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Geometry in construction
Geometry in construction
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THEORETICAL APPROACHES FOR CONCEPTS IN ARCHITECTURE
ABSTRACT
Concepts play a key role in the development of innovative design solutions. Concepts are used to frame some general design approach. Even though there is no sharp distinction between the process of production and the process of interpretation of designs, an “intended” interpretation usually guides the actions of the designers. Concepts are used to frame some general design approach. In the absence of standard pre-organizing design principles, designers base their search on tentative constructions, or hypotheses which they gradually convert into pragmatic ones. Unlike a scientific hypothesis, which aims at being predictive a design hypothesis aims at being productive: it aims to produce
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Moreover, the principles of geometry are not confined to great temples and monuments. Geometry shapes all buildings, no matter how humble. The relationship between geometry and architectural design are described and discussed along some examples. Geometry is the fundamental science of forms and their order. Geometric figures, forms and transformations build the material of architectural design. In the history of architecture geometric rules based on the ideas of proportions and symmetries formed fixed tools for architectural design. Proportions were analyzed in nature and found as general aesthetic categories across nature and art. Therefore proportions such as the golden section were seen as the power to create harmony in architecture as well as in art and music. Geometry can be seen also as a structural science. The architectural design is based on geometric structures developed out of the idea of transformations. The symmetry transformations are visible as design concepts through history of architecture. In contemporary architecture there are no fixed rules about design concepts. But there are still relations to geometric space concepts. There is a need of new geometric background for architectural design.
• Mythology and anecdotes based concepts
Architectural mythology means the symbolism of real-world architecture, as well as describes the importance of vastu Shastra in architecture.
• History and context based approach to
...understandable of making use of perfect architectural form as geometry, in terms of believe and as well as architecture. His design was straight to the point , making use of geometrical shape and it’s magnificent meaning which itself emphasises a perfect form and perfect centre point at its middle, which itself is a powerful remark on the focus point of the building (crucifixion spot at Tempietto and the pulpit at the Basilica) this achievement is more effective rather than using of coloured and expensive material ,gold ,sculpture ,painting ,large windows and light or other architectural elements which Baraque architecture used to bring about the attraction and highlight it’s point in the building.(the Alter of Grace at Church of Vierzehnheiligen)
Lawson, Bryan. How Designers Think: The Design Process Demystified. NY: Architectural Press, 1980, 2007. Massachusetts: NECSI Knowledge Press, 2004.
Palladio had an exceptional grasp of the use of proportion in classical architecture and believed beautiful architecture improved p...
It challenges my mind to think of how these great buildings were constructed by the Egyptians so long ago. The use of precise measurements and careful architecture is outstanding for a civilization to practice in that period of time. I felt that I needed to look into these ancient landmarks more deeply and research as much is I could about them. Writing this paper is a good way for me to better appreciate and understan...
After completion of this step the architects use the surveying drawing to develop a working drawing for the building. In these drawing you will see triangles, rectangles, squares, arches and other geometry shapes and forms to create their design. The architects through our history have used these shapes to create famous structures all over the world. If you go back to Roman historical sites you will see such examples like the great Coliseum. A great example can be seen is the famous Egyptian pyramid. Some other famous structures are the Eiffel Tower which is in Italy, and Chrysler building in New York. If you look around your neighborhood houses, you will see these shapes.
Wicked Problems in Design Thinking Author(s): Richard Buchanan Source: Design Issues, Vol. 8, No. 2 (Spring, 1992), pp. 5-21 Published by: The MIT Press Stable URL: http://www.jstor.org/
In conclusion, the debate between aesthetics and functionalism has been around for a long time. It becomes clear however, through research, that the first thing architects consider is function, and then aesthetics. It is because of this approach that aesthetics becomes somewhat of a by-product of the whole design process. By looking at examples of various buildings, it is apparent that aesthetics is important to structure and in many instances has been successfully coupled with function. But in no circumstance should aesthetics take precedence over the function and practicality of a building. It seems more likely that a happy medium between function and aesthetics can be reached, on a project by project basis, and then applied to the design process of creating the building.
Guangzhou Opera House is a recently completed building by Zaha Hadid Architects. The project is located in the Chinese city of Guangzhou, completed in 2010. The building’s extreme geometry and the spectacular interior have brought about international awareness and appreciations on its design. Followings are two articles that examine and critique the building. One is “L'auditorium asimmetrico (Asymmetrical Auditorium)”from the architecture journal “Abitare”. The other article is “Crazy Angles, Soaring Steel” by Thomas Lane from the architecture Journal “Building”.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
In the process of development of human society, architecture and culture are inseparable. Cuthbert (1985) indicates that architecture, with its unique art form, expresses the level of human culture in different historical stages, as well as the yearning towards the future. According to his article, it can be said that architecture has become one of the physical means for human to change the world and to conquer the nature. Consequently, architecture has been an important component of human civilization. Since 1980s when China started the opening and reforming policy, a variety of architectural ideas, schools and styles have sprung up. Accompanying with a momentum of...
Architecture is the concept of bringing structure, materiality, form and space together as a whole, provide people with enclosed atmosphere to experience. Considering this, it is important to identify that materiality and the purpose of details has been a key methodology to bringing architectural intentions into the design in an affective manner, more over producing an architectural expression. However, this position is rather declining in architecture, reducing tectonics and materiality to being secondary to form and space. With the start of modernism, the attempt to achieve minimalistic style has caused detailing to increasingly develop into a decorative aspect of a building, neglecting its individual contribution to architecture.
Within these eight stages, problems can be framed, the right questions can be asked, more idea can be created, and the best answers can be chosen. The steps aren’t linear; they occur simultaneously and can be repeated. Although design is always subject to personal taste, design thinkers share a common set of value the drive innovation: these value are meanly creativity, ambidextrous thinking, teamwork, and user focus curiosity (Owen, 1993).
In the beginning lectures, I had no idea that brainstorming and conceptualizing an idea was part of an elaborate process to generate good product ideas. Great inspiration and a creative idea require deep thinking. I have learned that opportunity identification involves looking into the problems first rather than diving headfirst into the solution. Identifying and analyzing customer’s needs, market size, sustainability and scalability allows easy identification of low and high potential concepts. As stated in the article by Tim Brown (Brown, 2008), human-centric approach of innovation should be part of the design process as it gives insights into the life of an everyday person.
Abstract: New forms in current world have been testimony to the contemporary style of postmodern architecture and are the strength of today’s generation for creating significant architectural standards. Post modernism has blurred the borders between contemporary and traditional construction classical concepts and simply in the field of art and literature. The architectural elements like domes, arches, and classical shapes have lost their identity but the post modernism tries to bridge between these historical forms and contemporary styles. The related architects not only struggled to achieve the image for the buildings but also rejected oversimplified diagrams for living. The post modernism here tries to achieve theoretical base for their designs that creates the excitement in the design program.