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Roman architecture comparative analysis
Greek and roman architecture
Greek and roman architecture
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From the Egyptians to Romans, architecture achievements of the ancient world have left a huge impression on todays modern world. They all have left a tremendous impression on modern civilizations. There are numerous architectural monuments to write about. In this essay I will be discussing about the Pantheon and Colosseum, the famous architectural buildings of the Roman Civilization. I will discuss the history, significance, and analyze the qualities of the architecture.
The Pantheon is the best preserved Roman building from Ancient Rome.It is the third building and the building was built during Hadrian’s reign; the first Pantheon was commissioned by Marcus Vipsanius Agrippa (27-25 BCE) and the second one by Domitian (Cartwright “Pantheon”).
In 80 CE the first one was destroyed by fire and in 110 CE the second was destroyed by lightning that burnt it down (Cartwright “Pantheon”). The third pantheon was commissioned during the reign of Trajan and completed in the reign of Hadrian during 125 CE (Cartwright “Pantheon”). The exact purpose of this building is not known, most likely the Pantheon was a place where the “Roman emperor could make public appearances in a setting which reminded onlookers of his divine status, equal with the other gods of the Roman pantheon and his deified emperor predecessors”. (Cartwright “Pantheon”). The Pantheon is remarkable in its construction and has stood the test of time. The Pantheon has existed for over 18 centuries (Moore). The Pantheon was constructed using concrete without using steel rods (Moore). Furthermore, the Concrete that the Romans used was considerably weaker than todays concrete (Moore). Todays engineers would never attempt to construct a structure like the Pantheon without using steel rods (Moore). This shows the how well the construction of the Pantheon was executed. The great painter Michelangelo described the design of the Pantheon as “Angelic and not human design” (Moore).The building consists of two parts-the porch and the circular main building or the rotunda (Cartwright “Pantheon”). The porch is Classical Greek in presentation while the circular main building is more Roman in style (Cartwright “Pantheon”). The porch has eight corinthian columns standing 11.8 meters high (Cartwright “Pantheon”). The fascinating part of the Pantheon is its interior. The main entrance has double bronze doors which stand 6.4m high (Moore). The height from floor to the top of the dome is 43.2 meters which is exactly the diameter of the rotunda (Cartwright “Pantheon”). The top of the dome has an opening called the oculus which is 8 meters in diameter and is decorated with bronze sheet frieze (Cartwright “Pantheon”). Furthermore, the oculus is a unique feature that creates a beautiful light well at center of the rotunda (Moore). The dome also has 5 rings of 28 coffers which reduce in size as it gets closer to the center (Cartwright “Pantheon”). This feature also helps the lighten the interior (Cartwright “Pantheon”). The walls have seven alcoves and is 6 meters in thickness.
For much of the last millennia many great architects have looked upon the Pantheon as a staple of classical architecture, as well as a model for many modern day buildings. Created by the Romans, the Pantheon would use many elements better than any other works of architecture to that time. No further than Columbia Missouri is this evident in the construction of what used to be known as the First Academic Building on the University of Missouri campus. The Architects Bell and Binder headed the creation of the new building after the First Academic Building burnt down in 1892. Known today as Jesse Hall, this modern day work of architecture pulls many elements from the Pantheon to create a unique work of public space. The most glaring comparison of both comes from the domes that top both buildings. Each building also shares similar characteristics in their front facades. Yet, while there are many similarities to both works, each contain unique differences in their layout and construction.
The Pantheon was a Roman concrete structure. Roman concrete is a mixture of lime and volcanic ash (pozzolana, found near modern-day town Pozzouli). Roman concrete is also called hydraulic cement-based concrete. It is known for curing relatively rapidly, even in damp condition, thus it could be used for massive construction. The most daring thing about the use of Roman concrete in the Pantheon is that Portland cement needs steel reinforcement due to tendency of cracking caused by tension forces, meanwhile the Pantheon did not. The Pantheon still stands today is because of its special structure.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
In Rome the buildings were constructed under Roman Empire. The Roman Colosseum was constructed between 69 to 79 CE by the Vespasian emperor, The Circus Maximum was built in the 2nd century B.C by the high emperor, in 31 B.C the fire destroyed it that led Emperor Augustus to rebuild the Circus in 82 AD, Ludus Magnus was a gladiatorial training school in Rome and it was originally built between 81-96AD by Emperor Domitian. The emperor’s theme was large public stone buildings that would bring the people of Rome together and also the emperor was rich and they had manpower. The emperors also patron towards the workers and also to prove that they are the great leaders. The emperors had money, a lot of workers to build the buildings to the Emperor’s satisfaction. The buildings were used by the public as entertainment where they would go and watch all sorts of races & fights.
"Roman Colosseum - Rome, Italy - Great Buildings Architecture." Architecture Design Architectural Images Drawings History and More - ArchitectureWeek Great Buildings. Web. 12 Feb. 2012.
The engineering discoveries of ancient Rome have played a key role in the history of architecture and engineering. Many of Rome’s roadways, bridges, and aqueducts have been in use from the first century until the twentieth century. Many American buildings have used the Roman dome. Several major structures from early Rome still stand, including the Collosseum. These remnants of feats of Roman engineering stand as a monument to the ability of ancient Roman builders.
As one of the greatest structures in Rome, the Pantheon was built between 118 and 128 CE. It is described as the most remarkable ancient building surviving in Rome. After being destroyed and rebuilt twice, it was renamed the “Temple of the Gods”. In 126 AD, the Pantheon was restored to its glory, by the architects who at that time has learned and mastered their craft in concrete construction in the Greek Classical order. They constructed a massive 25 foot thick walls which was to support the huge dome made of concrete to be placed at the top. The dome was the largest ever made of unreinforced concrete at 43.4 meters in diameter (Matthews, Roy and Platt pg. 5).
