Confronting Fear in Heart of Darkness and Apocalypse Now
Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover.
The Puritans left Europe in hopes of finding a new world to welcome them and their beliefs. What they found was a vast new world, loaded with Indian cultures new to them. This overwhelming cultural interaction caused some Puritans to go mad and try to purge themselves of a perceived evil. This came to be known as the Salem witch trials.
During World War II, Germany made an attempt to overrun Europe. What happened when the Nazis came into power and persecuted the Jews in Germany, Austria and Poland is well known as the Holocaust. Here, human's evil side provides one of the scariest occurrences of this century. Adolf Hitler and his Nazi counterparts conducted raids of the ghettos to locate and often exterminate any Jews they found. Although Jews are the most widely known victims of the Holocaust, they were not the only targets. When the war ended, 6 million Jews, Slavs, Gypsies, homosexuals, Jehovah's Witnesses, Communists, and others targeted by the Nazis, had died in the Holocaust. Most of these deaths occurred in gas chambers and mass shootings. This gruesome attack was motivated mainly by the fear of cultural intermixing which would impurify the "Master Race."
Joseph Conrad's book, The Heart of Darkness and Francis Coppola's movie, Apocalypse Now are both stories about Man's journey into his self, and the discoveries to be made there. They are also about Man confronting his fears of failure, insanity, death, and cultural contamination.
During Marlow's mission to find Kurtz, he is also trying to find himself. He, like Kurtz had good intentions upon entering the Congo. Conrad tries to show us that Marlow is what Kurtz had been, and Kurtz is what Marlow could become. Every human has a little of Marlow and Kurtz in them. Marlow says about himself, "I was getting savage (Conrad)," meaning that he was becoming more like Kurtz.
King Henry VIII is considerable the most controversial monarch Great Britain has ever had. He is commonly known for his ill-advised decisions, six wives, and splitting Great Britain from the Catholic Church to create the Church of England. King Henry VIII of England’s determination to guarantee his family line’s continuation in the throne caused many problems, such as religious tensions, economic hardships, and political adversaries that continued one long after his death.
Francis Ford Coppola’s Apocalypse Now portrays the brutality of the Vietnam War and American’s perspective from therein. Coppola successfully produced this film parallel to Joseph Conrad’s 1899 novella, Heart of Darkness. Both portray the effects of imperialism on a native land with respect to the imperialists’ viewpoint. The scene of Apocalypse Now that mirrored Heart of Darkness with the most creative license, on the behalf of Coppola, is perhaps the final scene as Kurtz is slaughtered. Each creator successfully utilized the arts of their crafts to create a final production worthy of admiration while clearly stating their interpretation of imperialism.
... Ruth, along with others, came at a time when the country was looking for, and needed heroes, and the new commercial radio stations of the 1920s gave people more access to them. Many people began to admire athletes such as the boxer Jack Dempsey, or golfers Bobby Jones and Walter Hagan, and other baseball players like Lou Gehrig and Ty Cobb. The country was in desperate need of distractions from the pain and suffering that had gone on during the war, and these men provided it.
During World War II there was event that lead to deaths of millions of innocent people. This even is known as the holocaust, millions of innocent people were killed violently, there was mass murders, rapes and horrific tortures. The question I will attempt to answer in the course of this paper is if the holocaust was a unique event in history. In my opinion there were other mass murders that people committed justified by the feeling of being threatened. But I don 't believe that any were as horrific and inhumane as Germany’s genocide of the Jewish people.
Comparing Heart of Darkness and Apocalypse Now Heart of Darkness, written by Joseph Conrad, and "Apocalypse Now," a movie directed by Francis Coppola, are two works that parallel one another but at the same time reflect their own era in time and their creator's own personal feelings and prejudices. "Apocalypse Now" was released in 1979 after two years in the making, as Coppola's modern interpretation to Joseph Conrad's novel, Heart of Darkness (Harris). Conrad's book is an excellent example of the advances writers and philosophers made in the nineteenth and early twentieth centuries. This advance deals with civilized humanity's ability to be prepared for and know the unknown. (Johnson) Comparatively, Copolla's movie did the same in the late 1970's.
