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Asian-american identity narrative
The hotel on the corner of bitter and sweet theme essay
Asian american experience
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Experiencing Hotel on the Corner of Bitter and Sweet Bitter and sweet moments between Henry and Keiko occurred often in Jamie Ford’s novel, Hotel on the Corner of Bitter and Sweet, which is the reason for the ingenious creation of the Bitter and Sweet Tour at the Wing Luke Museum. This tour, might I add, takes tourists to many of the famous places from the novel. Well-known scenes and major events take place in Chinatown and Japantown, being that the two main characters each descend from one of these cultures. Henry Lee, a young Chinese boy; and Keiko Okabe, a young Japanese girl, go through conflicts together and internally because of their heritage alone. The Bitter and Sweet Tour shows how strict the boundaries and the dividing line between …show more content…
Our first stop was an envisioned replica of what the Lee’s apartment would have probably resembled. The designers had created the interior with an early 1940’s theme and asked the previous renters how they had the décor arranged. I personally pictured the walls more lively and upbeat, with posters and paintings, even though it was a miserable place for Henry. The tense, misunderstood conversations held at the dining table could be easily visualized. I felt the anxiety in the room as Henry hurriedly buried Keiko’s family’s photographs in his bottom dresser drawer. In the end, the Lee’s apartment was very close to what I had predicted. Our second stop along the route was at the hill that Chaz had chased Henry down in the novel. Chaz had seen Henry wheeling Keiko’s photographs home during the night as he was spray painted demeaning messages on Japanese storefronts in Nihonmachi. Henry had to jump onto his wagon, for it was going too fast, and then he began to rocket down the South King Street hill. He had claimed that the hill was so enormously steep that he could not control the wagon. I thought that Henry was just over exaggerating because it might have felt that steep to him, but when I saw the hill in person, I knew he was telling the truth. Never could I imagine even biking down the incline, let alone incontrollable wagon-riding. Our final, impactful point during the walking tour was the liveliness of Chinatown versus Japantown. In Hotel on the Corner of Bitter and Sweet, after the internment of the Japanese in Nihonmachi, Henry and Sheldon noticed that is was like a total ghost town. Since the Chinese were evacuated and Chinatown was neighboring Japantown, Chinatown was still buoyant and full of people. Even nowadays, Chinatown bustles and thrives with roaming tourists, while Japantown is not as
I know the theme is acceptance strengthens bonds between family and friends.Because the text says Henry is on lunch duty in his all white school when he is joined by a Japanese girl named Keiko. At first, he is dumbfounded but slowly starts to accept her as the other white kids are teasing them. They share a can of peaches in the school pantry and Henry enjoys his time with her very much. A quote from the text Hotel on the Corner of Bitter and Sweet says “Then they ate their lunch, together, splitting a can of pears in the storage room. Henry thought they tasted especially good that day.” These sentences have a much deeper meaning than they appeared to have. The moment Henry and Keiko shared in the storage room was the blossom of their friendship.
Gary describes what he does when his parents leave to work, background on his house, and designation on the Buddha that his uncle had brought back from the Korean War. In the quote on page 4, Gary Soto relates the busy street of Van Ness with phrases like “bluish with diesels and large sedans,” and he explains it as the Buddha is actually alive and listening Gary talk to him. This clearly helps visualize how the avenue is looking like in my mind as if the mind were the real street. Also, the metaphor that he uses in “the grind of gears hurting the air” seems like the real gears hurting the air, and this authorizes the reader to focus more on the settings by how he describes in the land of Fresno, his hometown. Moreover, he gives the meaning to the readers that how diesels and large sedans hurt the environment on the street that he lived on.The setting can really be critical to the story by changing the rhythm and how it will affect the story later
It gives facts and real life story living on this camp. This is actually someone real life story. When Jeanne dad left the family, the family could not bear. Living on the camps it was dusty, cold and windy. Jeanne states at the end that, “Even though her dad was a drunk, the way he drives—like a madman—actually inspires Jeanne with confidence to get past her fears of what life might be like outside of camp”. Growing up with all the racism remarks and surroundings was not easy and it has not been easy learning to remember and talk about her experience at the camp, but she overcame her fear. Jeanne has finally let it be free and be known. She now feels more better than ever about this. Also, even though Americans did not like Japanese she still married a
Soon after Papa’s arrest, Mama relocated the family to the Japanese immigrant ghetto on Terminal Island. For Mama this was a comfort in the company of other Japanese but for Jeanne it was a frightening experience. It was the first time she had lived around other people of Japanese heritage and this fear was also reinforced by the threat that her father would sell her to the “Chinaman” if she behaved badly. In this ghetto Jeanne and he ten year old brother were teased and harassed by the other children in their classes because they could not speak Japanese and were already in the second grade. Jeanne and Kiyo had to avoid the other children’s jeers. After living there for two mo...
