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Narrative essay on sport
Narrative essay on sport
Narrative essay on sport
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The Room is considered one of the worst movies ever produced, and this is true in many aspects. Tommy Wiseau, who is the rhetor of this movie, was criticized for numerous crucial errors in the plot. One error in this movie is the way Wiseau establishes the friendship among the male characters. Wiseau settles to use football in order for the audience to understand their friendship. Moreover, the purpose of football is to portray the closeness between Johnny and Mark as it is important in leading to the plot’s key conflict. Nevertheless, Wiseau’s implementations of football into the plot is responsible for the movie’s “badness.” For instance, the male characters arrive at Johnny’s house wearing formal suits in preparation for Johnny’s wedding. …show more content…
However, Denny suddenly proposes to play football as Mark and Peter has only just got there. Furthermore, the football game appears at another scene when Mike is telling Johnny his story. The confusion this time is that Denny is begging to play football, and they have played for a minute or two. Yet after Mike and Mark left, Denny just forgets about continuing playing with Johnny and returns to house with him. Another error in implementing football into the movie is that the characters do not really play football correctly. Every time the movie shows the characters playing football, they are just tossing the ball a few feet away from each other or they are playing in some small settings. Besides Wiseau’s acting skill being worse than that of a high school drama student, his script skill is also atrocious.
The plots is inconsistent throughout the movie. The main conflict of the movie is that Lisa is Johnny’s fiancée, but she suddenly becomes weary of their relationship. Then, she cheats on Johnny and engaged in a relationship with Mark, Johnny’s best friend. There is one scene in the movie when Lisa is talking to her mother about her change of heart, and Lisa’ mother mentions about her breast cancer test result. Nevertheless, this conversation is never mentioned again later in the movie nor is it crucial to the story’s main conflict. Additionally, the appearance of the psychologist Peter leads to the climax in which Lisa’s cheating secret is going to be exposed to Johnny. However, the Peter character has disappeared towards the climax of the film. Then, a new character named Steven is introduced, but his purpose in the plot is similar to that of Peter. This inconsistency creates confusions among the audience because the plot is about to reach the climax, and suddenly a character is replaced. Thus, the error is responsible for landing the movie a spot in the ranking for the worst movies ever
produced.
With nobody but herself at home, Ann strongly desires to talk to someone, and that someone who arrives at her house is Steven. Ann who has been feeling anxious and helpless while isolated suddenly feels relief when Steven comes as shown, “-and suddenly at the assurance of his touch and voice the fear that had been gripping her gave way to an hysteria of relief.” Steven helps comfort Ann, while Ann is being cautious of herself. She knows that Steven is enticing, but will not give in to him despite how attractive she finds him. Steven is the complete opposite of John and Ann compares John to Steven multiple times, “Steven’s smile, and therefore difficult to reprove. It lit up his lean, still-boyish face with a peculiar kind of arrogance: features and smile that were different from John’s.” and even favours Steven more than her husband. Ann is used to seeing John’s features but not Steven’s. This excites Ann and prompts her to develop feelings that are of a high school girls’, “She didn’t understand, but she knew. The texture of the moment was satisfyingly dreamlike.” It takes Ann a moment to realize that her object of temptation is right in front of her, and it does not take long for her to take the opportunity to ease her boredom and isolation through her upcoming
As the film opens, it quickly becomes apparent that Leon, a married law enforcement officer, is cheating on his wife Sonja with Jane, a woman from their dance class. Jane is also married, but is separated from her husband. It is obvious from the start that Leon and Sonja’s marriage is in dire straits. The other main couple, Valerie and John, are struggling to hold their relationship together after the murder of their young daughter. Valerie also happens to be Sonja’s therapist. Through therapy sessions between Valerie and Sonja, it becomes clear that Sonja is having suspicions regarding Leon’s extramarital activities. Simultaneously, Valerie is counseling a homosexual man named Patrick, who is having an affair with a married man. Both patients seem to be causing Valerie an immense amount of stress, as she begins to question whether John is being faithful to her in the midst of their struggles. As the film progresses, Valerie begins behaving erratically due to her growing jealousy regarding the affair that she suspects John of being involved in. While driving home late one night, Valerie becomes stranded and calls John from a pay phone multiple times, but ...
