More Than Just The Joker’s Girlfriend: How Harley Quinn When From Quinn Of Crazy To Sweetheart
Who doesn’t love a good supervillain? Superman had General Zod and Lex Luthor. Flash has Reverse Flash and Zoom. Green Arrow has Deathstroke. Who does Batman have? His supervillains of choice include Joker and his nutty girlfriend Harley Quinn.
Best known as the Joker’s ‘other half’, Harley was introduced to audiences in 1992. Her debut came in the #BatmanTheAnimatedSeries episode Joker’s Favor[1]. In the years since her introduction, Harley has become a massive fan favourite. She has even gained her own range of Pop Vinyl figures.[2]
Despite her forthcomings as Joker’s girlfriend, Harley became popular with fans. She became the star of her own
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What makes Harley’s romance with Ivy unique is how similar they are. They are both portrayed as confident women not afraid to show off their bodies. They are also share a sense humor most would deem irrelevant to their characterisation. Because of their characterisations they each have cutesy names they call each other.
The relationship started out as a running joke but came into fruition in 2015. DC Comics announced that Harley and Ivy had entered a relationship inDC’s Bombshells. In one issue the female duo share a kiss.
Relationships With Batman And Nightwing
Despite being an enemy of Batman and Nightwing, Harley’s relationship would always be…troublesome. After all, Harley did play a part in Jason Todd’s murder.
Let’s begin with Batman.
Harley’s relationship with Batman was never easy. According to a special issue of Harley Quinn comic series, Harley had a crush on Bruce Wayne. She robs a corrupt Wall Street worker so she can get money to win herself the date. The money that she stole was suppose to go the Wayne Foundation animal shelter. All the while, Harley only cared about her date. Ironic,
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Especially, if there are multiple incarnations. We’re going to examine two recent portrayals of Harley. The first is an animated version played by Big Bang Theory star Melissa Rauch. The second is the first feature-film incarnation of the character played by Margot Robbie.
Let’s examine Rauch’s portrayal first.
In the early events of Batman and Harley Quinn, Nightwing finds Harley working as a waitress. After being released from Arkham Asylum, Harley wanted to turn her life around.
Throughout the film, we see her personality shine through. What comes as a surprise are positive personality traits. She comes across at times as kind and thoughtful, especially when there is no hope for the person. As for her sexual desires, well, she has a thing for BDSM. Proof? Well, she has Nightwing tied to her bed when she has her way with him. She likes praying into people’s lives. This comes when Harley tells Nightwing she thought he and Batman and Nightwing were gay.
What Rauch’s Harley Quinn shows is that she is more than willing to show that she is not a villain. Though, this doesn’t stop her using Joker venom on Nightwing.
Despite her newfound redemption, Harley is still BFFs with Poison Ivy. However, she doesn’t approve of Ivy teaming up with Jason Woodrue. Wanting to stop the duo, Harley finds herself teaming up with Batman and
But I do know one thing, Batman was there for us when we needed him the most. He separated us from our darkest nightmares every night. He guarded our houses and protected our families, our friends, and our children. Batman stood up for what he believed, he always had us, the people of Gotham in his best interest. What more could we have asked Batman to do? I could stand up here and say "I never knew the man," but that might not be the truth. During my life, I have known many men, many men who are full of strength, courage, and virtue. Any of these men could have been the Batman and I would have never been aware. However good men still walk among us today, even without Batman. These good men and women are my hope, my consolation for
Batman was created after Detective Comics (D.C.) wanted a new super hero to follow-up after Superman. In May of 1933, Bob Kane and Bill Finger created Batman. Bob was born on October 24, 1915 and died November 3, 1998. Bill was born February 8, 1914 and died January 1974. Bill always loved comics as a child and still when he went to high school at DeWitt Clinton High School in the Bronx New York. He and Bob went to the same high school but never socialized because they were in different classes. Bob meet Bill when Bill was working as a shoe salesman. They worked on many comics together for kids comic books and local newspapers. When they found out that Detective Comics (D.C.) wanted a new super hero they went to work. One day Bob came to Bill with a character, Batman. Bill liked the idea but said it looked too much like Superman. The original illustration had a Robin style mask and red outfit. So Bob took a Webster’s Dictionary and found a picture of a bat. He added bat ears to the mask, giving the full mask a more mysterious look. He changed the colors to black and yellow and added a cape that was cut like bat wings. When writing the comics Bill made Batman’s personality a...
