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Tennessee williams and his play streetcar named desire
Imagination and reality in a streetcar named desire
Thematic statement in streetcar named desire
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A Streetcar Named Desire was written during the vivacious 1940s. Tennessee Williams, the playwright of A Streetcar Named Desire, focuses on two aspects of life throughout his writing: civilization, and cruel, primitive brutality. Blanche Dubois, a former English instructor and a considerably promiscuous woman in the eyes of society, lost her husband several years before traveling to New Orleans to visit her sister, Stella. Blanche is a social pariah due to her sexual relations with various strangers and one of her students. Recently, she lost Belle Reve, a plantation in Mississippi where Stella and Blanche once both lived due to an unpaid mortgage. Meanwhile, her sister, Stella, resides in the slums of New Orleans. Stanley Kowalski, a brutish, animalistic, and practical …show more content…
Stanley possesses an animalistic physical vigor that is evident in his love of work, fighting, and sex. Stanley represents the new, heterogeneous America in which Blanche does not believe in since she is from a defunct social hierarchy. Stanley’s hobbies consist of gambling, bowling, sex, and drinking. In addition, Stanley seems to lack ideals and imagination. His authoritative possession over Stella is unsettling. Stanley tells her, “I am the king around here, so don’t forget it!...” (Williams 131). His disturbing, degenerate nature, first hinted at when he beats his wife, is fully evident after he sexually assaults Blanche. Stanley does not express remorse for his callous behavior. Interestingly enough, Stanley’s violent behavior heightens Stella’s desire for him. After Blanche tells Stella he is unfit for her, Stella claims, “...there are things that happen between a man and a woman in the dark-that sort of make everything else seem-unimportant” (Williams 81). The play ends with the representation of Stanley as the ideal family man, comforting his wife in the only way he knows how as she holds their newborn
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
...ices, such an attempt to elicit sympathy for this monster falls short” (Bell 2). Stanley is looked at as the monster of the play which is how he should be viewed. Luck was not on Blanches side through her life which made her make the mistakes she made. Even though her past was not clean, Stanley did not purge her of this. He tried to show her the reality of the world, but through his brutal treatment, only made her sensibility worse. Stanley is a primitive ape-like man, driven only by instinct, who views women as objects and has no respect for others. He is a wife batter and a rapist who is responsible for the crumbling sanity of Blanche who is “the last victim of the Old South, one who inherits the trappings of that grand society but pays the final price for the inability to adapt to a modern world that seeks to wipe grace and gentility out of existence” (Bell 2).
Here the reader sees a supposed loving side of Stanley. In truth, Stanley is only acting because as the dominant figure, he got what he wanted, Blanche to go. Through the word choice of Stanley, the reader can observe his dominant, animalistic behavior.
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
Stella, Stanley's wife in the play, is a passive woman. She is displayed this way through how she responds to the people and situations around her. When she is beaten by Stanley, she understands that his drunkenness takes hold of him and he has no control over his actions. She knows he never means her harm and his intentions are good.
However, there are also many instances where Stanley, a common working-class man, reveals his desire to be powerful and manly in his relationship with Stella, a woman who is of high class. Stanley is a man from a poor background and is married to a woman with a rich family history. Logically, Stanley may feel intimidated by Stella’s upbringing and feels that it is crucial to oppress her; it is hinted many times throughout the play as Stanley clearly demonstrates he is the one that holds the power by the way he treats Stella. Right from the start of the play, with Stanley’s introduction, he comes “around the corner… [with] a red-stained package from a butcher’s” (4), much like how an animal would bring its kill back home. With this, it is an analogy to a leader, Stanley, of a pack that brings back the food for the others to eat. The reliance of Stanley to bring back home the food broadcasts his will as the almighty alpha male that holds more importance than Stella. Furthermore, Stanley “heaves the meat at her (Stella),” (4) treating her as like a servant and also making a sexual innuendo. This action is one of disrespect and lets Stella know that she is under Stanley. This is an example of Stanley seeing Stella as a slave, a sexual object, under his control. Control is a large factor to Stanley as a husband and as a person. This is apparent when Stella explains that “Stanley doesn’t
A Streetcar Named Desire is a play founded on the premise of conflicting cultures. Blanche and Stanley, the main antagonists of the play, have been brought up to harbour and preserve extremely disparate notions, to such an extent that their incompatibility becomes a recurring theme within the story. Indeed, their differing values and principles becomes the ultimate cause of antagonism, as it is their conflicting views that fuels the tension already brewing within the Kowalski household. Blanche, a woman disillusioned with the passing of youth and the dejection that loneliness inflicts upon its unwilling victims, breezes into her sister's modest home with the air and grace of a woman imbued with insecurity and abandonment. Her disapproval, concerning Stella's state of residence, is contrived in the face of a culture that disagrees with the old-fashioned principles of the southern plantations, a place that socialised Blanche to behave with the superior demeanour of a woman brain-washed into right-wing conservatism. Incomparably, she represents the old-world of the south, whilst Stanley is the face of a technology driven, machine fuelled, urbanised new-world that is erected on the foundations of immigration and cultural diversity. New Orleans provides such a setting for the play, emphasising the bygone attitude of Blanche whose refusal to part with the archaic morals of her past simply reiterates her lack of social awareness. In stark contrast Stanley epitomises the urban grit of modern society, revealed by his poker nights, primitive tendencies and resentment towards Blanche. ...
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Blanche Dubois, a refined and delicate woman plagued by bad nerves, makes her first appearance in scene one of A Streetcar Named Desire by Tennessee Williams. She unexpectedly arrives in New Orleans to visit her sister Stella Kowalski who ran away after their father’s death. Upon their reunion, Blanche is sharp-tongued and quick to state her shock over the unsavory status of the apartment in comparison to the luxurious plantation where the two sisters were raised. Though dissatisfied by the living conditions, Blanche quickly explains that she had been given leave of absence from her teaching position due to bad nerves and could not stand being left alone—her excuse to invite herself to stay with Stella for an undetermined period of time. It
“A Streetcar Named Desire” main characters are Blanche, Stella, Stanley, and Mitch. Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche after being reunited with Stella, she meets Stanley and Mitch. Stella is torn between her sister and Stanley because of Stanley’s dislike of Blanche. Stanley is a lower class citizen who is devoted to his friends and adores his wife but he is cruel to Blanche. Mitch is Stanley’s friend and poker buddy. Mitch is unlike Stanley because he is more of a gentleman and develops a crush on Blanche. Eventually Stella goes into the hospital to give birth and during this time Stanley rapes Blanche. When Stella returns, Blanche tries to tell Stella what Stanley did to her but she instead believing her, Stanley and Stella send Blanche off to a mental institution.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.