In these five paragraphs I will be writing about the book “Hotel on the Corner of Sweet and Bitter” written by Jamie Ford and five quotation that important and made up the theme for me. This book gives a feel a lot of different emotions. The first quote was “‘You are Chinese aren’t you,Henry? That’s fine. Be who you are, she said, turning away, a look of disappointment in her eyes. “But I’m an American’’(p. 60). This quote is important because it shows how Keiko believes even if her parents are Japanese she feels more American then Japanese since she barely spoke Japanese.
Japanese- Americans were being evacuated along the west coast into internment camps by their zone districts. Uchida, a current college student, lives under the constant fear of “voluntary evacuation” areas by the military, but the spiteful comments around her campus has been increasing. Many of her classmates had gone home to stay with their families or take over the family duties because the head of their families have been taken. Most of these Japanese- Americans were first and second generation Americans, who grew up here and knew America to be their “home” country. As Uchida says, “We tried to go on living as normally as possible, behaving as other American citizens. Most...had never been to Japan. The United States of America was our only country and we were totally loyal to it.” Eventually, her zone gets called for evacuation so she returns home - a place where her family has lived for fifteen years. Her sister, the head of the family in lieu of her father, brings home tags that had the reference to the family number and a few suitcases that they can carry their supplies in. The family proceed to their well- guarded designated place. The author recounts, “I could see a high barbed wire fence surrounding the entire area, pierced at regular intervals by tall guard towers...I saw armed guards close and bar the barbed wire gates behind
Lee grew up in China, a country that had been ravaged by Japan, because of this this has resulted in a deep hatred for Japan that followed Henrys father all the way to his death. When reading in the paper that Japanese school teachers were being put in jail for reasons that weren’t clear, Henry's father felt relief and victory (67). Unfortunately Henry’s father wasn’t the only one with a negative impression of japan; many Americans regarded all Japanese Americans as enemies and possible spy’s, this created a torrent of hate and discrimination towards the Japanese. In reality, most, if not all, of these Japanese Americans were not spies and many didn’t care to be associated with
The bildungsroman ‘The Catcher in the Rye’ by J.D Salinger and the play ‘A Streetcar Named Desire’ by Tennessee Williams are both post-World War Two narratives which incorporate protagonists that challenge contemporary American attitudes. Blanche DuBois and Holden Caufield are quintessential examples of characters who subvert societal expectations, impositions and hegemony of America in the late 1940s and early 50s, the author and playwright have the plot revolve around these characters and their itinerant lifestyles as they literally and socially move from one milieu to another. Both Salinger and Williams use a plethora of literary devices such as symbolism, juxtaposition and imagery whether it is visual, auditory or olfactory to highlight
Written by Margaret K. Pai, the Dreams of Two Yi-min narrates the story of her Korean American family with the main focus on the life journeys of her father and mother, Do In Kwon and Hee Kyung Lee. Much like the majority of the pre-World War II immigrants, the author’s family is marked and characterized by the common perception of the “typical” Asian immigrant status in the early 20th century: low class, lack of English speaking ability, lack of transferable education and skills, and lack of knowledge on the host society’s mainstream networks and institutions (Zhou and Gatewood 120, Zhou 224). Despite living in a foreign land with countless barriers and lack of capital, Kwon lead his wife and children to assimilate culturally, economically, and structurally through his growing entrepreneurship. Lee, on the other hand, devoted herself not only to her husband’s business but also to the Korean American society. By investing her time in the Korean Methodist Church and the efforts of its associated societies, such as the Methodist Ladies Aid Society and the Youngnam Puin Hoe, Lee made a worthy contribution to the emergence and existence of Hawaii’s Korean American community.