During his visit back to Rome as emperor; Hadrian created plans for the revered Pantheon (McEwen 1993: 56). Hadrian played a key role in the many buildings constructed during his reign. McEwen writes that “unlike those of Augustus, and of the imperial builders who succeeded him, Hadrian’s building activities involved, to an uncommon degree, the personal participation of the emperor himself. If, like his predecessors, Hadrian was a client who commissioned buildings, he was—exceptionally—their architect as well.” (McEwen 1993: 55). The participation of the emperor in constructions is interesting to note since many rulers chose architects to create their monuments rather than participating directly with their designs. The Pantheon is praised for its architectural construction and monumentality that is not present in other pieces. Very few buildings were domed like the Pantheon but they never reached its scale (Mark & Hutchinson 1986: 24). Three important sections compose Hadrian’s Pantheon which are: the pronaos, an intermediate block, and the domed rotunda (Stamper 2005: 188). The temple went through many changes over the course of time. The once bronze tiled roof shone brightly with bronze statues that were removed in later years (Joost-Gaugier 1998: 27). These additions to the temple created an impression of extravagance and it also reinforces the relations with the sun.
In 118AD, emperor Hadrian completely remodeled the pantheon and saw that it was rebuilt. Construction was completed in 128AD. Emperor Hadrian loved architecture, but he was no architect himself. It is believed
In ancient Rome, where did you go to have fun or enjoy a show, interact with people. Was their a place or building that can be able to entertain the crowd. Well the Colosseum was the only way where people from Rome, Italy were able to go for entertainment. The Colosseum was design as an amphitheater arena for the people from Rome can enjoy the violent shows they hold. In Rome, Italy during that ancient time it was a very violent and scare era. Therefore, they entertain themselves with gladiator fight and animal attack and the crowd will go wild for that show. The Colosseum architecture was designed purposely to be like an amphitheater. In the city of Austin which is a very popular city in Texas and it is growing more every year. The city of
The Colosseum is one of the most well-known structures in Rome, Italy. The Colosseum was built almost two thousand years ago to host games for gladiators. The Colosseum provided for entertainment for the Romans, a form of punishment for those who did not obey the laws, and a place of great architectural beauty.
It was built on the same site as the two before it, the first commissioned by Marcus Agrippa, and the second by Domitian. The first was destroyed by fire in 80 CE and the second burned down after being struck by lightning in 110 CE. The Pantheon standing today was started by Trajan in 114 CE and completed by Hadrian in 125 CE. The text of the original inscription was added to the new façade. The inscription reads “M·AGRIPPA·L·F·COS·TERTIVM·FECIT”, meaning "Marcus Agrippa, son of Lucius, made [this building] when consul for the third time.” In 609 CE the Byzantine Emperor Phocas gave the building to Pope Boniface IV. It was then consecrated as a Christian church called Santa Maria ad Martyres, which has been in constant use ever since. Dedicated to every god, it is one of the best preserved Roman temples. The Pantheon has also served as a tomb since the Renaissance. Among those buried are the architect Baldassare Peruzzi, the painters Raphael and Annibale Caracci, and two kings of Italy: Vittorio Emanuele II and Umberto I, as well as Vittorio Emanuele's Queen, Margherita. The building stands on a base, originally extended a further twenty-two feet in front of the colonnade. “The front of the temple is a deep portico with eight unfluted Corinthian columns across the front and four interior columns, thus dividing the porch into a barrel-vaulted nave, which leads
"Divine Design: The Pantheon's Legacy in Architecture" The Pantheon in Rome is a remarkable example of Roman architecture and religious devotion. Its exterior reflects ancient Rome's architectural skills, while inside, the light from the oculus creates a heavenly atmosphere. Built in the 2nd century AD under Emperor Hadrian, it combines traditional Roman elements with new ideas. My research aims to show that, despite following some Roman norms, the Pantheon's innovative design, structural brilliance, and symbolic depth set it apart from earlier temples like the tholos. This signifies a significant shift in sacred architecture towards inclusivity and advanced technology.
The differences between the art of Roman and other civilizations were that every Roman arts whether were sculptures or architectures had served some purposes and played certain roles in the daily lives of Roman citizens. For example, Romans love to build small concrete building with the vaulting systems. The small building which was called the bay (Pg. 105). This unique system helps to construct much fine and greatest architecture for Romans such as the Sanctuary of Fortuna Primigenia, the Colosseum and the Basilica of Constantine. The Pantheon of Rome was also another striking example of fine Roman structure. These structures were often used for religion matters, public meetings and entertainment for every Roman citizen. If any Roman citizens wanted to have some fun, they would attend the Colosseum and watched the gladiatorial game or a series of chariot race. If some other citizens wanted to seek God or certain deity, they would likely to go to the Sanctuary of Fortuna Primigenia. In fact, architectures were significant in the lives of Roman citizens.
As Nuttgens eloquently expressed, architecture is a “vital…expression of the experience of mankind.” It is more than just buildings used for storage, housing, religious purposes, simple functionality; it is a great manifestation of the commonality of man, the great connecting factor of humankind. However, it can be argued that the ancient and classic forms or architecture are in essence more “profound…lasting… [and] inexhaustible” than those of their modern counterparts, because of some key differences in the ways ancient and modern architecture are practiced.