Introduction
There is no doubt that, for a Victorian poet Alfred Tennyson (1809-92), the friendship with Arthur Henry Hallam (1811-33) was the most significant one in his life although their friendship did not last long. In 1827, Tennyson entered Trinity College, Cambridge, where he met Hallam, probably in April 1829, and they began a deep friendship. Both men were elected as members of the debating society called “The Apostles.” The group, which was founded in 1820, was devoted to “the discussion of serious philosophical subjects that did not fit easily into the prescribed studies of the University,” and the members also discussed “Politics, science, poetry, aesthetics, metaphysics, and religion” (Robert Bernard Martin 86). Hallam was at
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First, it is far longer than any comparable piece. In Memoriam consists of 131 Sections with Prologue and Epilogue, and hence it reaches nearly 3,000 lines. Furthermore, it took Tennyson seventeen years to write In Memoriam. This seventeen-year work of mourning is extraordinary in the history of literature compared to other monumental elegies such as John Milton’s “Lycidas” (1638) and Percy Bysshe Shelley’s Adonais (1821), both of which were written and published immediately after the death of their friends. It is also worth noticing that though In Memoriam took seventeen years to be composed and published, the chronology within the poem advances only three years. Hence, this long period of composition, delay in publication, and the difference of the time spans between the reality and the poem, complicate the consoling role In Memoriam may have …show more content…
In Memoriam fluctuates between the states of the half-consoled and the half-grieved. As Erik Gray reminds us in the “Introduction” to In Memoriam, “One section will reach some form of consolation, only to be contradicted by the next section, in which the sense of grief is renewed” (xiv). This suggests that the process of mourning continues throughout the poem and Tennyson’s state of mind is unstable. In the Prologue of In Memoriam, which is dated 1849 and thus composed after the other Sections were completed, Tennyson’s faith in God has become concrete as he says, “By faith, and faith alone, embrace” (Prologue 3). Here, he has gained full consolation, and this state, which maintains a stable faith in God, I suggest, is the consolation we are going to explore in In
My initial response to the poem was a deep sense of empathy. This indicated to me the way the man’s body was treated after he had passed. I felt sorry for him as the poet created the strong feeling that he had a lonely life. It told us how his body became a part of the land and how he added something to the land around him after he died.
The idea of graves serving memory is introduced in Part I of the collection within the poem
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives. “Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1).
The two poems, “Do Not Go Gentle into That Good Night”, by Dylan Thomas and, “Because I Could Not Wait for Death”, by Emily Dickinson, we find two distinct treatments on the same theme, death. Although they both represent death, they also represent it as something other than death. Death brings about a variety of different feelings, because no two people feel the same way or believe the same thing. The fact that our faith is unknown makes the notion of death a common topic, as writers can make sense of their own feelings and emotions and in the process hope to make readers make sense of theirs too. Both Dickinson and Thomas are two well known and revered poets for their eloquent capture of these emotions. The poems both explore death and the
Southam, B.C. “Tennyson.” Writers and Their Works : NO 218. London: Longman Group, 1971. p.6. print.
Just as Katherine Philips, poet Ben Jonson also wrote two elegies, for his son Benjamin and daughter Mary, entitled “On My First Son” and “On My First Daughter”. Jonson’s son died the early age of seven, and he expressed the strong, personal bond between them through the years Benjamin was “lent” to him. Jonson really comes from a place of sorrow and self-condemnation while writing this elegy. His approach to “...
early poets such as William Shakespeare who portrays loss in many of his tragedies including the loss of sanity in ‘King Lear’ and the loss of his life. of reputation in ‘Othello’, through to Keats’s ‘Odes’ and into the. twentieth and twenty-first century. Loss is an important aspect of life and many modern poets find it to be an interesting theme to deal with. with in their work,. The poems chosen for the anthology show a range of responses to different types of loss, from death to material.
