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Figurative language in sonnet73
Critical review on his coy mistress
Figurative language in sonnet73
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Comparison of How John Donne and Andrew Marvell Present Death in Poems To His Coy Mistress and Holy Sonnet X
In the poems To His Coy Mistress and Holy Sonnet X the idea of death
plays a strong part in the overall messages of the poems. Both poets
use effective but very different methods in order to put forward their
views and/or to make a point about society.
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John Donne's poem Holy Sonnet X is very unique Donne uses two main
poetic elements: tone and figurative language. The confident and
defiant tone adds to the speakers triumphant mastery death from a
natural occurrence into a human adversary, capable of being
overthrown. These elements all combine to enhance the theme of the
poem. In contrast Marvell in To His Coy Mistress uses tone, figurative
language and rhythm to give a completely different effect on the
reader. The scornful, jeering manner of Sonnet X is replaced with the
passionate and endearing spirit of an ardent lover. The figurative
language used on the 'coy' mistress stirs the emotions and shocks the
senses of the reader, allowing the increased intensity of the poem as
it progresses to make the poem more effective.
The substantial difference between the two poems with regards to their
approach of death is the influence of how the poets themselves view
death. Donne makes his poem all the more personal by insisting, "nor
yet canst thou kill me". Donne is actually using the poem to express
his own view that death should not be feared, as it has been since the
beginning of time. Donne makes it clear that he is not controlled by
fear of death, as m...
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...ust around the corner - and contradicted this argument with
astonishing shrewdness.
Holy Sonnet X speaks out to me because of its astonishing directness.
Donne has captured the very essence of Death and combined it with the
jeering tones to bring the unseen force down to the level of an
ordinary being.
To His Coy Mistress appeals to my personal tastes, in the style and
message of the poem. It is a very clever poem. Marvell very
successfully lulls the reader into a passiveness with nicely rhyming
couplets with only a few grotesque images to add to the overall effect
of the poem. He demonises time as a tyrant, slowly killing us all
until death finally kicks in to finish us. He then gives the
impression that the best way to fight this demon is to love with
enough passion to free us of the circle of life and death.
The concept of “mortality” (l. 1) is immediately foregrounded in the sonnet, with a significant enjambment on the word itself. So, from the outset, the speaker draws attention to his mortal state, which implies both life, an existence, and an eventual absence of that life. By then concretizing the abstract “mortality,” combining it with the word “[w]eighs” (2), the speaker produces a reification of mortality as an object weighing down on him; thus, a concept implying an absence, mortality, becomes an entity which affects him. The existence of an eventual absence of life, death, produces his turmoil.
“Accustom yourself to believe that death is nothing to us, for good and evil imply awareness, and death is the privation of all awareness; therefore, a right understanding that death is nothing to us makes the mortality of life enjoyable, not by adding to life an unlimited time, but by taking away the yearning after immortality.” (p.103)
As a prelude to an inquiry into thematic elements of the poem, it is first necessary to draw out the importance of Fearing’s use of experimental form. Fearing “adheres” to the conventional use of strophic poetic construction, making use of epigrammatic style, where the seven stanzas separate the lament into isolated combinations and experiments on language and the content suggests each might stand alone as organic entities. Putting these highly-varied units into a single poem reflects on the incoherence of broader theme of death and the response to death, the dirge, as well as the notion that such a broad topic as death contains many sma...
While both of these poems discuss how an author deals with death, they both show death ...
The speaker then calls upon his aged father to join these men raging against death. Only in this final stanza do we discover that the entire poem is addressed to the speaker’s father and that, despite the generalized statements about old age and the focus upon types of men, the poem is a personal lyric. The edge of death becomes a “sad height,” the summit of wisdom and experience old age attains includes the sad knowledge of life’s failure to satisfy the vision we all pursue. The depth and complexity of the speaker’s sadness is startlingly given the second line when he calls upon his father to both curse nd bless him. These opposites richly suggest several related possibilities.
