is nothing more than the heart of an immense darkness that surrounds all of us? That is exactly what he tries to do in his essay on racism. He ascertains that "white racism against Africa is such a normal way of thinking that its manifestations go completely unremarked." He further questions the classification of Heart of Darkness (or any work that dehumanizes Africans) as a "great work of art" (12). Obviously, this essay is more direct in its attack on the standard view of Africa than his novels, but Achebe uses the essay forum to state his hopes about the future of African literature in the West. He wants to rehabilitate this image that he keeps seeing from everyone who ha...
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...oroughly rehabilitated me towards Africans in literature. Only a few billion more to go until Achebe can call his project a success.
Works Cited
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Hopes and Impediments: Selected Essays. New York: Anchor, 1990.
-- -- --. No Longer at Ease. London: Heinemann, 1960.
-- -- --. Things Fall Apart. 1958. The Norton Anthology of World Masterpieces, Expanded Edition, Vol. 1. Ed. Maynard Mack. London: Norton, 1995.
Ba, Mariama. So Long a Letter. 1980. The Norton Anthology of World Masterpieces, Expanded Edition, Vol. 1. Ed. Maynard Mack. London: Norton, 1995.
Conrad, Joseph. Heart of Darkness. New York: Signet, 1997.
Soyinka, Wole. Death and the King's Horseman. The Norton Anthology of World Masterpieces, Expanded Edition, Vol. 1. Ed. Maynard Mack. London: Norton, 1995.
After the tragedy of Lincoln's death, Vice President Andrew Johnson stepped up into the presidential position and started his own plans for reconstruction; his too, would turn out to be a failure. He supported hardcore Democratic principles and restoring Southern power. He brought in the remaining states back into the constitution. He
Lawall, Sarah,et al. The Norton Anthology of World Literature. 2nd ed. Volume A (slipcased). Norton, 2001. W.W. Norton and Company Inc. New York, NY.
...ay to the rise of big business. Americas population was increasing, many citizens were employed and making money, and more eager to spend. Some of the businesses got too big and antitrust acts, such as the Sherman anti-trust act, were passed to control the powers of monopolies and their owners. Not only were there monopolistic companies in the corporate world, there were monopolies in the railroad business as well. The control of railroads became an issue in politics over the abuses and operations of the rail systems. Soon, the federal agencies Interstate Commerce Commission was formed as the first regulatory agency to control private businesses in the public?s interest. More and more control was placed upon Americas businesses and corporations and from this grew unions, as well as conflicts between management and labor, all of which exist today.
Bierhorst, John, et al. The Norton Anthology: World Literature. Vol I. New York: W.W. Norton & Co.,
By utilizing an unbiased stance in his novel, Things Fall Apart, Chinua Achebe promotes cultural relativity without forcibly steering his audience to a particular mindset. He presents the flaws of the Ibo tribe the same way he presents the assets—without either condescension or pride; he presents the cruelties of the colonizers the same way he presents their open mindedness—without either resentment or sympathy. Because of this balance, readers are able to view the characters as multifaceted human beings instead of simply heroes and victims. Achebe writes with such subtle impartiality that American audiences do not feel guilty for the cruel actions of the colonizers or disgusted by the shocking traditions of the tribesmen. The readers stop differentiating the characters as either “tribesmen” or “colonizers”. They see them simply as people, much like themselves. With this mindset, the audience starts to reflect upon their own cultural weaknesses. Conversely, the colonizers forcefully declare their religion onto the tribesmen instead of neutrally presenting their beliefs. Achebe prevails over his anger to present his opinion without forcefulness and with open-minded consideration. Yes, the colonizers succeed in converting many tribesmen into Christians; however, their success is subjective because they destroy African culture in the process. Ultimately, Achebe is successful in delivering his political views, but he does so by encouraging open-mindedness and cultural relativity instead of forcing his individual ideals upon his readers.
Has evil always been around, or did man create it? One could trace evil all the way back to Adam and Eve; however, evil came to them, but it was not in them. When did evil become part of a person? No one knows, but evil has been around for a long time and unfortunately is discovered by everyone. In many great classics in literature evil is at the heart or the theme of the novel, including Harper Lee’s novel To Kill a Mockingbird. This classic book demonstrates the growing up of two children in the South and illustrates the theme of evil by showing how they discover, how they deal, and how they reconcile themselves to the evils they experience.
Green, Cencilia. (1997). Historical Roots of Modern Caribbean Politics. Against the Current. Vol. 12, (4), 34-38.
