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Versailles and Katsura Palace
Versailles Palace located in the city of Versailles, northern France, and is about 10 miles southwest of Paris. It was a former French royal residence and was built for Louis XIV by Louis Le Vau, architect; Charles Le Brun, painter; and Andre Le Notre, landscape architect. The gardens of Versailles represent the classic French Garden style. Katsura Palace located in the southwest suburbs of Kyoto, Japan. It was built for Prince Toshhihito by planner, Kobori Enshu in seventeenth century. The garden of Katsura is a masterpiece of the Japanese gardens, and the beauty of the garden lies in the harmonu of the simple, sophisticated appearance of the buildings and the fantastic scenery of the garden. There are many different
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between the gardens of Versailles and Katsura garden including spatial organization, belief, and details. The Gardens of Versailles was a complex building which created a framework for the geometric organization of the palace and the gardens. The gardens covered about 200 acres, including a central axis with a series of cross axes. The central axis is along from east to west, and it begins at the gate of the palace with symmetrical pools which are water parterre. From here, the ground decreases to the next terrace which is the Fountain of Latona. Next, the axis goes to a lower Tapis Vert which runs in the narrow corridor formed by two high green walls of clipped limes, and the walls are bordered by two rows of sculptures and urns. At the end of the green walls, there is an open space with the Fountain of Apollo. At this point, the axis is the Grand Canal, which is one mile long and 400 feet wide. The central axis ends with trees lining the grassy alley. Across the central axis, there are many lateral axes which laid out weighty programmed elements. The first lateral axis crosses the pool in front of the palace, and it is along from north to south. There are the Lake of the Swiss Guard at the end the north point, and the Fountain of the Dragon and Neptune’s Pool at the end the south point. The subsequent lateral axes lead to the bosquets between the Latona Fountain and Apollo Fountain. The final large lateral axis is the Petit Canal which crosses Grand Canal and runs from the north to south. The whole gardens lay out geometrically. However, the Katsura garden was organized following natural form. It covered seventeen acres and was surrounded by thickets of high bamboo wall. In the center of the garden, there is a lake with three different sizes of isles, and a major building is located on the west side of the lake. The lake has rugged contours, so the sceneries changes from different views. A pathway is around the lake and connects the building and tea houses. The first tea house is the Gepparo Tea House on the north east of the major building. Following the pathway to the south, it leads to the Enrindo Tea House, the Shoka-tei Tea House, and the Shokin-tei Tea House. The whole garden was organized cleverly that people can see many various natural landscapes when they walk around the garden. Therefore, it is contrary about spatial organization between Versailles gardens and Katsura garden, including size and forms. Versailles represented the ultimate manifestation of French Royal power and authority.
Specially, Versailles showed off Louis XIV power, Sun King. The central axis which crosses the Sun King room in the palace is in line with the sun’s path. The room was the focal point and the sun round which the lesser stars of the court revolved. The main axis connects the Fountain of Latona and the Fountain of Apollo which is a rich with mythological symbol and also an allegorical representation of the Sun King by means of ancient mythology. Moreover, it communicated the message that Louis XIV was not only as glorious as the Sun God but also enjoyed a status equal to that of the greatest emperors of all time. The central axis gives the optical impression of becoming lost on the horizontal because it presents the powerful and world renowned illusion of extending for eternity along the west horizontal, where the sun sets. The main axis lost on the horizon, leaving one with the impression that everything is subordinated to the laws of geometrical order which rules of the world whose only direction is the Sun King. The geometric design of the garden shows the controlling nature of human. On the contrary, the Katsura garden contains the essentials of Zen Buddhism, and was intended for occasional occupancy as a place for reflection, relaxation, creative works, and contemplation of nature. The Katsura garden was designed asymmetrical without a main axis. The bamboo wall around the garden presented a distinct harmony between the natural and artificial. It is different with Europe style which the trees are created into artificial patters. Structure of the bamboo wall showed the subtle artistry of the designer who did not take a natural form and bend it to his will. The tea houses where people enjoy tea into a spiritual ritual symbolizing detached perfection in the Zen Buddhism were set in a Zen inspired landscape. The tea houses were designed with small irregular structures that
