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Nature and value of childrens literature
Nature and value of childrens literature
The importance of children's literature
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The poems “The Little Blue Engine, “The Little Boy and the Old Man”, and “Ladies First” were all written by shel silverstein. Shel Silverstein attempted to break social norms to promote fun and imagination in the children who read his poems. Shel Silverstein used his poetry to challenge adults view on children’s literature His poetry deals with difficult subject matter with powerful imagery to convey a message to youth and adults. Silverstein’s poetry was written for the enjoyment of children. In addition he didn’t want them to conform to society.
Shel Silverstein used his poetry to challenge adults view of children’s literature in the poem, “The Little Blue engine”. The whole point of the poem is to show that believing in yourself isn’t
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enough to get something done. “He was almost there, when — CRASH! SMASH! BASH!/ He slid down and mashed into engine hash/ On the rocks below... which goes to show/ If the track is tough and the hill is rough,/THINKING you can just ain’t enough! (ll. 16-20). Many children are taught at a young age that they can do anything. This is not true since failure in life is inevitable. He realised that children ought to learn from their mistakes. This quote shows that Silverstein really cared about teaching children at a young age that thinking you can do something doesn’t mean it will happen. Literary critics have the same view. A literary critic, Ruth K. MacDonald, analyzes Silverstein's “The Little Blue Engine” The author’s essay is titled “The Weirdness of Shel Silverstein” and it shows several of Silverstein's recurring themes and lessons.
"Though some adults may be appalled at Silverstein's handling of this enshrined story, many more will appreciate his willingness to deal so summarily with the debunking of this "truth"”(MacDonald, “The Weirdness of Shel Silverstein”). MacDonald is showing that Silverstein's poems purposely challenge the narrative adults have been telling children by telling the reality as it is. “The Range of humor in evidence in the books makes them appealing to a wide range of school - aged children”(MacDonald, “The Weirdness of Shel Silverstein”). Shel Silverstein wrote his books for children to enjoy, not for adults to critique. The lesson is to educate children so they aren’t swayed by society. In addition to teaching young children about success, he also parallelled the treatment of children to the treatment of elderly …show more content…
people. Shel Silverstein wrote “The Little Boy and the Old Man” to show the similarity between the issues of youth and age. The main idea of the poem is that adults often forget about the “insignificant” problems of children and elders. “Said the little boy, "Sometimes I drop my spoon."/Said the old man, "I do that too."/The little boy whispered, "I wet my pants."/"I do that too," laughed the little old man./Said the little boy, "I often cry." /The old man nodded, "So do I."/"But worst of all," said the boy, /"it seems Grown-ups don't pay attention to me." /And he felt the warmth of a wrinkled old hand. /"I know what you mean," /said the little old man” (“The Little Body and the Old Man” ll. 1-10). Children follow adults examples. If they see an adult mistreating an older person, then the children will. A child needs to learn at a young age to respect the elderly. They are full of wisdom and tenderness and in return should be cared for. Critics who have analyzed Silverstein’s work also examine his method in delivering the truth. Again, Ruth K. Macdonald wrote an essay analyzing the poems in Shel Silverstein's “Falling Up” collection. The essay looks at recurring themes and humor. “Silverstein's poems are immediate enough that they carry plenty of weight and pleasure without the other knowledge in hand.(MacDonald, “The Poet’s Place”). This quote shows that Silverstein made his poems straightforward enough for anyone to read them and understand the underlying message. “Silverstein tells the truth to children, right down to the messy, open, inconclusive endings and occasional sentimentality. .(MacDonald, “The Poet’s Place”). The author shows that Silverstein’s topics can be considered too “harsh” for children but they are important to address since being aware of the issue can affect the next generation’s actions regarding the problem. Shel Silverstein wrote a poem called “Ladies First” to show the consequences of abusing the “ladies first” rule.