Predominantly the poem offers a sense of comfort and wisdom, against the fear and pain associated with death. Bryant shows readers not to agonize over dying, in fact, he writes, "When thoughts of the last bitter hour come like a blight over thy spirit, and sad images of the stern agony, and shroud, and pall, and breathless darkness, and the narrow house, make thee to shudder, and grow sick at heart -- go forth under the open sky, and list to Nature 's teachings." With this it eludes each person face their own death, without fright, to feel isolated and alone in death but to find peace in knowing that every person before had died and all those after will join in death (Krupat and Levine
Whitman wrote “When Lilacs Last in the Dooryard Bloom’d,” as an elegy mourning Abraham Lincoln’s death in the spring of 1865. The style that was used and will be further examined in this paper is elegiac, which consists of a hexameter verse followed by a pentameter verse. An elegy uses the elegiac form to make a poem or even a song mourning an individual. Next, the thoughts that may come to mind when
Alfred, Lord Tennyson was one of the most famous poets of the Victorian era, some of his most famous poems include Ulysses, In Memoriam or Lady of Shalott. This paper will focus on his poem published in 1830 entitled Mariana. Mariana is Tennyson's well known poem, inspired by the charactre of the same name in shakespear's play Measure for Measure. T.S Eliot heard in Mariana 'something new happening in English verse”, and critics such as Carol Christ or Dwight Culler have “commented preceptively on its use of atomistic detail to create a landscape of strangeness appropriate to this sick-spirited maiden”. Mariana is a complex poem it is both a lyrical poem and a pathetic fallacy.
“Nevertheless, Eliot was unequaled by any other 20th century poet in the ways in which he commanded the attention of his audience.” (T.S. Eliot, Britannica School) To draw in his audience, Eliot described an instance of when someone had perished to invoke reminiscence over a time of a person’s passing that the reader may have experienced with a loved one. The aspect of nostalgia conveys the compelling remorse of the deceased felt by those who knew the deceased. In contrast to Dickinson, Eliot portrays death as a manner of anguish and sentimentality whereas Dickinson portrays death as a matter of resting in eternal peace.
In poetry, death is referred as the end of literature and it is associated with feeling of sorrows. However Emily Dickinson demonstrates that death is not the end of literature or feeling of sadness but death is a new element of inspiration in poetry and is the beginning of a new chapter in our life. In the poem ‘’Because I Could Not Stop for Death’, she discusses the encounter of a women with death, who passed away centuries ago. Dickenson uses metaphors and similes to show that the process of dying can be an enjoyable moment by appreciating the good moments in life, and by respecting death rather than fearing it. Also Dickinson portrays death in a humorous way as she compares it to man seducing her to go to her death as well, to childhood games that show the innocence of this encounter (Bloom). The poem is a reflection of how unpredictable death can be. Death is a scary process in life that should not be feared because it should be celebrate as new start.
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.
Emily Dickinson describes an unusual and meaningful trip with “Death”. The poem was written around 1863, originally, the poem was not titled. When it was published, Thomas Johnson named it depending on the meaning of the poem. Dickinson did not fond of gaining reputation and money-she even tried to avoid those. She focused on artist creation, for instance writing poems. Therefore, she achieved the extreme high levels in writing. Her poems are vacant and inspiring. She had a deep thinking about the connection of death and immortality in this poem. I am going to analyze the poem on its forms and depths to let the readers understand the poem
Anger can be an anchor, allowing momentary structure to the nothingness of loss. The anger becomes a bridge, a connection to the deceased loved one. This connection made from anger feels better than nothing. According to Kübler-Ross, "When the first stage of denial cannot be maintained any longer, it is replaced by feelings of anger, rage, envy, and resentment'" (43). Anger can be seen subtly throughout Alfred Lord Tennyson’s poem “In Memoriam A. H. H.” For example, Canto 83 portrays the culminating anger that the speaker is battling over the loss of his friend. The speaker writes, “For this alone on Death I wreak / The wrath that garners in my heart; / He put our lives so far apart / We cannot hear each other speak” (1525- 1528). Within these lines the speaker is conveying his opinion that he has somehow been wronged by the death of his friend. He wants vengeance against death because he can no longer communicate with his dead friend. This anger is anchoring the speaker by allowing him to focus on something other than his grief over the loss of his