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The importance of children's literature
The importance of children's literature
The importance of children's literature
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Comparison of Characters in Aphra Behn’s The Fair Jilt and Samuel Richardson’s Clarissa
Superficially the characters Clarissa Harlowe and Miranda seem, not only to be extremely different, but complete opposites. Clarissa is an exemplary model of virtue and goodness. Samuel Richardson presents her as a chaste and innocent daughter. She is forced from her duty by a conniving brother into the arms of a manipulative man. She is the victim. Miranda is the villain of The Fair Jilt. Aphra Behn portrays her as a woman who knows what she wants and will do anything to get it, including murder. Miranda has no regard for family and is driven only by her desire for quality. On first reading, it seems that Miranda is manipulative and Clarissa is being manipulated. However, if one looks closely at these two characters, it becomes clear that they have a great deal in common. Both women are strong, intelligent and independent. Lack of parental control influences both of them, as do the inheritances they both receive from deceased family members. The characters of Clarissa Harlowe and Miranda, although strikingly different, are also revealingly similar.
Miranda and Clarissa both lack parents. Miranda’s parents pass away, leaving her an orphan and completely alone in the world, except for her sister. Her lack of a guardian gives her a large amount of personal control. Miranda must decide what to do with her life. “…the fair Miranda, whose parents being dead… put herself into this enclosed religious house” (Behn 32). The phrase “put herself” is very important to both the story and the character. Miranda now has power over herself and this is both new and dangerous. Her freedom from parental control also has a heavy influence on her courtships and eventual marriage. If her father were still alive, Miranda would not have chosen her own husband. Her match with Prince Tarquin probably would not have come to pass. Although Prince Tarquin has a great name and “quality,” he does not have a lot of money. Miranda’s obsession with Henrick also would never occur because she would never have entered the convent. Likewise, Clarissa suffers much from the absence of her parents. Her father is weakened by the gout. In his absence, James Harlowe Junior takes control of the family. Throughout the novel, Clarissa is asking her father to take control and tell her what to do.
Within the novel, “In the Time of the Butterflies,” Mate, Minerva, Dede, and Patria had to create decisions to overcome obstacles that would transform each of their lives. Throughout the book, all of the sisters changed somehow. They all grew up, matured, and saw things how they never viewed before. While looking at these things at a different perception, they learned to make decisions that were sometimes brave and sometimes cowardly. Each of the Mirabal sisters had to choose whether or not to be fearful and give up, or be courageous and stand her ground, or make sacrifices to show her strength throughout the novel.
The children, Christina and Stella, believe that what the father did to their mother was "awful." Leaving the house not only affected the mother but affected them too, seeing as they were both so young. The father does not really understand that by divorcing their mother he did the same to them: "'When you're older, ...
Secondly, the imbecile wet nurse of Juliet plays an unsupportive parental role during Juliet’s misery of losing Romeo in ba...
While growing up in life children need their parents to teach them and lead them on the path to a successful future. In the Glass Castle Rex Walls, Jeannette’s father, neglects to take care of his duties as a father figure in Jeannette’s life. In the same way he teaches her to be strong and independent at a very young age. As we read through the story we see the special relationship that Jeannette shares with her father. Even though he, in many instances, failed to protect his children, refused to take responsibility for them, and even stole from them, Jeannette still loved him until his death for two reasons: one, for his ability to make her feel special, and two, because he is a never-ending source of inspiration.
In this essay we will be comparing two female characters from different texts and different time periods. We will be looking in depth at Lady Macbeth from Shakespeare's play 'Macbeth', and Sheila from J.B. Priestley's 'An Inspector Calls'. We will be looking at their roles in their respective plays, and how their characters develop over time.
