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Now and then character analysis
Now and then character analysis
Now and then character analysis
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Comparing The Epic of Gilgamesh and Noah and the Flood
It is said that life is 10% what you make it and 90% how you take it. It is not the circumstances of life that determine a person's character. Rather, it is the way a character responds to those circumstances that provides a display of who he is. "From the Epic of Gilgamesh", as translated by N.K. Sandars, and "Noah and the Flood" from the Book of Genesis, both Gilgamesh and Noah face similar circumstances, but don’t always respond to them the same way.
Accepting immortality and the ultimate powerlessness to be in control of death's inevitability is something that both Gilgamesh and Noah encounter. Gilgamesh faces the death of his closest companion, Enkidu, with hopelessness, fear, and anger. "In his bitterness he cried, 'How can I be at peace? Despair is in my heart. What my brother is now, that I shall be when I am dead. '" (p. 141) To Siduri's questioning, Gilgamesh responds, "Because of my brother I am afraid of death, because of my brother I stray through the wilderness and cannot rest." (p. 144) Noah, faced with the impending death of everyone except his own family and the pairs of creatures joining him in the ark, is unquestioning and obedient in following God's instructions. After the instructions about the animals that he is to take into the ark, "Noah did so; just as God commanded him, so he did." (p. 172) When God tells Noah that He will blot out all of creation in forty days and forty nights, "…Noa...
The Sumero-Babylonian version of the epic of Gilgamesh, after two and a half millennia of dormancy, was resurrected by British archaeologists in the nineteenth century. Amid the rubble of an Assyrian palace, the twelve clay tablets inscribed the adventures of the first hero of world literature – King Gilgamesh, whose oral folk tales go back to at least 3000 years before Christ (Harris 1). Tablet XI contains the story of the Flood. In this essay let us compare this flood account to the more recent Noah’s Flood account in Genesis of the Old Testament.
As human beings, we are designed to belive in something. Although the belief in a higher power or religion is diverse, many theologies share common themes. “The Epic of Gilgamesh” and the Hebrew book of “Genesis” are seemingly polar opposites. Christianity, demonstrated in Genesis, is monotheistic, and the Hebrews base their faith on their relationship with God. On the other hand, Sumerian philosophy, found in Gilgamesh, is polytheistic, and the Sumerian people base their theology on fear. Ancient polytheistic literature forms an archetypical pattern of the mortals trying desperately to please the gods. A mortal’s entire existence rests in the hands of the sometimes childish gods. In spite of this, these two stories
This journey in particular was a hard one for Gilgamesh, not only because he was without his best friend but because it was just a physically demanding journey in and of itself. At several points during the journey it is easy to tell that Gilgamesh is growing afraid of death, and is frantic of sorts to find immortality. He is faced with many tests along the way, but in the end reached Utanapishtim, the survivor of the flood, and is at the verge of finding immortality. However things just do not go his way. Utanapishtim challenges Gilgamesh to a week without sleeping in order to gain the coveted virtue of immortality, however Gilgamesh fails almost instantly. Gilgamesh will not become immortal that way, but there is one other way. There is a plant that Gilgamesh can find and gain immortality from if he is pricked by it. However, after Gilgamesh finds the plant, he goes for a swim and a snake steals his plant and gains the immortality instead of Gilgamesh. Gilgamesh is simply not cut out for immortality like he thought he was. Gilgamesh is heartbroken about not gaining immortality and letting his best friend down, so he returns to
Gilgamesh has been through many adventures and he gained wisdom to go along with his god like physical powers. Gilgamesh learns that the greatest type of immortality is the noncorporeal. The worth of a man's life is many times said to be measured by the things he has done and the legacy that he has left behind. After realizing that he was not a god-man, Gilgamesh understood that the real glory is in the deeds you have done and the people you have affected in good ways over your life.
If you ignore the faith aspect of the Church and instead concentrate on the history and actions the Church has taken and done then many Catholics, priests and proletariat, would advocate that the main message of Catholicism is to spread a message of love throughout the world to all of God’s children. They would proudly state that they have made the world a better place by offering shelter to those in need; during the Second World War Catholic priests and officials helped to rescue and secrete thousands of Jews in churches throughout Europe. 3000 Jews took refuge in the Pope’s own summer palace. They also sent missionaries to developing countries with education and medicine for the masses, amongst many other things.
A good number of people know the famous story of the Genesis flood, but do they know how it resembles to the Gilgamesh flood story? It is mind bending how the main stories are so alike. The main theme is the biggest similarity between the two. They also differ greatly in the smaller details in the events that take place. In both stories the number of days for events are different, but the same basic event takes place. Along with many other similarities and differences. The stories are very much the same, but when comparing the details within they are very different.