In most superhero or action movies, the good guys are always the ones who are in the right with everything that they do, and the bad guys are always in the wrong, but that is not always how it goes. In 2008, director Christopher Nolan released the second installment in the Dark Knight trilogy, The Dark Knight. This blockbuster hit pits the “Caped Crusader” Batman, against his insane nemesis, the Joker as well as the once great Harvey Dent, in order to save the city of Gotham from complete chaos and destruction. However, when the movie comes to its conclusion, Gotham has not changed almost at all, and in fact some things are actually worse than they were before, and the Joker is not entirely responsible. The reason for this is that both Batman
As so many of Batman's rogue gallery, through tragedy, these evil are born. Time and time again, we are shown how easily Bruce Wayne could have become Gotham's worst. Following villains
The Dark Knight borrowed elements from Batman: The Killing Joke, a 1988 DC Comics graphic novel, which provides an origin story for the Joker. The connection between the two leads to a similar origin story of the creation of the Joker through the influence of Batman. Batman's interference in The Killing Joke causes the Joker to leap into a chemical vat, which severely disfigures him. In The Dark Knight, the Joker himself also has multiple testimonies on how he came to be. He sometimes blames his abusive and alcoholic father for creating his mutilated smile while in a drunken rage one night. The Joker also claims that after his wife’s face was mutilated, he pulled a razor on his own to comfort her by showing that her damaged appearance didn’t bother him. After carving his own cheeks, he says that, “she couldn’t stand the sight of (him).” This disturbing attempt to make her feel better makes causes worse, resulting in his wife leaving him, furthering his mental instability. Although the scars are present on The Dark Knight version of the Joker, the rest of his appearance is cosmetic in contrast to the physiological image of the Joker from the 1989 Batman film. The Joker in The Dark Knight applies chalk white makeup to his face and dark products to blacken the spaces around his eyes. He also dyes his greasy hair green rather than having the chemically bleached green hair follicles of the 1989 Joker who fell into the bubbling green substance. Their personalities differ mainly by the 1989 Joker being more comical while The Dark Knight Joker being more psychotic. The Joker from The Dark Knight calls himself an “agent of chaos” and wishes to drag everyone down to his level of insanity and corruption rather than just kill them
Somebody who had established higher power in their community. Somebody who tried to run from fate, and has the moment of recognition and understanding of their destiny. Batman. Even though he is considered the strong and powerful superhero of Gotham City, Batman's characteristic features show that he relates strongly to that of a "tragic" hero. In the beginning, the Batman is presented at a higher state of appreciation, even though the police see him as a vigilante. Despite his wealth, Batman, otherwise known as Bruce Wayne, is easily relatable to audiences, which makes it easy to sympathize and empathize with the character. Batman is in a constant battle within himself, trying to be the good guy, while defeating the bad guys. His morals prove true when he admits that he won't kill any of the many villians that cause destruction for Gotham City. But, because of this moral, sometimes the villians end up escaping and doing more harm then good. In the end, this interal chaos and internal battle is seen interally and externally through Batman. At the end of the most recent Batman series, The Dark Knight, his exit at the end of the movie is, in essence, his figurative death. Bruce Wayne wants to keep Gotham City safe. And with the "Batman" gone, villians will be least likely to continue to destroy and conquer. As an audience, we cling to the edge of our seats and feel dismay for our beloved superhero and what is to become of