Nora and Mrs. Wright’s social standing when compared to the men in each play is inferior. Both works expose their respective male characters’ sexist view of women diminishing the women’s social standing. Each work features egotistical men who have a severely inflated view of their self-worth when compared to their female counterparts. The men’s actions and words indicate they believe women are not capable of thinking intelligently. This is demonstrated in “Trifles” when Mr. Hale makes the statement about women only worrying about mere trifles. It is also apparent in “A Dollhouse” when Torvalds thinks his wife is not capable of thinking with any complexity (Mazur 17). Another common attribute is of the women’s social standing is displayed as both women finally get tired of feeling like second class citizens and stand up to the repressive people in the women’s lives (Mulry 294). Although both women share much in common in their social standing there subtle differences. Torvald’s sexist view of Nora is more on a personal level in “A Dollhouse” while the male characters’ sexist views in “Trifles” seem to be more of a social view that women are not very smart and their opinions are of little value. This attitude is apparent in “Trifles” as Mr. Hale and Mr. Henderson’s comments about Mrs. Wright’s housekeeping (Mulry 293). As the women in both works reach their emotional
Shakespeare uses symbolism in this scene to help create meaning and emotions from the audience, in the form of archetypes. The symbol of Miranda’s virginity, symbolizes Miranda’s purity and innocence. Miranda
Margaret is an intelligent, articulate, and ambitious woman who desires to rise up in social status by marrying a man of higher social rank. She attends to those above her, in hopes of elevating her status as she becomes closer to the upper-class. As a minor character, she plays a small yet crucial role in advancing Don John’s plot to slander Hero and spoil her wedding. As a lower-class character, Margaret serves as a foil to the rich girls, particularly Hero, who embodies every attitude and mindset Margaret does not. But she also offers an alternative perspective on the upper-class characters in the play. Because Margaret is victimized because of her social ambitions, punished for wanting to rise above her ...
just enough to keep on the right side of her until he gets what he
...ve been suffering mental abuse by their husband. This play presents the voice of feminism and tries to illustrate that the power of women is slightly different, but can be strong enough to influence the male dominated society. Although all women are being oppressed in the patriarchal society at that time, Glaspell uses this play as a feminist glory in a witty way to win over men. Mrs. Hale and Mrs. Peters solve the crime by reflecting on Minnie Wright’s unhappy marriage that leads her to murdering. Using the relationship between female and male characters throughout the play, Glaspell speaks up to emphasize how the patriarchal society underestimated women’s rights and restricted women’s desires.
Despite the fact that Miranda is an assistant to her father in order to accomplish the restoration of Milan, she resists and subordinates her imperativeness in opposition to the patriarchal supremacy. According to Prospero, he purposely hands over his daughter Miranda to Ferdinand as a gift, which is typical behavior of patriarchal supremacy. However Miranda does not allow herself to have Ferdinand that is certainly against her father intended to choose him as a husband. Even though she is both a reason and a purpose of Prospero's colonial plan, but that is not a problem for her in order to keep her position over male ruling society. Miranda is definitely representative feminine characters in The Tempest, says the following:
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
Since Shakespeare’s play was written in the early 17th century, before woman took complete creditability, the character Miranda is presented as a woman who is ignorant of the cruelty in the world, a traditional 17th century woman. In other words, ignorance is bliss for her as she needs her father (Prospero), a man, to protect her from when Caliban, a slave, tries to forcefully possess her; “thou didst seek to violate/ The honor of my child” (626). As men consider women to be temptresses, the character Miranda has not even had sexual relations with her lover, Ferdinand; “thou dost break her virgin-knot before all ...
Clarissa Dalloway is content with her life with Richard, is content to give her party on a beautiful June evening, but she does regret at times that she can’t “have her life over again” (10). Clarissa’s memories of Bourton, of her youth, are brought back to her vividly by just the “squeak of the hinges. . . [and] she had burst open the French windows and plunged at Bourton into the open air” (3). The very intensity of these memories are what make them so much a part of what she is– everything in life reminds her of Bourton, of Sally Seton, of Peter Walsh. Peter and Sally were her best friends as a girl, and “with the two of them. . . she s...
The short story Girl written by Jamaica Kincaid is a mother’s compilation of advice, skills, and life experience to her daughter. The mother believes that her offer of practical and helpful guidance will assist her daughter in becoming a proper woman, and gaining a fulfilling life and respectable status in the community. Posed against the mother’s sincere concern for her daughter’s future is Sir Walter’s superficial affection to his daughters in the novel Persuasion written by Jane Austen. Due to his detailed attention for appearance and social rank, Sir Walter has been negligent to his daughters’ interests and fails to fulfill his responsibility as a father. Throughout both literary works, the use of language and tone towards persuasive endeavors reveals the difference in family dynamics and the success of persuasion on the character’s transformation.