Throughout the poem, a little girl named Pamela cuts, and always tries to be first at everything because “ladies first”. “Pamela Purse yelled, “Ladies first,”Pushing in front of the ice cream line.Pamela Purse yelled, “Ladies first,”Grabbing the ketchup at dinnertime.Climbing on the morning bus She’d shove right by all of us And there’d be a tiff or a fight or a fuss When Pamela Purse yelled, “Ladies first.”(ll.1-8). Silverstein is highlighting the fact that allowing a lady to go first is polite but can be very obnoxious if taken to extremes. “A cannibal known as Fry-‘Em-Up Dan, Who sat on his throne in a bib so grand With a lick of his lips and a fork in his hand, As he tried to decide who’d be first in the pan- From back of the line, in that shrill voice of hers, Pamela Purse yelled, “Ladies first.”(Ladies first.”(ll.14-19). These lines show Pamela’s obsession of going first as the girl is more focussed on being first then being eaten by a cannibal. This book was banned in several school districts due to its controversial nature. These school districts are just proving his point that people need to be open to important lessons. Many critics agree with Silverstein’s controversial
message. Ruth Macdonald analyzes Silverstein’s works in yet another essay titled “Poetry with The electricity On”. The essay focuses on poems inside Silverstein’s “A Light in the Attic” discussing important themes and structure. “Yet it is this success in treating these unmentionable topics that many parents and teachers object to. Like a banned book, Silverstein succeeds precisely by offending the keepers of propriety and respectability.(MacDonald, “Poetry with the Electricity On”). Macdonald notices a similar theme throughout all of Shel’s works. He always puts forth an issue that adults find disturbing or controversial. That’s why quite a few of his works are banned in places. Adults can’t handle the painfully true statements in his poems. “ Sometimes they simply point to some human foible as a source of laughter. Their presence throughout the book provides breaks and quick pacing, since one is not tempted to linger in contemplation of them. Their frequent puns add to the playfulness of language that Silverstein seeks to encourage.(MacDonald, “Poetry with the Electricity On”). This criticism is directed towards poems like “Ladies First”. It isn’t a very serious issue but it does make fun of it so children understand that even common courtesies can be abused. Shel Silverstein used his poetry to challenge adults view on children’s literature His poetry deals with difficult subject matter with powerful imagery to convey a message to youth and adults. Silverstein’s poetry was written for the enjoyment of children. In addition he didn’t want them to conform to society. Shel Silverstein attempted to break social norms to promote fun and imagination in the children who read his poems. I commend Shel Silverstein for his bravery in tackling difficult subjects to inform children
Are adults overprotective of their children? To what point do we protect children? Where should the line be drawn? Along with those questions is how easily children can be influenced by these same adults. Two poets, Richard Wilbur and Billy Collins, express the ideas of how easily children can be manipulated and how sometimes adults think they are protecting their innocent children, when in reality they are not. Wilbur and Collins express these ideas in their poems through numerous literary devices. The literary devices used by Wilbur and Collins expose different meanings and two extremely different end results. Among the various literary devices used, Wilbur uses imagery, a simple rhyme scheme and meter, juxtaposition of the rational and irrational, and a humorous tone to represent the narrator’s attempt to “domesticate” irrational fears. Conversely Collins uses symbols, historical interpretations, imagery, diction and other literary devices to depict the history teacher’s effort to shield his students from reality. In the poems, “A Barred Owl,” by Richard Wilbur, and “The History Teacher,” by Billy Collins, both poets convey how adults protect and calm children from their biggest, darkest fears and curiosities.
The Catcher in the Rye is not all horror of this sort. There is a wry humor in this sixteen-year-old's trying to live up to his height, to drink with men, to understand mature sex and why he is still a virgin at his age. His affection for children is spontaneous and delightful. There are few little girls in modern fiction as charming and lovable as his little sister, Phoebe. Altogether this is a book to be read thoughtfully and more than once. It is about an unusually sensitive and intelligent boy; but, then, are not all boys unusual and worthy of understanding? If they are bewildered at the complexity of modern life, unsure of themselves, shocked by the spectacle of perversity and evil around them - are not adults equally shocked by the knowledge that even children cannot escape this contact and awareness?