expressly incorporate the qualities of harmony, reverence, purity and silence. The tea houses were built by rustic elements, including wooden pieces of irregular shape and bark of wooden supports that extend the natural world. The Katsura garden presented simplicity, naturalness, and no distinction that based on social class. Hence, the Versailles gardens showed controlling nature; in the contract, the Katsura garden displayed the closer with nature. The fountains and flower beds are significant of the Gardens of Versailles. The gardens have about eleven main water fountains. The fountains designed with water cascading over bold statues, water sprays, themes from Greek and Roman mythology. One of the most important fountains is the Fountain of Latona in the central axis. The sculpture in the fountain created a scene from Ovid’s Metamorphoses, when the residents of Lycia refused the fleeing Latona and her children, Diana and Apollo. As punishment, they were changed into half frogs and half men which of course hint at contemporary political conflicts in France and the victory of the crown. The Fountain of Apollo depicts Apollo with three men blowing horns on a chariot which pulled by four horses. When the statue combined with the surging water jetting high into the sky, it conveyed an image of power and the light of the life to mankind. Moreover, the Grande Commande in the subsequent lateral axes is a series of twenty four statues which illustrate the classic quaternary of the four humors, the four parts of the day, the four parts of the world, the four forms of poetry, the four elements and the four seasons. The flower beds are beautiful because they combined various color patterns of plants in complex forms which followed Baroque styles. Besides, the tea houses are significant of the Katsura garden. They were built of rustic material and designed for different outlook. The Gepparo Tea House was called the Moon Wave Pavilion. It is on higher ground looking down the lake, so people can enjoy the best views of the harvest moon which is reflected in the lake. The Enrindo Tea House is known as the Laughing Thoughts Pavilion because there are uncharacteristic row of six round windows on the upper wall of the entry room and they give for people a feeling that the building is laughing them. The Shoka-tei Tea House is referred to as the Flower Appreciation Pavilion, and many cherry trees were planted around it. It is a smallest teahouse on highest position of the garden and has the best view to look the main building through the tree. The Shokin-tei Tea House roughly means Pine Lute Pavilion, as pine trees surround it. It elevated not far above the water level of the lake, so it is the first place which people can see the lake. Thus, it is diverse about detail elements of the Versailles gardens and Katsura garden that people look into stories of the sculptures in the Versailles gardens but people enjoy beautiful sceneries from the tea house. In conclusion, both the Versailles gardens and Katsura garden are distinctive about spatial organization, belief, and details. Each garden presents the particular of Europe architecture and East Asia architecture. However, there are many interesting things about two gardens which archaeologists still research. A ton of visitors come to the two places every year to enjoy wonderful gardens.
While England lost its power to the nobles, France was able to control them .Instead of having the live among the peasants and the middle class, Louis XIV built the Palace of Versailles in order to force the nobles to be near the king to make sure that they were unable to create conflict with the will of the monarch. This way, the nobles no longer were the people that the middle class would run to when they had a
The palace of Versailles was built by King Louis XIV of France and the Escorial was built by King Philip II of Spain. The two kings each had their differences about their beliefs on how to rule, yet there are some similarities. Louis XIV believed in showing off his power and being open. Philip II was a simplistic guy devoted to Catholicism. They both had military to spread their beliefs and ideas. Despite the kings’ beliefs, their palaces reflected their ideals.
One of the most important elements of Versailles that affected Louis XIV’s reign was the use of propaganda. The Palace contained “paintings, statues, tapestries” (Page) and a general grandness that significantly promoted Louis’ name. Louis himself was a “prominent subject in the artwork” (Montclos 330) and was portrayed as handsome and god-like. Even in the aspects of the Palace where Louis wasn’t literally being represented, the grand nature of Versailles sent out a message that the King was living lavishly, and was therefore very powerful. Louis XIV used the grandiosity of his Palace and the art inside to promote himself to his people.
This is known as divine right. King Louis XIV an earlier ruler before Louis XVI was a monarch that used this way to rule France. For, Louis XIV, the sun was his symbol of divine right. Apollo represented the Sun as the God of peace and was a heavenly body that gave life. “Like the Sun God, Louis XIV, the warrior hero, brought peace to his people; he protected the arts and dispensed all the graces” (History Court Characters, n.d). Being a monarch using your power of divine right isn’t bad cause in trying to harm your country, it is using your power in such a way to make life better for a nation. The Palace of Versailles was built to resemble this power “he insisted on the resemblance carved in stone: the decor of Versailles was filled with depictions and attributes of the god” (History Court Characters, n.d). When Louis XVI inherited the throne and resided in Versaille, it was not to live an aristocratic life, it was to show his divine right and resemble his ancestor Louis XIV “Sun King.” The Sun King represented peace and grace to his people. No harm was meant intentionally by his rule as
Bihzad has placed strong emphasis on the complexity of the palace’s architecture which he has adorned with colorful ornaments and emblazoned with gold. Each room is decorated with rugs and tiles featuring complex floral and asymmetrical patterns that cover each chamber from floor to ceiling. The palace appears to be three stories tall and features a balcony on the left and a zigzagging staircase on the right. The asymmetrical style of these two architectural features gives the impression of the work being 3-dimensional ...
