Conformity In Jane Austen's Pride And Prejudice

Alexander Pope, a great poet from the 18th century once said, “Nothing so true as what you once let fall, Most Women have no Characters at all Matter too soft a lasting mark to bear, And best distinguish 'd by black, brown, or fair" (FROM WHERE). In the 1700s women were expected to look beautiful, act in a refined manner, and follow the expectations of her elders. They were not to speak their minds and pursue their own interests. If women followed these guidelines, they would find suitable husbands and raise suitable kids. This concept of conformity is highlighted in Jane Austen’s Pride and Prejudice in which the majority of women lack individuality in their pursuit of marriage causing marriages to be based purely around self interest, money,

Susan Morgan describes what makes Elizabeth so attractive to the reader, “Elizabeth, witty, self-confident, with those dancing eyes and not quite as beautiful face depicts for all what is flawed and irresistible about real people. . . those muddy petticoats and glowing cheeks contribute a great deal to Mr. Darcy’s falling in love” (Morgan 3). Elizabeth was not a clone of the society; she was real and sought out a real relationship with Darcy. Upon both agreeing to dance with each other in chapter 18, they both show their refusal to show typical manners of the society. The normal banter between two dance partners is refused by Mr. Darcy as he believes them to be silly and ingenuine, thus showing he is uninterested in being like everyone else. To this, Elizabeth responds, “I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak unless we expect to say something that will amaze the whole room” (Austen 63). Here, Austen is underling what makes Darcy and Jane unlike any other

Society has engrained in Charlotte Lucas’ head that a woman who does not successfully marry will not successfully live. Thanks to society, Charlotte no longer values love, only marriage. “Without thinking highly either of men of matrimony,” marriage has always been Charlotte 's object” (Sleeping with Mr. Collins 120). Charlotte Lucas, unlike Elizabeth Bennet, was self-seeking and largely influenced by societal protocol that she became willing to sacrifice her own happiness. “She would have sacrificed every better feeling to worldly advantage” (Austen 85). She knows that if she does not accept the marriage offer from Mr. Collins, she may never receive another offer and therefore will be a failure in society. Charlotte saw this marriage as her only escape from exclusion from her community. “For Charlotte, this marriage represents an estimable improvement over lifelong spinsterhood” (The feminist critique and Five Styles of Women’s roles in Pride and Prejudice 42). In attempts to avoid the single lifestyle, Charlotte sacrifices a happy marriage and therefore a happy life. By creating the character of Charlotte Lucas, Austen is emphasizing the large burden marriage create for a women in the 1800s. Charlotte and Mr. Collins pitiful display of a loveless marriage display the