While many support embryonic stem cell research, some people oppose it say that it is an unethical practice. According to these people, embryonic stem cells require murdering a baby, human life is defined by rational beings, those capable of rational thought or a consciousness. In order to be rational one must have a consciousness, the ability to have thoughts and feel pain, to begin with. “For a fertilized egg, there is no consciousness and also no history of consciousness” (Stem). If abortions are allowed within the United States, why shouldn’t embryonic stem cell research be? Another claim against embryonic stem cell research is that it devalues human lives. “Some argue that researching embryonic stem cells will lead us into cloning technology” (Embryonic). While embryonic cloning is a possibility, we already possess the capabilities to clone so cloning is an invalid argument. The final argument against embryonic stem cell research is that there are alternatives, like adult stem cells. While adult stem cells may be utilized, they won’t be as effective. Embryonic stem cells are not only efficient but also renewable. They can be grown in a culture where as adult stem cells are extremely rare, if there are any. They can only be found in mature tissue. Isolating these extremely rare cells is challenging and has a high failure rate if not harvested correctly. “One major difference between adult and embryonic stem cells is their different abilities in the number and type of differentiated cell types they can become” (Stem). Using adult stem cells we might never understand our development from conception ...
...ric, and blatantly naïve accounts by Joseph Conrad in his Heart of Darkness, Achebe brings to light the level of sophistication and complexity of pre-colonial societies. Rich with institutions of governance and traditions of belief, Achebe counters Conrad in the claim that Africa was a primitive and empty land that simply was the antithesis to Western society. Through the character of the District Commissioner, Achebe makes this ignorance of Igbo society - and pre-colonial civilizations in general – abundantly clear. After written an entire novel on the intricate life of Okonkwo up until his symbolic suicide, the District Commissioner – just as Joseph Conrad – encounters the protagonist and synthesizes his life – albeit his death - to a couple paragraphs. Only in the perspective of those with in pre-colonial Africa do we truly see how things really just fell apart.
Anthology of World Literature. Ed. Peter Simon. 3rd. ed. Vol. B. New York and London:
The information given me by various professionals who have repeatedly evaluated my daughter is the biggest issue that I face in my life. In order for me to resolve my issue I need to explore whether my issue lies with the professionals and the process of evaluation, or with me not wanting to accept that my child is disabled.My six and a half year old daughter, Malia, began to show signs of delayed development at age eighteen months. Her speech started to regress and there were also behavioral signs that were significant enough for me to ask our doctor for advice. When was not concerned to the point that I was I contacted Multnomah County Developmental Disability department and requested that they evaluate Malia. They agreed that that were delays, and made a referral to Portland Public Schools Early Intervention Program for special services suchas speech therapy, occupational therapy, and other early learning resources for children with disabilities. I also switched Malia to a pediatrician who immediately referred her for a full-scale evaluation at Oregon Health Sciences University (OHSU) where they have an evaluation clinic for children with disabilities.
then thought of their humanity – like yours. Ugly.” [pg.5] Conrad is a kingship, and a kingship is a kingship. Achebe makes the point that this racism is overlooked simply because racism against Africa is a “normal way of thinking” [pg.4].
Darkness. It pervades every corner of this world, casting literal and metaphorical shadow over everything. Creeping in the hearts of humans, drifting across the night sky, under the bed, darkness is a terrifying, yet quintessential concept in our human mentality. And, as such, it presents itself in cultures and stories around the world to explain the unknown and the terrifying. Through the presentation of the struggle with internal and external “darkness,” both Joseph Conrad’s Heart of Darkness and Chinua Achebe’s Things Fall Apart draw upon contrasting viewpoints and cultures, as well as an ironic play of “darkness” between the Europeans and the Africans, to construe the tragedy unfolding in Colonial Africa.
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.
Africa has been the embodiment of european perspectives before and after the Colonialism; these perspectives have attempted to provide insights on the facts behind it. In those terms, Africa has been reduced an atmosphere of concepts such as deep darkness, mystery, and madness, a place in which attrocities arise at any time of the day, and people are savages and chaotic. From that colonialist viewpoint, Africa was a place that needed help and control urgently in order to save it form itself and civilize it; therefore, white European men felt the need of accomplishing this mission and bring civilization to black men, which only meant to do thing as Europeans did. In Conrad's Heart of Darkness (1993), these European visions are portraited to such an extent that makes us understand that to unveil the heart of Africa we first need to be expose to their attrocities, and realise that we will always fail to do it because the chaos would consume us as well. Achiebe says it himself “Heart of Darkness projects the image of Africa as "the other world," the antithesis of Europe and therefore of civilization, a place where man's vaunted intelligence and refinement are finally mocked by triumphant beastiality.” (Achebe, 1977) This is one of the many issues that postcolonialism argues and confronts as a lie, since African history has only been told from the colonizer's viewpoint overshadowing the perspectives and voices of the colonized. Chinua Achebe, on the other hand, was the first writer to actually tell the story from the eyes of the African communities through his novel Things Fall Apart, more especifically, nigerian tribes. In this essay, I will attempt to analyze from a postcolonial approach themes present in the novel such as identity, ...