“If you are a dreamer, come in” (Silverstein 9). The opening line in Where the Sidewalk Ends, the first book in his popular trilogy, Shel Silverstein offers the reader a seat by his fire and a few tales to hear. He sets out his theme, for this book and others, of adventure, imagination and creativity. Silverstein’s style of poetry is often referred to as peculiar or unconventional. Each of his poems, though off the wall, has an underlying message or advice on life, love, school, family and many other topics. Shel Silverstein teaches his readers life lessons through his quirky and eccentric poems.
In both novels, the main characters are isolated from any form of true civilisation. In Lord of the Flies, the boys find themselves on a desolate island which is devoid of any human life due to a plane crash, whereas in The Road the Man and Boy live in a bleak, destroyed America in which almost the entire population has been wiped out due to an unnamed natural disaster. Because of the lack of resources and essentials, it is inevitable that the main characters have to find means of surviving – in Lord of the Flies; this is mainly through hunting and building shelter and in The Road, the Man and the Boy trek along the barren landscape in search for any remaining food they can find.
Growing up and becoming mature can be an intimidating experience; it is difficult to let go of one’s childhood and embrace the adult world. For some people, this transition from youthfulness to maturity can be much more difficult than for others. These people often try to hold on to their childhood as long as they can. Unfortunately, life is not so simple. One cannot spend their entire life running from the responsibilities and hardships of adulthood because they will eventually have to accept the fact that they have a role in society that they must fulfill as a responsible, mature individual. The novel “The Catcher in the Rye” by J.D. Salinger follows the endeavours of Holden Caulfield, a sixteen-year-old teenage boy who faces a point in his life where he must make the transition from childhood to adulthood. In an attempt to retain his own childhood, he begins hoping to stop other young children from growing up and losing their innocence as well. As indicated by the title, “The Catcher in the Rye” is a book that explores a theme involving the preservation of innocence, especially of children. It is a story about a boy who is far too hesitant to grow up, and feels the need to ensure that no one else around him has to grow up either. His own fear of maturity and growing up is what leads to Holden’s desire to become a “catcher in the rye” so he can save innocent children from becoming part of the “phoniness” of the adult world.
	Two of his major collections of works of literature are the critically acclaimed Where the Sidewalk Ends and A Light in the Attic. They have no real historic significance; they were written to entertain. These two books contain some of Silverstein’s most accredited work. Since the books are children’s literature, not many critics have taken the time to review the works. However, Shel Silverstein Book Reviews reference to a review of Silverstein’s A Light in the Attic said, "Despite such moments of banality, and there aren't many, Mr. Silverstein's work remains a must for lovers of good verse for children. Quite like nobody else, he is still a master of delectable outrage and the ‘proprietor’ of a surprisingly finely tuned sensibility." In other words, there were some ordinary poems in this book, but for the most part, Silverstein reaffirmed his status as an excellent writer for children with the use of both absurdity and deep feeling.
Throughout history, there have been many noteworthy events that have happened. While there are many sources that can explain these events, historical fiction novels are some of the best ways to do so, as they provide insight on the subject matter, and make you feel connected to the people that have gone through it. An example of a historical fiction that I have just read is The Boy in the Striped Pajamas by John Boyne, a story about the life of a German boy who becomes friends with a Jewish boy in a concentration camp during the holocaust. The author of The Boy in the Striped Pajamas portrays the historical period well,and uses many details from the real life holocaust to make his story more believable. This book is a classic, and is a very good look on how it feels to be living in Nazi Germany.
