“Two sides of the same coin,” is a commonly heard English saying used to describe two items that seem very different from each other but in reality share a number of similarities. Scott Fitzgerald demonstrates this idea in his novel, The Great Gatsby, when he introduces the characters Tom Buchanan and Jay Gatsby. At first glance, both characters may seem like polar opposites. However, with a closer analysis, one can see that they are more alike than meets the eye. Tom Buchanan and Jay Gatsby share many ideas on the value of money, love, and the American dream, but their ways of approaching these concepts differ greatly.
One of the first things our narrator, Nick Carraway, tells us about both of these men is that they possess a great deal of money. On page 5, Nick gives the reader a description of Gatsby’s mansion:
“The one on my right was a colossal affair by any standard – it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden…My own house was an eyesore, but it was a small eyesore, and it had been overlooked, so I had a view of the water, a partial view of my neighbor’s lawn, and the consoling proximity of millionaires…”
On page 6, Nick emphasizes the amount of wealth Tom Buchannan possesses:
“His family were enormously wealthy – even in college his freedom with money was a matter for reproach – but now he’d left Chicago and come East in a fashion that rather took your breath away, for instance, he’s brought down a string of polo ponies from Lake Forest. It was hard to realize that a man I my own generation was wealthy enough to do that.
Gatsby throws lavish parties every...
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...t to Tom, it means a loss of control and power.
Tom Buchannan and Jay Gatsby represent the two types of men present in the 1920s – the old money and the new money. People who possess old money like Tom are reluctant to change with society and find comfort in the older ways of life. People with new money such as Gatsby embrace the changes that the 1920s brought and took advantage of the new opportunities present. Because of their differences in background and lifestyle, they naturally had different approaches on topics such as the value of money, love, and the American dream. Surprisingly though, many of their views were similar. They both used their wealth to hide things about themselves and neither of them seems to be truly capable of love. The men are like “two sides of the same coin.”
Works Cited
Fitzgerald, Scott. The Great Gatsby. New York: Scribner, 2004.
Shannon L. Alder once said, “If you want to discover the true character of a person, you have only to observe what they are passionate about.” There are many ways to see the truth about a person whether it is through what they do or how they act. True colors often show when people least expect it and many would be surprised. In F. Scott Fitzgerald’s novel, “The Great Gatsby”, Tom Buchanan and Jay Gatsby may seem like very similar people, but there is more than meets the eye.
“Money can’t buy happiness” is a saying that is often used to make one understand that there is more to life than wealth and money. Jay Gatsby was a man of many qualities some of which are good and bad. Throughout the book of “The Great Gatsby” by F. Scott Fitzgerald, we learn of his past and discover the true qualities of Jay Gatsby. Starting from the bottom, with little money, we learn of why Gatsby struggled so hard all his life to become wealthy and what his true goal in life was. When reading this story, the true reasons behind Gatsby’s illegal actions reveal themselves and readers can learn a great life lesson from this story and the actions the characters take. Readers can see through Gatsby’s contradictions of actions and thoughts that illustrate the theme of the story, along with his static characteristics, that all humans are complex beings and that humans cannot be defined as good or bad.
can see this from a quote in the novel, “well, there I was, ‘way off
The first example of Gatsby's belief that money can buy his happiness is when Nick Carraway describes the subdivision in which he lives, West Egg. The subdivision across the water is East Egg. The houses are very luxurious to say the least. On the other hand, there is a distinction between the two. The West Egg house are more recently built and are elaborately decorated, where as the houses in East Egg are still as big but very conservative in architecture. The two neighborhoods represent the division in the upper class at this time in America. During the 1920's, the conservative "old rich" despised the "new rich". A good example of an "old rich" family would be the Rockefellers, where as a "new rich" family would be the Kennedys. The East Egg represented the conservative money of the "old rich". For generations their money passed down giving them the belief that the "new rich" with their newly acquired wealth were still lower and not equal to them. The "new rich" liked to display their wealth in lavish ways that the conservative wealthy did not approve. In addition, the "new rich" often did not earn their money in legitimate ways; most earned their money from boot legging. Carraway in an ironic way is neither "new rich" nor "old rich". He lives in a rather modest house compared to Gatsby's huge mansion. Gatsby owns a huge house but is the only person living there besides some servants. Gatsby tries to use the house to win the happiness and respect from others. Another reason for the house is to hide the way in which he really makes his money.
F. Scott Fitzgerald’s The Great Gatsby recounts a love story of fortune, sacrifice, and passion. Mystified by the foreign land of excessive capital and immense material possessions, the narrator, Nick Carraway, judges or exalts numerous inhabitants of the East and West Eggs, especially Jay Gatsby, whose mystery and secrecy attracts many. Although it seems like Mr. Carraway obsesses about Gatsby, strictly, for his wealth, a careful look at craft choices and his characterization reveals that Jay Gatsby captivates Nick because he is one of the only characters, who, unclouded by prosperity, recognizes his own fascination with money.