The dilemmas, developed from the motivation, compel the characters to resolve their conflicts. In "The Painted Door", Ann is struggling in a violent tumult of mental and emotional anguish and trying to find importance in life. The conflict arises in her decision to gratify one of two goals; immediate satisfaction, sleeping with Steven, or long term satisfaction, the love and support of her faithful dependable husband. Ann also faces a conflict between a social need and an emotional need. Initially with John she feels she can't connect to society because "John never talks [He] never danced or enjoyed himself" (Ross 160-162), however after sleeping with Steven her guilt leads her to realize that "John is the man with him lay all the future" (174) and only with him can she be completely and emotionally fulfilled.
The main characters in the movie are Lilli and Fred. They are a divorced couple who play Katherina and Petruchio. They are a divorced couple who are very unpleasant to each other. The clash on stage as well as off stage. This helps her relate better to her character. In the play, Petruchio is very nice to Katherina before they get married. He tells her that he can put up with her and that he was born to tame her. Once they are married, everything changes. He begins to act very mean, which is ultimately the reason for her change. In the movie, Fred does many things that upset Lilly and make her want to quit the play before the performance is even over. However at he end, Lilli and Fred End up reconciling, as do Katherina and Pertruchio. If watched closely, the viewers can see her pull out a black book from his coat and throw it away. This would be a sign that things may be shifting for them, in their favor. Fred begins treating Lilly very badly before they go ...
Ann is justified in her decision to "sleeps" with Steven, John’s friend. John has not been paying much attention to Ann and he leaves her alone in their house with Steven. Ann also has prior feelings for Steven from when they where in school together. Ann felt that she is unimportant to John because he frequently leaves her alone; she states, "It isn't right to leave me here alone. Surely I'm as important as your father." Ann just wants to feel loved by John but because he doesn't make her feel loved. She sees Steven as the only person who can give her the love and affection she needs.
As the story progresses in, The Yellow Wallpaper, it is as if the space of the bedroom turns in on itself, folding in on the body as the walls take hold of it, epitomizing the narrator's growing intimacy with control. Because the narrator experiences the bedroom in terms of John's draconian organization, she relies on her prior experiences of home in an attempt to allay the alienation and isolation the bedroom creates. Recalling her childhood bedroom, she writes, "I remember what a kindly wink the knobs of our big, old bureau used to have, and there was one chair that always seemed like a strong friend . . . I could always hop into that chair and feel safe" (Gilman 17). Ironically, Gilman's narrator cannot retire to the otherwise "personal haven" of the bedroom because she is always already there, enclosed within the attic room of John's desires, bereft of her own voice and personal history. The narrator's imagination is altogether problematic for John, who would prohibit his wife from further fancifulness: "[John] says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try" (Gilman 15-16). For Gaston Bachelard, who devotes himself to a phenomenological exploration of the home in The Poetics of Space, "imaginative power" is the nucleus of the home, if not the home itself. Memories of prior dwellings are for Bachelard a fundamental aspect of creating new homes based on a continuity with the past and past spaces. "[B]y approaching the house images with care not to break up the solidarity of memory and imagination," writes Bachelard, "we may hope to make others feel all the psychological elasticity of an image that moves us at an unimaginable depth" (6). Bachelard's "elasticity" infers that spatial depth and expansion are contingent upon a psychological flexibility of imagination. Gilman's narrator is notably denied this elasticity when her physician/husband attempts to prevent her from writing. "I did write for a while in spite of them," the narrator explains, "but it does exhaust me a good deal--having to be so sly about it, or else meet with heavy opposition" (Gilman 10).