Early on, poetry was often used with rhyme to remember things more accurately, this still rings true today, even though its use is more often to entertain. However, although it appeals to both the young, in children's books, and the old, in a more sophisticated and complex form, people are bound to have different preferences towards the different styles of poetry. Dobson’s poetry covers a variation of styles that captivate different individuals. “Her Story” is a lengthy poem with shorter stanzas. It’s free verse structure and simplistic language and face value ideas might appeal better to a younger audience. This poem includes quotes with informal language that children or teens would better understand. It’s narrative-based style is easy to follow, and although the poem covers very basic concepts, it’s message is still communicated subliminally. This particular poem is interesting because it focusses on the universal experience of pain and it’s relation to time. Similar to this is “The Householder”, written in a cyclical style, opening with a “house” and ending with a “home”. With only three stanzas, it is
He is saying that poetry should always educate a child or an adult. He also says that
...ses this strategy to reach into the ideas that motivate people in their everyday lives and brings them out into the open. This adds to the overall style of the work, which imitates many of his other works such as “Cinderella”, “Snow White” and “The Little Mermaid.” All of these works allow people to realize their inner hopes of that happy ending, because it has the ideal plot and characters, which they can easily identify because they remain the same throughout each piece of literature. These archetypes eventually permeate the culture and become socially accepted by people around the world.
The speaker in the poem uses images to help to support the theme. For example the statement that "sometimes the woman borrowed my grandmother's face" displays the inability of the children to relate the dilemma to themselves, something that the speaker has learned later on with time and experience. In this poem, the speaker is an old woman, and she places a high emphasis on the burden of years from which she speaks by saying "old woman, / or nearly so, myself." "I know now that woman / and painting and season are almost one / and all beyond saving by children." clearly states that the poem is not written for the amusement of children but somebody that has reached the speaker's age, thus supporting the idea of the theme that children cannot help or understand her or anybody of her age. In addition, when the speakers describes the kids in the classroom as "restless on hard chairs" and "caring little for picture or old age" we can picture them in our minds sitting, ready to leave the class as soon as possible, unwilling and unable to understand the ethics dilemma or what the speaker is feeling.
In the poem, “The Chimney Sweeper” by William Blake, the author attempts to educate the reader about the horrors experienced by young children who are forced into labor at an early age cleaning chimneys for the wealthy. The poem begins with a young boy who has lost his mother but has no time to properly grieve because his father has sold him into a life of filth and despair. The child weeps not only for the loss of his mother and father’s betrayal, but also for the loss of his childhood and innocence. Blake uses poetry in an attempt to provoke outrage over the inhumane and dangerous practice of exploiting children and attempts to shine a light on the plight of the children by appealing to the reader’s conscience in order to free the children from their nightmare existence. Right away in the first lines of the poem we learn through the child narrator that his life is about to change dramatically for the worse.
In “The Parable of the Old Man and the Young” and “Arms and the Boy” Wilfred Owen composes two very different stories that serve to show the vicious reality of the World War One Era. Where in “The Parable of the Old Man and the Young” Owen provides us with a Parable written in the Bible (Genesis 22:1-19) that’s laced with a major twist, “Arms and the Boy” tells the tale of a young boy tempted by the evils of violence. However, the literary techniques utilized by the author in the poem evokes two very contrasting experiences. Whereas “The Parable of the Old Man and the Young” uses a non traditional rhyme scheme, subtle symbolic diction, and the overall biblical allusion in order to stimulate a less violent, but cruel perspective towards a
In the poetry of William Blake and William Wordsworth, this difference between children and adults and their respective states of mind is articulated and developed. As a person ages, they move undeniably from childhood to adulthood, and their mentality moves with them. On the backs of Blake and Wordsworth, the reader is taken along this journey.
U.C. Knoepflmacher’s wonderful parody of the current situation of children’s literary criticism and the psychoanalytic approach to literature perfectly sums up what will be the major obstacle of this critical paper. It would seem that modern literary criticism has an unfortunate tendency to overlook children’s literature extensively; to relegate it to a position of only secondary importance in the critic’s glossary of “good literature.” On top of that, psychoanalytic criticism, as it is applied to children’s literature, seems to have taken on a startlingly simplistic, static approach to the analysis of the text, that does very little justice to the diversity and complexity that the field possesses. (132-133) ...