Comparing The Tempest and King Lear

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Comparing The Tempest and King Lear

This essay will focus on the similarities and differences of the plays The Tempest and King Lear in general, as well as looking at comparisons of Prospero and Lear in somewhat more detail.

Prospero and Lear are, without a doubt, the two most compelling mature figures in Shakespeare. In a way, one is the flip side, so to speak, of the other. Each represents an aging man's relationship to family, environment, and, most importantly, himself. One might even be so bold as to venture that had Lear lived, he might, through the enormity of his painful transformation, have become a character much like Prospero, a man who has learned bitter lessons from his intercourse with the world and has utilized them to create his own unique reality, becoming, finally, the true master of his destiny.

Similarities between The Tempest and King Lear are more numerous than one might at first assume. To begin with, the theme of nature plays a significant role, as it does in many of Shakespeare's works. This is due in part to the popularity of the pastoral theme in the Elizabethan era, as well as the English appreciation for the countryside. (This latter fact persists to this day, as is evinced by the fact that the cover of every Arden edition of Shakespeare is adorned by paintings by the Brotherhood of Ruralists, a group of artists whose primary inspiration is the English countryside.)

The clearest parallel within the realm of nature between the two plays is the spectacle and grandeur of a tempest. In each case, the occurrence of a mighty storm is a pivotal plot-mover, as well as a symbol for transformation. In The Tempest, the storm provides for the arrival of the King of Naples, the usurping D...

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...e rewards of such a transformation.

Works Cited and Consulted

Davidson, Frank. “The Tempest: An Interpretation.” In The Tempest: A Casebook. Ed. D.J. Palmer. London: Macmillan & Co. Ltd., 1968. 225.

Kermode, Frank. Introduction. The Tempest. By William Shakespeare. Cambridge: Harvard UP, 1958. xlii.

Kott, Jan. Shakespeare Our Contemporary. Garden City: Doubleday & Company, 1994.

Schlegel, August Wilhelm. Criticism on Shakespeare s Tragedies . A Course of Lectures on Dramatic Art and Literature. London: AMS Press, Inc., 1995.

Shakespeare, William, 1998. King Lear. Oxford: Oxford University Press.

Solomon, Andrew. “A Reading of the Tempest.” In Shakespeare’s Late Plays. Ed. Richard C. Tobias and Paul G. Zolbrod. Athens: Ohio UP, 1974. 232.

Webster, Margaret. Shakespeare Without Tears. Greenwich: Fawcett Publications, Inc., 1996.

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