The myth of Romulus and Remus, as well as the myth of Aeneas contribute to the emergence of Rome and its people. Romulus and Remus are credited with founding of the city of Rome itself, while Aeneas was credited with the founding of the Roman race (Ott, 105). The history of Rome cannot be told without both of these myths being a part of the story. Each has both similarities and vast differences to the other. When Gods are involved punishment and reward seem to go hand-in-hand. In both myths Gods and Goddesses, as well as royalty, were a part of each of the children’s parentage. Romulus and Remus were born to Mars a Roman God, and Princess Rhea Silva (Garcia 1). Aeneas was born to the Goddess Aphrodite and a member of the junior branch …show more content…
Their mother, Rhea, had been given the title priestess and taken a vow of chastity, and the children’s uncle could not allow the children to become heirs to the throne, so he ordered them to be thrown into the river (Ott 105). From there they were saved by She-Wolf who fed and cared for them as if they were her own children (Ott 105). The She-Wolf became a “elevated symbol of Rome and of Italy” (Ott 105). It is said that the She-Wolf raised the boys to have a closeness with nature and with the gods as well (Ott 106). Soon the boys would be rescued by a shepherd and brought to the hills just outside of what would become Rome itself (Ott 105). As they grow, the boys roam the land looking for their rightful city. They return to Alba Longa and defeat their great-uncle reestablishing their grandfather to the thrown (Ott 106,107). When they travel back into the world to find their own city, they fight over how the location will be built. Romulus builds a wall that his brother, Remus climbs over with ease, causing Romulus to become so angry that he kills Remus, thereby appointing himself the first king of this newfound city (Ott 107). Due to Romulus’s half-divine lineage, his sins are excused. When he populates his city he invites “outcasts, criminals, vagabonds, and lowlifes” (Ott …show more content…
When he fled he took his father, and his son Ascanius with him (Ott 102). Aeneas’s wife became lost during the evacuation. When he fled he also took “penati, the family gods, the most important and only specifically Roman divinity” (Ott 102). To Aeneas, it was an important part of his “identity, origin, and past” (Ott 102) that he needed in order to make sure that his fate was fulfilled when he set out to find new people. Like Romulus and Remus, Aeneas traveled the lands looking to fulfill his fate. It is said the ghost of his wife, who became lost at the battle of Troy, told him to go West to where the Tiber River flowed (Anderson 1). Aeneas traveled to Thrace, Sicily, and Crete before a storm pushes him ashore in Northern Africa (Anderson 1). Once there he fell in love with and married Dido, the Queen of Carthage (Ott 102). Soon Aeneas is reminded by Mercury that his destiny was to reach Rome, causing him to leave Dido who killed herself out of longing (Anderson 1). “Aeneas’s character as portrayed by Virgil is not only that of a heroic warrior. In addition, he guides his life by obedience to divine command, to which he sacrifices his own natural inclination” (Anderson 1). Although Aeneas is not Greek, his is “immortalized as a valorous citizen, brave soldier, respectful son, loving father, and caring husband…” (Ott 103). The Greek God Poseidon
After the city of Troy is taken over, Venus comes down to tell Aeneas that he must leave the city. Anchises is finally able to convince him, and so Aeneas takes his family and attempts to flee. However, his wife is unable to escape (Aeneid II. 800-840). Apollo tells Aeneas and Anchises to go “to the land of their ancestors.” Anchises takes this to mean that they should go to Crete (Aeneid III.
At the orders of Jupiter, Mercury is sent down in Book Four of the Aeneid to remind Aeneas of his true fate for Aeneas had fallen in love with Dido and was content to stay in the fertile lands of Carthage, The messenger god mocks and scolds Aeneas for forgetting his duties, especially to his son, Ascanius. As a result of this, Aeneas finally decides to leave Dido and depart Carthage, although he fears losing the queen’s love and her wrath. This demonstrates that he is incredibly pious (as to choose the wishes of the gods over his own love) and that he is noble for attempting to leave Dido as gently as he can. In addition, he displays his admirable hero qualities and commitment to paternal duty in this section.
Aeneas honors his father in a way that portrays Anchises as the superior. Anchises acts as Aeneas’ leader and advisor during the fleet. Aeneas accepts the advice Anchises gives him because, as a parent, Anchises intends to “nurture and educate” (Aristotle, 1161a18), his son for the good. In a paternal relationship, the father should look to transfer his knowledge and power into his own son, for the father is the cause of his being. This is portrayed when Anchises advises Aeneas to head towards Crete to make their new home, and so they do. He was wrong about Crete, yet Aeneas continues to listen to him when he advises them to move to Italy. Furthermore, when Anchises dies it is clear that Aeneas will miss his father’s advice as he describes Anchises as, “my mainstay in every danger and defeat” (The Aeneid, pg.126). Anchises was the one to lead his son out of dangers, and Aeneas depended on his superior father to do
The dominant factor in an epic is the heroic main character. This character often is the son of a god or goddess and is favored by the gods. Heroic characters are also always hounded by constant tragedy which drives them to fulfill their fates. Most heroic characters are high in social status and share close contacts with the gods. All of these qualities of heroic characters show up in the characters of Aeneas from The Aeneid and Gilgamesh from the Epic of Gilgamesh.