He begins by looking at the very common views of death that are held by most people in the world, and tells us that he will talk of death as the "unequivocal and permanent end to our existence" and look directly at the nature of death itself (1). The first view that
William Penn, an English philosopher and founder of the Province of Pennsylvania, once said that, “For death is no more than a turning of us over from time to eternity.” He is saying that death is not the end of our lives, but just another stage. In the poem “Holy Sonnet 10” by John Donne, the poet talks to death itself and gives his opinion on his view of death and others’ views: it is something that cannot control anything, can be replaced by other things, and is not the end of a person’s life. Through the use of his figurative language, Petrachan form, and tone and language, Mr. Donne expresses the message that death is not to be feared because one lives in heaven. John uses many examples of figurative language in his sonnet.
Death is a predominant theme in the collection of poems, all of death portrayed in the poem lead to a similar interpretation of grief, regret and despair. Throughout the essay I will discuss the similarities and differences between the poems. Although the content of the poems are distinct, the views on death stay constant.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
"A rebirth of the human spirit...," describes a change in emotion that stems from a religious belief. Before the Renaissance, life and death were thought to be predetermined. Towards the end of the Renaissance, poets began to question parts of this belief, and as a result, the value of life came into question. In Sonnet 10, John Donne questions how powerful death is. He first challenges "Death" as he says "Death, be not proud, though some have called/thee/Mighty and dreadful, for thou art not so;" in lines one and two. Yet, in lines seven and eight, Donne declares the power of "Death" by saying "And soonest our best men with thee do go, /Rest of their bones, and soul's delivery." These two quotes contradict each other, however, the question is clear: What is the power of death?
...at significance but more importantly, they see death as a way of escaping the sin and pain that manifests itself on earth. The body is considered a shipping crate when it comes to the soul. It is something for the soul to reside in until it has fulfilled its purpose on earth. Then it leaves, to start a new life in another shipping crate. With a clean conscious each of the characters in these poems are able to die guilt-free and both believe they will ascend to heaven. They acknowledge the fact that their souls will carry on after their bodies have died and seem to rest assure in the fact that there is more to life than the experiences they had on earth. Similar to the way souls are regarded by today's standards, it is something that departs from person upon death and carries the memory of an individual forever. I think John Donne would have agreed with this idea.
Many people find it hard to imagine their death as there are so many questions to be answered-how will it happen, when, where and what comes next. The fact that our last days on Earth is unknown makes the topic of death a popular one for most poets who looks to seek out their own emotions. By them doing that it helps the reader make sense of their own emotions as well. In the two poems “Because I Could Not Stop for Death” by Emily Dickenson and “Do Not Go Gentle into That Good Night” by Dylan Thomas, the poets are both capturing their emotion about death and the way that they accepted it. In Dickenson’s poem her feelings towards death are more passionate whereas in Dylan’s poem the feelings
William Shakespeare 's 'Sonnet 73 ' highlights the continuous anxiety; of speaker the due to the inevitability of old age. Through various poetic techniques Shakespeare underlines that the deterioration of time is arbitrary; and it therefore naturally decays beauty and life. However there is a sense that he expresses love as a stronger force which overcomes the constant decline of youth and time. This is strongly represented by the use of seasonal imagery. Similarly, John Donne utilizes formal aspects in 'A Valediction Forbidding Mourning ' to convey the same view of the strong force of love. Unlike, Shakespeare 's constant reflection on deterioration; Donne presents arguments to reassure his lover that their love can overcome all aspects.
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
In John Donne’s sonnet “Death, Be Not Proud” death is closely examined and Donne writes about his views on death and his belief that people should not live in fear of death, but embrace it. “Death, Be Not Proud” is a Shakespearean sonnet that consists of three quatrains and one concluding couplet, of which I individually analyzed each quatrain and the couplet to elucidate Donne’s arguments with death. Donne converses with death, and argues that death is not the universal destroyer of life. He elaborates on the conflict with death in each quatrain through the use of imagery, figurative language, and structure. These elements not only increase the power of Donne’s message, but also symbolize the meaning of hope of eternal life as the ultimate escape to death.