Despite their numerous connections, there is great conflict between the different economic classes in The Great Gatsby, those being old money, new money, and the scarcely discussed, no money. Separated by the lake, West Egg and East Egg never cease to oppose one another. Fitzgerald shows the effect excessive capital has on people, emphasizing that money is power. Since Tom Buchanan comes from old money, his family fortune has simply been passed onto him; he doesn’t have to work to achieve his social status. Conversely, Jay Gatsby is required to put in the hard work and go to the extremes to get where he is. Tom Buchanan can easily be compared to the well-known Paris Hilton. What great successes is she truly known for? Solely being related to the founder of Hilton Hotels, she has never truly had to make a name for herself. When it comes to Gatsby, if one is capable of overlooking his illegal means of doing so, he is forced to work for his fortune. Steve Jobs, in comparison, also worked for his money, having originally begun his billion dollar company in his garage.
As depicted by Scott F. Fitzgerald, the 1920s is an era of a great downfall both socially and morally. As the rich get richer, the poor remain to fend for themselves, with no help of any kind coming their way. Throughout Fitzgerald’s, The Great Gatsby, the two “breeds” of wealthier folk consistently butt heads in an ongoing battle of varying lifestyles. The West Eggers, best represented by Jay Gatsby, are the newly rich, with little to no sense of class or taste. Their polar opposites, the East Eggers, are signified by Tom and Daisy Buchanan; these people have inherited their riches from the country’s wealthiest old families and treat their money with dignity and social grace. Money, a mere object in the hands of the newly wealthy, is unconscientiously squandered by Gatsby in an effort to bring his only source of happiness, Daisy, into his life once again. Over the course of his countless wild parties, he dissipates thousands upon thousands of dollars in unsuccessful attempts to attract Daisy’s attention. For Gatsby, the only way he could capture this happiness is to achieve his personal “American Dream” and end up with Daisy in his arms. Gatsby’s obsession with Daisy is somewhat detrimental to himself and the ones around him; his actions destroy relationships and ultimately get two people killed.
In The Great Gatsby one of the main characters, Jay Gatsby, has lead a highly successful and luxurious life. Of those luxuries, he lived in a massive mansion located in West Egg, owned beautiful shirts, and hosted elaborate parties. However, Mr. Gatsby has not always lived this way, he was once a poor man who had nothing to
The 1920’s was a time of prosperity, woman’s rights, and bootleggers. F. Scott Fitzgerald truly depicts the reality of this era with The Great Gatsby. Jay Gatsby, an enormously wealthy man, is famous for his extravagant parties and striking residence. However, this is all that is known about Gatsby. Even his closest friends continue to wonder what kind of man Gatsby actually is. The mysteriousness of Gatsby is demonstrated by conceivable gossip, his random departures, and the missing parts of his past.
“The Great Gatsby”, by F. Scott Fitzgerald depicts the vast social difference between the old aristocrats, the new self-made rich and the poor. He vividly interprets the social stratification during the roaring twenties as each group has their own problems to deal with. Old Money, who have fortunes dating from the 19th century, have built up powerful and influential social connections, and tend to hide their wealth and superiority behind a veneer of civility. The New Money made their fortunes in the 1920s boom and therefore have no social connections and tend to overcompensate for this lack with lavish displays of wealth. As usual, the No Money gets overlooked by the struggle at the top, leaving them forgotten or ignored. Such is exemplified by Jay Gatsby, Myrtle Wilson and Tom Buchanan. Their ambitions distinctly represent their class in which Fitzgerald implies strongly about.
The obsession with wealth often blinds people from the potential crisis. The crisis of having everything they worked and struggled for redefined if the reality fails them. Just like strivers who chase the American dream, Gatsby also spend his whole life in persue of his American dream, which Daisy was a major component of it. Gatsby’s “American dream” seems actualized when Daisy comments him “resemble the advertisement of the man(Ch7).” But Daisy eventually betrays Gatsby and went back to the arms of Tom. This is the final nail in the coffin, with Gatsby’s dr...
In The Great Gatsby by F. Scott Fitzgerald, the author implies that wealth plays a much lesser role in the decisions of individuals who earned their wealth. He demonstrates this through Jay Gatsby’s thoughts about his newfound wealth and Tom Buchanan’s beliefs about his old, generational wealth.
The Great Gatsby, written by F. Scott Fitzgerald, perfectly symbolizes many emerging trends of the 1920’s. More importantly, the character of Jay Gatsby is depicted as a man amongst his American dreams and the trials he faces in the pursuit of its complete achievement. His drive to acquire the girl of his dreams, Daisy Buchanan, through gaining status and wealth shows many aspects of the author's view on the American dream. Through this, one can hope to disassemble the complex picture that is Fitzgerald’s view of this through the novel. Fitzgerald believes, through his experiences during the 1920’s, that only fractions of the American Dream are attainable, and he demonstrates this through three distinct images in The Great Gastby.
Lewis, Roger. "Money, Love, and Aspiration in The Great Gatsby." New Essays on The Great Gatsby. Ed. Matthew J. Bruccoli. New York: Cambridge University Press, 1985. 41-57.
Lewis, Roger. "Money, Love, and Aspiration in The Great Gatsby." New Essays on The Great Gatsby. Ed. Matthew J. Bruccoli. New York: Cambridge University Press, 1985. 41-57.