The Dark Knight Rises can be seen as portraying Batman as more of an ubermensch rather than a Jesus-like figure. Connecting Batman as an ubermensch conveys his superiority to a level of where he is above human but not at the state of being a Jesus-like figure. The film can be interpreted as alluding to the idea that we do not need a savior because we can have someone within humanity adapt that particular role. Even though Batman can be seen as a savior that does not necessarily make him a Jesus-like figure due to the luxuries that Batman had. His company is what allowed him to become who he is. If it weren 't for his money he probably would not be who he is now. Batman was not chosen from above to be the messiah of Gotham as opposed to Jesus who was chosen from above to be the people’s messiah. Batman at the same time carried human-like characteristics that allowed him to connect more to the people of Gotham which demonstrates that we can have a Jesus-like figure come from within humanity. A claim that can be assumed is that humanity does not necessarily need Jesus because a human, someone like Batman can take on that same role. The film also can be interpreted as trying to portray Jesus through Batman. Batman’s presence is reassuring to the people of Gotham because
The antithesis of Batman - The Joker, a terrorist and deranged killer. He is madness incarnate. However there is a profound simplicity, a calm at times within The Jokers brutal character “Why so serious?” (Joker The Dark Knight). The character treads a fine line between insanity and great brilliance. It is this menacing attitude that makes him such a prolific villain, he wants nothing but to be “an agent of chaos” (Joker The Dark Knight). He stands for anarchy and madness, the creation of a changing society post 9/11, a terrorist threatening to voice out and defy the government going against the dominant system. He sets about knocking out the system from the ground up, one by one creating fear and anarchy “the only sensible way to live in this world is without rules”...
Batman (Christian Bale) is hoping to hand on his crime fighting duties to D.A Harvey Dent (Aaron Eckhart) yet when Batman’s cards are on the table the twisted mastermind who goes by the name of the joker (Heath Ledger), forces the masked vigilante to go against everything he ever stood for.
Batman and police commissioner James Gordon try to rid the Gotham of organized crime while combating the rise of the menacing and terrorizing psychopath villain, the Joker. (uci.edu) It’s important to take notice of the other clowns featured throughout the movie as well as their roles in the heist. This is crucial and singles the Joker out as the odd man.
No matter how you look at it, Barbara Gordon got fucked over. As Batgirl, after Oracle, and just as a character in general, with the final punch being Alan Moore and Brian Bolland’s 1988 Batman: The Killing Joke. The comic itself is revolutionary, and such a staple of the community that it’s even become part of the curriculum for many a “Comics 101” course. Not that there’s a problem with that – because the book itself is full of amazing art, it defines the Joker as the character we know today and shows him in a moment of weakness, and it sparks constant debate about itself, usually regarding the ending. Yet what should be discussed about the book usually never is, and it’s one
Why so serious? If I were to ask you that question six months ago, you wouldn’t understand the phrase. Now that The Dark Knight has been made though, most people will understand what I am talking about. Ever since The Dark Knight was created, the joker has been thrust back into the public eye. Most people only know the joker from the performances of Heath Ledger in The Dark Knight and Jack Nicholson in the 1989 film Batman. Most people forget that the Joker has been a villain since 1940 in Batman #1 (spring edition). The Joker has been reinvented every decade since his first appearance. He started off as a homicidal maniac, then a criminal that was just a harmless nuisance to becoming a mass murdering, schizophrenic clown that we know today. He has been named number one on the Wizard’s list for one hundred all-time villains. In this speech I will tell you how the joker was created, the criminal career of the joker, and trademark characteristics of the joker.
Harley and Joker’s relationship is also highly sexual – the sex is really the only reason he keeps her around, and because
Batman: The Killing Joke is a 1988 DC Comics one-shot graphic novel featuring the characters Batman and the Joker written by Alan Moore and illustrated by Brian Bolland. The Killing Joke provides an origin story for the supervillain the Joker, loosely adapted from the 1951 story arc "The Man Behind the Red Hood!". Taking place over two timelines, The Killing Joke depicts the Joker attempting to drive Jim Gordon insane and Batman's desperate attempt to stop
In the adapted TV show, Gotham, the character of The Joker is transformed into an ideology of a man, what that represents and how it affects others rather than a man itself. [1]