Baseball player. Born George Herman Ruth, Jr., on February 6, 1895, in Baltimore, Maryland. He was the first of eight children born to Kate and George Herman Ruth, Sr. Most of the Ruth children died in infancy and only George Jr. and his sister Mamie survived to maturity. Little George, as he was called, grew up in a poor waterfront neighborhood in Baltimore, where he lived above the family saloon.
Francis Coppola’s movie Apocalypse Now was inspired by the world famous Joseph Conrad novel Heart of Darkness. A comparison and contrast can be made between the two. Both have similar themes but entirely different settings. Heart of Darkness takes place on the Congo River in the Heart of Africa, while Apocalypse Now is set in Vietnam.
Francis Ford Coppola’s Apocalypse Now is the 1979 epic Vietnam War film based on the novel Heart of Darkness by Joseph Conrad. However the word ‘based’ as to be called into question as the two differ quite dramatically. The periods in which the two stories are about are completely different, within 70 years of each other, as is the setting and the circumstances. However, through the ideas of savagery and madness character, plot, and the themes which both pieces seem to convey the two stories are very similar and it is clear that Coppola was heavily influenced by Conrad’s Heart of Darkness.
“Under an overcast sky — seemed to lead into the heart of an immense darkness.” This is the last line of the book Heart of Darkness and it summed up the setting and tone of the book. Apocalypse Now is an epic war film made in 1979 set in Vietnam directed by Francis Ford Coppola. It is based on the book Heart of Darkness. The settings of both the book and the movie are very different; they take place in completely different places. However, their effects are very similar to each other and shown in a variety of ways: in character development, cultural aspects, as well as thematically.
In the opening scenes of the documentary film "Hearts of Darkness-A Filmmaker's Apocalypse," Eleanor Coppola describes her husband Francis's film, "Apocalypse Now," as being "loosely based" on Joseph Conrad's Heart of Darkness. Indeed, "loosely" is the word; the period, setting, and circumstances of the film are totally different from those of the novella. The question, therefore, is whether any of Conrad's classic story of savagery and madness is extant in its cinematic reworking. It is this question that I shall attempt to address in this brief monograph by looking more closely at various aspects of character, plot, and theme in each respective work.
He was a human that had emotions, he experienced grief with the multiple miscarriages and deaths of his sons and the betrayals of his wife’s, Anne Boleyn and Katherine Howard. Also the death of Jane Seymour, the only wife to give him a male heir, brought him into a depression. These events changed Henry’s perspective of his own self, that he was without a legal heir, his health was horrendous and he was being betrayed by those closest to him. Lipscomb describes the transformation of Henry from the popular prince to the tyrant king know today. As shown, “the last decade of his reign, Henry VIII had begun to act as a tyrant. The glittering, brilliant monarch of the accession, toppled into old age by betrayal, aggravated into irascibility and suspicion as a result of ill health and corrupted by absolute power, had become a despot”. Henry is not thought of as the good Christian, but Lipscomb writes throughout this book that Henry was very serious about his religious affiliations. Lipscomb portrays Henry VIII as, “a man of strong feeling but little emotional intelligence, willful and obstinate but also fiery and charismatic, intelligent but blinkered, attempting to rule and preserve his honor against his profound sense of duty and heavy responsibility to fulfil his divinely ordained role”. In other words he was an emotional mess that did not know what to do with his feelings, so he bottled them up and south to seek
In Joseph Conrad's "Heart of Darkness" and Francis Ford Coppola's "Apocalypse Now" the reader learns more and more about human nature as Marlow, Captain Willard, go farther and farther up the river in search of Kurtz. An evil side lies within every man, but this evil remains repressed by society. When moving up the river and farther away from civilization, the evil side begins to break out. Whenever basically different cultures meet we are led to discover ourselves and can even drive us to perceived madness.
Both Conrad’s, “Heart of Darkness”, and Coppola’s, “Apocalypse Now”, profoundly illustrate the journey of man into their inner self and man’s encounters with their insanity, fears and demise. The novella and film are comprised of numerous pivotal themes that facilitate the understanding of the deeper meaning of both works. Fundamentally, theme is an extensive message or idea expressed by an author and is a crucial element of literature since it sheds light on universal concepts. The most striking parallels that can be formulated when comparing themes in both the novella and the film are associated with human nature. Specifically, Conrad and Coppola incorporate theme of hypocrisy in order to portray man’s incredible potential for evil.
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.