In the history of architecture there often was a discrepancy between what the architect wants to design and what the client wants to have. In fact, sometimes an architect will do a great design and acquire awards for his design but maybe the client or user have an aversion to it. Stater (2002) and Misra (2002) argue this issue in a distinct way.
In the article " it is just not Cricket", Stater (2002) explain the relationships between the architect and clients in different cases and gives two building as examples. The first case that the author shows in this article is the status of the architect who does not talk with any one and has the knowledge and the confidence, while what the client does not like may becomes secondary. Moreover, client has different situations of behavior such as incoherent, unconscious or very probably uninterested (Stater 2002). On the other hand, he said that the job of the architect seems like the doctor's job, for instance of that is when the patient come to the GP's doctor he tell him about his problems and symptoms. As a result the doctor finds the best treatment and solution for his problems. In the same way the client come to the architect and have same strategies.
In terms of negative architecture design, the explanation of Stater (2002) can be seen in two examples of buildings which are the Bevin Court and the Media Centre at Lord’s Cricket Ground. Although these buildings have significant designs in terms of moderation and technique, they are not functional and inconvenience for clients. The reason of that the architect did not discuss the design with the client (Stater 2002).
Conversely, in the article "Whose House Is It? Exploring User Participation in the Design Process of Residences" Misra (2002) explores that the design process must support the user needs. As well as, the author said that the architecture should be reflected and reinforced by the nature of gender, race and class relations in society. However Misra (2002) discussed four main points in seven projects in India which are the issue of user participation in the design of built environment, the architectural design process in the case of individual project is outlined, and the clients involvement, the patterns of clients-user participation evident and finally some institutional aspects that act systemically to maintain patters of user participation are outlined.
In the aspect of the design of the built environment, Misra (2002) states that the behavior setting for individual and groups are the meaning of the built environment.
“The architect’s role and their intellectual responsibility is to fight to maintain their vision and little bits get chopped off all the time, but if they’re only little bits, it’s not too bad.’’
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
By giving the biographies of architects Richard Neutra and Robert Alexander, Hines does nothing to remedy his aimless writing. He writes that Neutra had a variety of experience as an archi...
Lawson, Bryan. How Designers Think: The Design Process Demystified. NY: Architectural Press, 1980, 2007. Massachusetts: NECSI Knowledge Press, 2004.
This explains why for ‘many directors, commercial and industrial architecture are just a necessary shell for their business processes’ (Susanne-Knittel Ammerschuber (2006) pg10). They consider dimensions for example surfaces, floor levels and converted space to be the stand out feature of this corporate architecture. Through doing this, the architectural ethos is overlooked during design. The architectural potential is therefore limited as it tends to overlook the surrounding context; the urban environment, local identity as well as the surrounding landscape design. Instead it...
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
To that end, he included ornamentation, allusion, quotation, irony, wit, mannerism, color, and decoration to his architectural repertoire. Fundamentally, Venturi never forgot who architects design: people. He placed meticulous effort on architectural scale, variety, and visual detail to make buildings meaningful and vivid for humanity. Venturi applied these theories in practice in the Vanna Venturi House, a private residence he constructed for his mother. The project’s interior focuses on the individual needs of ordinary people, which epitomizes Venturi’s overriding ethos.
As an interior designer, one must keep in mind certain things the client may want. Matthew’s Restaurant provides an excellent insight of the interior designing process. This allows one to learn important lessons that are essential to creating an environment that satisfies a client. For example, in Matthew’s Restaurant, Larry has a vision that he believes will make the restaurant’s environment fit Matthew’s vision. To achieve this, Larry wants to buy a sculpture that may be a little too pricey for Larry. However, Larry convinces Matthew to buy the sculpture through persuasion. From this we learn two things. First, towards the end of the project, the client will be more concerned about the price because it is most likely that the budget has moved
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...
Simon Unwin, the author of the book ‘Analysing Architecture’ says that the ‘the purpose of architecture is to design buildings’ is an unsatisfactory definition because the definition limits architecture to just the design of buildings. He feels that architecture involves more than just designing buildings. He also believes that the definition fails to explain the real purpose of architecture and transfers the problem of comprehending the word ‘architecture’ to the word ‘building’. This definition doesn’t go in-depth to analyze and understand the essence of architecture in our everyday lives. It fails to relate human life and needs to the buildings built.
Second, the concept must be very good and it takes time and energy to do so. In designing buildings, architects have to do a well-planned concept, space arrangement, spatial quality, structure, materials, mechanical and electrical system, and sanitary. There were so many things to analyse and think in performing a good building that are functional and memorisable for
Interior design is one of the most important professions. When thinking of design and architecture industry, it is necessary to keep in mind that the professionals emphasis on matters of everyday life when commencing a project. Important sectors of interior design consist of: residential, commercial, hospitality, healthcare, education and corporate designs. Thus, the field deals with numerous factors and affects almost everyone in some way. Design is goal-oriented– it strives to achieve a certain purpose. An essential goal of interior design is to create functional spaces that convey a specific mood for an audience using design elements, thus outlining a design for communities versus individuals.
In Laugier’s book, “An Essay on Architecture,” he addresses early architects’ ignorance. Laugier explains how architects did not study nature and the set rules nature has already created for us. In his Essay, he reveals the flaws that many early buildings throughout Europe posses. Some of the more general flaws he exposes are disproportioning in architectural design, unnecessary placement, and ignoring the primitive and original purpose of a building all together. Therefore, Laugier believes appropriate and appealing architecture can only be designed and crafted when the architect behind the building has followed the rules of nature.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.