George says, “Annie, you didn’t know what was done to that man. You don’t know what happened” (46). Truth about Joe’s faulty part is an inevitable truth that could take Ann away from Chris. Another truth that causes Chris to nearly lose Ann is Kate accidentally saying the truth about Joe’s health. It causes George to go mad and attempt to take Ann again. Also, Sue tells Ann about the Keller’s dark truth and this makes Ann hesitate about Chris for a moment. The truth that should resolve life’s conflict is creating more conflict, like how Chris nearly lose Ann and how he lose his relationship with his family later on.
As this short drama goes on the reader can witness how they change the room and furniture around trying to get it arranged perfectly to keep their guests visiting as long as possible.
Before I delve into these topics, I shall begin by summarizing key aspects of the film. At the beginning of the film, the viewer is introduced to the characters Barbara and Johnny. The characters are siblings and they are visiting their father's name, upon request of the mother. While Barbara is content with the task, Johnny makes several statements that show his discontent with the task. He complains about the cost of the flowers, and believes the job of respecting his father is a waste of time.
Susan, the protagonist in “To Room Nineteen” feels trapped by her life and her family, and afflicted by her husband’s infidelity. Everyone assumes Susan and her husband are the perfect couple who have made all the right choices in life, but when Susan packs her youngest children off to school and discovers that her husband has been having an affair, she begins to question the life decisions she has made. Susan chooses to isolate herself from her own family by embarking on a journey of self-discovery in a hotel room that ultimately becomes a descend into madness. Unlike Susan, the woman in “The Yellow Wallpaper” initially wants contact and interaction with people, but is
When Victoria finds Lisa, she is in the room with her sister. During this time family secrets are brought into the light for Lisa who knew nothing about them. The first secret that was told was about the trust fund. The second secret was deeper and more disturbing.
middle of paper ... ... The room was not just a place for Jack; it was his life for the first five years. It was a place where something happened, something that will change the rest of his and Ma’s life. Emma Donoghue does a fantastic job of giving the audience the point-of-view through the perspective of a child who survived life in a shed and is now experiencing life for the first time.
Her worse fears came true after she saw what was behind the doors of the forbidden room. The worst thing imaginable would be that her new husband was either abusive or a murderer and the latter seems to have been Carter’s choice for the Heroine. The Heroine realizes that her innocence has been taken from her from Marquis and she will now find herself in the same fate as the previous wives. “Nothing in my life of family love and music had prepared me for these grown-up games and yet these were clues to his self that showed me, at least, how much he had been loved, even if they did not reveal any good reason for it. But I wanted to know still more; and, as I closed the office door and locked it, the means to discover more fell in my way.” (Page 15). The Heroine herself admits that her experiences before her marriage to Marquis could not have prepared her for what she may find in the chamber or find out about Marquis. Her referral to “grown-up games’ in itself proves that even the Heroine believes that she may have been a little naïve going into this marriage and that she is not ready for the total package that may come with her new
John prescribes rest for her and places her into a room which is covered in yellow wallpaper that she finds repulsive. One thing that is very important is how the room used to be a nursery. This is ironic because she is almost treated as a...
Woman’s constant metaphors upset Man and portrays his loss of identity because it was something he previously enjoyed. In the play the audience can see this as it is illustrated through their dialogue when Woman states “You used to like my turns of phrases,” and Man replies with “That’s before I started rehab.” This infers that his transition has not been easy for him, but rather harder than he had initially expected and has taken a toll on his identity. Further, as Man describes his surroundings to Woman it is a very plain description, and no real vivid imagery until Woman pushes it on him to be more vivid. Man is being reserved in this dialogue which the reader can infer is connected to his anger and difficulty with being in rehab. However, the only time Man spoke descriptively was when he described the room. The room symbolized a lot of negativity and dreadfulness towards his current situation. He goes as far as to directly incline that he really wishes that he can have an alcoholic beverage. Thus, his description of the room clearly shows the reader the distress he is