“Canadians have a favorite pastime, and they don’t even realize it. They like to ask – they absolutely love to ask – where you are from if you don’t look convincingly white.” (Hill np). Race is never a really straightforward issue in Canada and hardly a matter of the past. Issues of racial identification and “mixed race” are engaged by Lawrence Hill in the text “Black plus White, ...equals black” an excerpt from his novel “Black Berry, Sweet Juice: On Being Black and White in Canada” (HarperFlamingo, 32$). He has struggled to develop his own sense of identity through various experiences, one of them was “straightening out his hair” which was encouraged by his father. From my perspective, although Hill’s father’s action stemmed from good intentions, it resulted in a negative effect on Hill’s confidence with regards to his appearance and his own differences as a child; despite that, generally speaking, his parents still made a great influence on Hill’s identity.
The contrast Huong provides between the reality of Hang’s impoverished life and the beauty of the scenery that she experiences, emphasise the powerful effect the landscape has on her. When describing the first snowfall she ever observed, Hang noticed that the snowflakes “flood[ed] the earth with their icy whiteness,” this observation “pierc[ing her] soul like sorrow.” The scenery had such a moving effect on Hang, perhaps because she longed for the familiar sight of a Vietnamese landscape. Then recalling a time when her mother took her to a beach, the exquisiteness of the scene at dawn was equally emotionally poignant to Hang, not because she wished for a recognisable sight, but because it was such an extreme difference from the slum in Hanoi where she grew up. The sensory details of her childhood remain with Hang even years later, acting as a reminder of her humble beginnings even as she advances in life. The stench of “rancid urine” that permeated the walls of the slum and the hut where she and her mother lived, with its persistently leaky roof “patched together out of…rusty sheet metal” ; build a vivid picture of poverty. To then be exposed to the breathtaking vista of a natural landscape, having experienced the scarceness of beauty in the slums that is her home, causes distress in Hang.
Baldwin gives a vivid sketch of the depressing conditions he grew up on in Fifth Avenue, Uptown by using strong descriptive words. He makes use of such word choices in his beginning sentences when he reflects back to his house which is now replaced by housing projects and “one of those stunted city trees is snarling where our [his] doorway used to be” (Baldwin...
In The Joy Luck Club, by Amy Tan, the characters Suyuan and June have a mother-daughter relationship fraught with conflict, but ultimately rooted in deep love and commitment for one another. Because of drastic differences in the environments in which they were raised and in their life experiences, these two women have many opposing ideas and beliefs. This coupled with their lack of communication are responsible for many of the problems they encounter during the course of their relationship. These conflicts are only resolved when June learns about her mother's past and accepts their respective differences. The manner in which their relationship develops and the conflicts June and Suyuan face reveal some of the themes that Amy Tan intends for the readers to learn. These themes concern such topics as finding life's importance, making choices, and understanding ourselves and our families.
Just look at the quote I gave you earlier: “Brooklyn, New York, as the undefined, hard-to–remember the shape of a stain.” He sees it as nothing but a stain on the map. He goes on to talk about “…the sludge at the bottom of the canal causes it to bubble.” Giving us something we can see, something we can hear because you can just imagine being near the canal and hearing the sludge bubble make their popping noises as the gas is released. He “The train sounds different – lighter, quieter—in the open air,” when it comes from underground and the sight he sees on the rooftops. Although some are negative, such as the sagging of roofs and graffiti, his tone towards the moment seems to be admiration. In the second section, he talks about the smells of Brooklyn and the taste of food. He’d talk about how his daughter compares the tastes of pizzas with her “…stern judgments of pizza. Low end… New Hampshire pizza. … In the middle… zoo pizza. …very top… two blocks from our house,” and different it was where he’d grown up. He talks about the immense amount of “smells in Brooklyn: Coffee, fingernail polish, eucalyptus…” and how other might hate it, but he enjoys it. In the same section, he describes how he enjoys the Brooklyn accent and the noise and smells that other people make on the streets and at the park across from his house. “Charcoal smoke drifts into the
Upon arrival into the jungle of vast buildings, the first thing noticed is the mobbed streets filled with taxi cabs and cars going to and fro in numerous directions, with the scent of exhaust surfing through the air. As you progress deeper into the inner city and exit your vehicle, the aroma of the many restaurants passes through your nostrils and gives you a craving for a ?NY Hot Dog? sold by the street venders on the corner calling out your name. As you continue your journey you are passed by the ongoing flow of pedestrians talking on their cell phones and drinking a Starbucks while enjoying the city. The constant commotion of conversing voices rage up and down the streets as someone calls for a fast taxi. A mixed sound of various music styles all band together to form one wild tune.