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Literary analysis essay
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Literary analysis essay
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Literature is drawn from society or built on an aspect of society, whether secular or religious. An original text, such as a poem, may therefore either perpetuate an existing idea or challenge it. This can be done majorly in two ways, by either building on the idea and re-creating it afresh, with new characters, storylines or animation of previously passive characters. The other way would be by making a different and unique creation of the narrative so as to provide a different alternative to the existing story. Such is usually done depending on the writer’s background, for example, need for different historical perspective, cultural influences and sometimes just little creative explorations. What is undeniable is that some of these works of …show more content…
The poems Inferno, by Dante Alighieri and Paradise Lost by John Milton are focused on the relation of man and sin and how the absence or absence of sin affects the stability and well-being of the human being. In Dante’s text, Sin is presented the same way as constitutionally defined offences are defined and treated. In a legal context, different laws are categorized under different labels (civil, criminal, etc.), and each has specific penalties imposed once one is convicted by a court of law. Dante similarly creates imagery that depicts different sins being punished in unique ways under divine law. For example, those found to be gluttonous (a sin under divine law) are made to consume excrement and those who perpetuate anger are forced to attack each other (Dante 17). The idea here perpetuates the idea of an offence begets legal punishment as well as a sin begets divine justice which is explained in the poem that Hell (equivalent to federal prisons) is a creation that God made necessitated by the presence of sin. An almost scientific matching of sin and punishment is presented in the poem, which echoes some familiar proclamations of sin in the Bible where sins and punishment are directly proportional. A serious sin, therefore, begets a serious punishment while a lesser sin begets a lesser
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
In analyzing this gradient of morality, it is useful first to examine a work from early literature whose strong purity of morality is unwavering; for the purposes of this discussion, Dante’s Inferno provides this model. It is fairly straightforward to discover Dante’s dualistic construction of morality in his winding caverns of Hell; each stern, finite circle of Hell is associated with a clear sin that is both definable and directly punishable. As Dante moves downwards in this moral machination, he notes that
This notion of the suitability of God’s punishments figures significantly in the structure of Dante’s Hell. To readers, as well as Dante himself (the character), the torments Dante and Virgil behold seem surprisingly harsh, possibly harsher than is fair, Dante exclaims this with surprise. He doesn’t actually wonder who decided on these tortures. He knows it was god. What he is questioning is how these punishments are just, since they don’t appear to be just from a human’s point of view which views each punishment together with its conjugate sin only superficially. For example, homosexuals must endure an eternity of walking on hot sand, and those who charge interest on loans sit beneath a rain of fire. At first glance, each one seems too terrible for any sin. However, when the poem is viewed as a whole, it becomes clear that the guiding principle of these punishments is one of balance. Sinners suffer punishment to the degree befitting the gravity of their sin, in a manner matching that sin’s nature. The structures of the poem and of hell serve to reinforce this correspondence.
In Dante’s Inferno, Dante takes a journey with Virgil through the many levels of Hell in order to experience and see the different punishments that sinners must endure for all eternity. As Dante and Virgil descend into the bowels of Hell, it becomes clear that the suffering increases as they continue to move lower into Hell, the conical recess in the earth created when Lucifer fell from Heaven. Dante values the health of society over self. This becomes evident as the sinners against society experience suffering greater than those suffer which were only responsible for sinning against themselves. Dante uses contrapasso, the Aristotelian theory that states a soul’s form of suffering in Hell contrasts or extends their sins in their life on earth, to ensure that the sinners never forget their crimes against God. Even though some of the punishments the sinners in Hell seem arbitrary, they are fitting because contrapasso forces each sinner to re-live the most horrible aspect of their sin to ensure they never forget their crimes against God.
When going through the stories The Odyssey by Homer and Inferno by Dante, you get the feeling of how diverse, yet similar the two stories are. When reading The Odyssey, you find Ulysses trying to get home to his love, Penelope. He has been gone for twenty years, and through those years, he has struggled with good and evil, just like Dante in Inferno. Ulysses finds himself time after time fighting off gods and their children. Dante, struggling with good and evil, works his way through the nine levels of hell. He is struggling to find where his faithfulness lies. He also is trying to find his way to his love, Beatrice. When reading The Odyssey and Inferno, we find many similarities and differences, from the main characters characteristics, to the experiences within religion during Dante and Homer’s times.
Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...
In Dante’s Inferno, those who never repented for their sins are sent there after death. Like the old Latin proverb says, “The knowledge of sin is the beginning of salvation.” (“Latin Proverb Quotes” ThinkExist) The punishments in his Hell are decided by the law of retribution, which according to Webster’s Dictionary is the total effect of a person's actions and conduct during the successive phases of the person's existence, regarded as determining the person's destiny. (“Retribution” Merriam-Webster) Therefore, Dante creates a variety of reprimands for the three different types of sins: incontinence, violence, and fraudulence. These penalties can also be referred to as allegories because of their hidden moral meaning. The three best allegories in Dante’s Inferno describe the flatterers, fortune tellers, and suicides.
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
The relationship between justice and punishment has been an essential fabric of society for centuries. It’s important to note the significance of justice in this equation. Justice to Dante is whatever you do in this life will haunt you in the next one. Whatever sins you commit will be your punishment. The circles of hell Dante creates is a just punishment for sinners. Those who commit incontinent crimes, violent crimes, fraudulent crimes, and worse crime against the perfect city deserve to be in the inferno. This punishment is just and supports the claim that Dante presents an image of a just God.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante Alighieri's epic poem The Inferno follows Dante as he traverses through the nine circles of Hell with his guide, the famous Roman poet Virgil. Each circle of Hell is home to various sinners who each receive different punishments for their sins. Through many of these punishments, Dante utilizes contrapasso, or symbolic retribution. The punishments for the lustful, heretics, and fortune tellers all display Dante’s use of symbolic retribution, adding meaning to the punishment the sinners receive.
The Divine Comedy and the Bible are similar and different in many ways. Dante includes Paradiso (Heaven), Purgatory, and Inferno (Hell) in The Divine Comedy. It talks about where people go when they die. The Bible differs from this because there is only Heaven and Hell. There is not a middle place, such as Purgatory, where people go to repent of their sins even after death. Also, unlike Inferno, Hell is not split up into many categories. In the Bible they go straight into Heaven or Hell. Also, everyone’s new bodies in the two stories are different. The Divine Comedy and the Bible have several complex ideas, and the comparisons and contrasts of the two are interesting.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sin, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.