Many people seem to be under the impression that the Aeneid is a celebration of Roman glory, led by the hero of fate Aeneas. I find these preconceived ideas hard to reconcile with my actual reading of the text. For starters, I have a hard time viewing Aeneas as a hero at all. Almost any other main characters in the epic, from Dido to Camilla to Turnus, have more heroic qualities than Aeneas. This is especially noteworthy because many of these characters are his enemies. In addition, Aeneas is presented as a man with no free will. He is not so much bound to duty as he is shielded by it. It offers a convenient way for hum to dodge crucial moral questions. Although this doesn’t necessarily make him a bad person, it certainly makes him a weak one. Of course some will argue that it takes greater moral conviction to ignore personal temptation and act for the good of the people. These analysts are dodging the issue just like Aeneas does. The fact is that Aeneas doesn’t just sacrifice his own personal happiness for the common good; he also sacrifices the past of the Trojan people, most notably when he dishonors the memory of his fallen city by becoming the men he hated most, the Greek invaders. The picture of Aeneas as seen in the end of the Aeneid bears some sticking resemblances to his own depiction of the savage and treacherous Greeks in the early books.
Aeneas’s mission is to find a new home for him and his family. Both these characters had many similarities and differences in their ways of fighting. Both Odysseus and Aeneas were helped by different gods. Odysseus was helped by Calypso in a way. She held him captive, but was forced to release him from the father of all Greek gods,Zeus.
Aeneas is the son of Venus. This fact alone brings about much of the hero in him. Venus, a concerned mother, always looks out for her son. She does everything she thinks will help to ensure his safety and success. At the beginning of his journey from Troy, she prevents his death at sea. Juno has persuaded King Aeolus to cause vicious storms, rocking Aeneas' fleet and nearly killing all of them. Venus then goes to Jupiter and begs him to help Aeneas: Venus appealed to him, all pale and wan, With tears in her shining eyes:
Odysseus’ journey is one that features much emotional pain. Pain for being away from his home, wife and son, but in Aeneas’ journey he is a warrior, and he goes through physical pain. Unlike Odysseus, Aeneas begins his journey after the Greeks have burned his home to the ground. He does not have the pleasure of long comfortable “holdups” Odysseus has and he also has to deal with his father dying—the ultimate blow.
Aeneas also went to fight in the Trojan War. He also was a national hero. He was a great warrior. Both Odysseus and Aeneas were trying to head home.
Throughout the epic, Aeneas suffered the loss of many people dear to him. The first person to pass away was his wife Creusa. During the ...
To begin, both the leadership qualities and flaws of Aeneas and Odysseus must be examined in order to determine who the better leader is. Virgil presents Aeneas very differently than Homer presents Odysseus. They are both certainly heroes, but Aeneas seems more accessible and a stronger leader, due to the way Virgil presents him. Virgil illustrated Aeneas as a man that had to participate in many tests and tempering’s, and from that, his heroism was seen as flawless. The same goes along with Homers’ Odysseus, yet in a different, more astounding way.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
Mars, the god of war and princess Rhea Silvia are the parents of twin boys named Remus and Romulus. Their father Mars was afraid that someday his children would overthrow him and take his throne. To prevent this, he sent the twins down the Tiber River thinking they would soon die. Mars was wrong, instead they were found by a wolf, the wolf raised them until a shepard found them and took them from the wolf, the shepherd raised them as his own. As the boys grew up they became natural leaders. One day Remus was captured by the king, during this time he learned the truth about him and his brother, Romulus came and killed the king alongside his brother. When word got out about Remus and Romulus they were offered for both of them
When the boys were young they we sent to live with their great uncle. When the uncle wanted to rule the kingdom for his own and not pass it on to the sons he threw them into a river to drown. As they were rushing down the river a wolf saw them as a meal and pulled them out of the water. As the wolf saw what they were she decide to care for them and raise them; some say that it was because she couldn't have her own pups.
... attempts they do just the opposite. With Venus’ many interventions, Aeneas is prevented from making mistakes and is guided to his fate, from not killing Helen [book 2] to leaving behind the old and the weak for Italy [book 4] . He is shown enough times to be the puppet of their play: from obeying the will of the gods while enduring the wrath of other gods, all this in order to set the wheels in motion for the far off future Roman race. However, there are also times when he is also shown to be exerting his won free will. For example, in book 12, killing Turnus when he is begging for mercy, something not heroic and which Susanna Braund debates the positive and negative aspect of in her essay on Virgil and the Meaning of the Aeneid [1.17-18]. nonetheless, this act demonstrates that even the gods and the fates require his cooperation to fulfil his destiny.