The Monticello mansion lies atop a mountain which bears its namesake, the home is surrounded by an elaborate garden which grows an unrivaled variety of plants. The complex possesses forty-three rooms is 110 feet long, 90 feet wide, and over forty feet high in some areas. This combined with the thirteen feet thick walls, culminate to offer roughly eleven thousand square feet of living space. The home possesses an iconic octogonal dome over its central portion, numerous skylights, and an altogether unique design, reflecting the innovative mind of its owner. Monticello borrows heavily from Roman and Renaissance styles, with some influence from Enlightenment France as well, culminating in a masterpiece of engineering. The home is symmetrical
The actual building itself appears similar to a castle. The architecture had royal features due to the triangular points on the top of the building. There were three open doors; one big main entrance in front, two small side doors, and all the guests entered through the main entrance. Once I walked in, a big gold Buddha was centered in the back surrounding multiple iconic religious statues. There seemed to be about a hundred religious statues highly dazzled in silver or good.
For a great many years, architecture has been a breaking point for different artisticeras in history. Some of the most famous “works of art” have been chapels, temples, and tombs. Among the most dominant and influential eras of great architecture are the sophisticated, stoic Greeco-Roman periods and the more mystical, elemental Japanese eras. These two very distinct and very different eras have more in common than you may realize.
The temple’s main chamber contains a massive statue of the Buddha. Along the walls of the chamber are numerous paintings related to the history of the Buddha’s ascension. Underneath each painting is a historical excerpt of the Buddha’s ascension, and each painting is numbered and ordered chronologically along the walls. The tone these paintings set makes it clear that the Ying family, and indeed all those involved with temple, greatly value the Mahayana traditions and philosophies.
The palace setting is important because it represents the essence of our society; rules made by man and kept in line with our society’s norms. Humans struggle to suppress their unrestrained and irrational tendencies, still today, discourages the "civilized' man from making rash and foolish actions. Therefore every action should have a sound and logical purpose, based on social norms.
The pavilion is significant figure in the history of modern architecture, regarded to be influential with its open plan and use of exotic material. There is a blurred spatial demarcation where the interior becomes an exterior and exterior becomes the interior. The structure constantly offers new perspectives and experiences, as visitors discover and rediscover in the progress of moving throughout the in’s and out’s, a non directional conforming circulating movement pattern. To facilitate this movement, even though it is a visually simplistic plan, its complexity is derived from the strategic layout of walls with its intimation of an infinite freedom of
The Palace of Versailles was the official home of the Kings of France from 1682 until 1790. Originally, a hunting lodge built in 1624 by Louis XIII, but then was expanded by Louis XIV in the beginning of 1669. With beautiful architecture and amazing landscape, it is one of the most well- known and beautiful palaces in France. Its garden is so unique and one of Europe's largest. It played a huge responsibility in French government and was used for some of the biggest meetings of Kings and Queens. It is a very reflective place for the French and showed a basis of culture for the people. The small structure became the base on which was constructed into one of the most extravagant buildings in the world. The Palace of Versailles is a famous French landmark due to its elaborate construction, its role as a center of government, and its influence on French culture.
...y this naturalistic area. The building is quite congruent in space, divided only by the only two entrances to the edifice. Circulation in this design is moderately simplistic due to the corresponding angles being completely identical. The symmetry is being used as an aesthetic element to express the calm environment it is supposed to be. This systematic expression can be found all throughout the structure. Whether it is the windows, the set of stairs and even the columns, the simplicity is being allocated.
Japanese aristocrats from at least mid-eighth century customarily had gardens near their homes. During the Heian period, a somewhat standard type of garden evolved in accordance with the Shinden type of courtier mansion (Bring and Wayembergh, p. 28-29).... ... middle of paper ... ...
The lines, mostly curved, are in great harmony details. The color from both outside and inside could be changed as the light from the sun moves. The flowers and Koran written on the walls and the gate give people who visiting wondering of what is that means. As the visitors walked pass each area, I think they would imagine of what each areas mean from the story of Taj Mahal. From the video, I think some sights of Taj Mahal create sorrowing sights.