Restless and bitter, Gilgamesh states, “How can I rest, how can I be at peace? Despair is in my heart. What my brother is now, that shall I be when I am dead” (Epic 97). Revealing the existential crisis Gilgamesh begins to experience once truly grappling with what dying means, as many do when so closely confronted with the death of a loved one. But it is not as if anyone who has had an existential crisis wasn 't previously aware that they would one day die. Gilgamesh describes himself as “... afraid of death” while his real vexation is that he now truly realizes he will be denied life one day, thus drastically increasing the value of his time to live (Epic 97). A man who is oppressed by mere boredom couldn 't possibly be asked to face the extreme, final and permanent burden of death. Gilgamesh cannot bear the thought of enduring an endless expanse of oblivion and or the obscurity that would one day consume his
Gilgamesh’s most prominent characteristic is his bravery. This is exhibited when Gilgamesh and Enkidu decide to fight Humbaba in the Cedar Forest, one of the most feared beings in the world. “Enkidu said, ‘But how can any man/ dare to enter the Cedar Forest?” (pg. 92). Since Humbaba is so feared, no one dared to fight him. Gilgamesh also went on a quest to find immortality. After his beloved friend Enkidu dies, Gilgamesh decides to try and bring him back by finding immortality. This is an epic journey that humans could never accomplish. “This one who approaches--he must be a god.” (pg. 160). Though Gilgamesh is two-thirds divine, finding immortality is still an incredible feat, regardless of whether he became immortal or not. Not only did this journey require bravery, but it also
In, Gilgamesh, the quest for immortality is important in order for Gilgamesh to cheat death, after his one and only best friend’s quick fatal fall to illness. Gilgamesh being two-thirds God and one-third human has many great obstacles to overcome, especially with the Gods. The search for immortality and overall self may be a great accomplishment for Gilgamesh to overcome.
The two stories closely parallel each other, though Gilgamesh was written down before 2000 BCE and the version in Genesis was compiled ca. 400 BCE. Biblical writers probably knew of the much older myth but revised it so that it fit with their own history and worldview. They intended it to fit with their own mythology. Despite the many similarities between the two stories, this difference in intention is revealed in a number of motifs that distinguish the biblical story from the ancient myth:
“Gender violence is one of the world’s most common human rights abuses. Women worldwide ages 15 through 44 are more likely to die or be maimed because of male violence than because of cancer, malaria, war, and traffic accidents combined… people can perceive violence against women as evil and tolerate it at the same time” (Belknap, page 288). This quote depicts the many obstacles that women face when victimized in the criminal justice (CJ) system. Candace Kruttschnitt explores the study of female victimization, male and female offending, neutrality of theories, and how the media plays into the gendering of crime. Kruttschnitt points out the question of whether gender disparities and if they are handled in a more neutral manner or if they need
Ironically, the god from Noah and the flood, who was much more hesitant to bring on the flood unless for a worthy reason, only spared one righteous man and his family. Whereas the god from the epic of Gilgamesh is willing to spare a lot more people. Including the heroes family along with all those who aided in the construction of the ark. Also, in a very interesting way the hero from “The epic of Gilgamesh” is shown to have humanlike weaknesses not commonly given to mythological heroes in historical civilizations. At one point when talking to a scorpion, Gilgamesh “...listened to his words and wept quick tears” (“Epic…” 142) But Noah was an almost super human who “...Lived to be 950 years old” (“Noah…” 172)
The flood story that is told in The Epic of Gilgamesh has the same principle as the story of Noah told in the book of Genesis in the Bible, but there are some major differences. In the epic, Utnapishtim is immortal and, although Noah was extremely old when he died, he wasn’t immortal. Utnapishtim was a human, but because he saved mankind, Enlil said, “Hitherto Utnapishtim has been a human, now Utnapishtim and his wife shall become like us gods.” (Gilgamesh 11.206-207) In the Biblical story, God told Noah that he was going to send a flood and asked him specifically to make the ark in order to save mankind. In Genesis 6:13-22, God tells Noah why he’s flooding the earth and exact instructions to build the ark. “13 So God said to Noah, “I am going to put an end to all people, for the earth is filled with violence because of them. I am surely going to destroy both them and the earth. 14 So make yourself an ark of cypress[a] wood; make rooms in it and coat it with pitch inside and out. 15 This is how you are to build it: The ark is to be three hundred cubits long, fifty cubits wide and thirty cubits high.[b] 16 Make a roof for it, leaving below the roof an opening one cubit[c] high all arou...
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).