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Literature gender roles
Gender roles in literature research
Literature gender roles
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Patriarchy has a huge impact on the female role in stories. There are two stories that share an ideal. These two stories are “Hills Like White Elephants” by Ernest Hemingway and “The Chrysanthemums” by John Steinbeck. The idea that is presented in these two short stories is male dominance. Both stories demonstrate what the male character does to show his dominance. In “Hills Like White Elephants”, a couple are seated outside of a station waiting for their train to arrive. Throughout the story, the American refers to his girlfriend as “Jig”, which is something used for measuring whiskey. “I know you wouldn’t mind it, Jig. It’s really not anything…” The nickname shows that he only sees the girl as an object. The American is portrayed as a man who doesn’t care for his health, life, or future and is only focused on living in the moment and preserving what he thinks is good for him, therefore showing his dominance. In “The Chrysanthemums”, a women named “Elisa” is gardening and her husband is making a deal with two strangers. Elisa’s husband Henry just made a deal to sell some of livestock for a good amount of money and decides to celebrate his deal with his wife by taking her out for dinner and a movie. Throughout the story, a tinker passes by Elisa’s garden and stops and decides to talk to her. The tinker is trying to get …show more content…
In “Hills Like White Elephants”, Jig and her partner get into a heated argument about Jig getting an abortion and Jig is told that “it’s a simple operation” but she does not believe it to be so. Jig then tells her partner if he could just stop talking but he keeps repeating the same things over again, and she begins to feel agitated at this point. “But I don’t want you to,” he said, “I don’t care anything about it.” “I’ll scream,” the girl said.” (478, Hemingway). This shows that Jig is getting really annoyed of her partner trying to convince her that she has nothing to worry
During a rather bleak period of her life, Elisa was visited by a strange wanderer. Galore o...
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
Hence, it implies her disbelief and realization that things would not change much whether or not she got the abortion. Jig’s desire to keep the child is further evident when she tells him “[they] can get along” (593). She sees the possibility of a happy life with the child; the American sees it as an obstacle. Therefore, he continues in his effort to persuade her otherwise because “[he knows] lots of people that have done it” (592).... ...
Through his endless amounts of pestering he never finds a way to get his desire and true feelings across to the young lady and becomes increasingly bothersome because of his inability to convey his feelings. “‘We can have the whole world,’ the American declares. ‘No we [cannot],’ Jig retorts. ‘ We can go everywhere.’ No, we [cannot]. It [is not] ours any more.’ ‘[It is] ours.’ ‘No, it [is not].’” (3) The American is insistent on continuing the nomadic lifestyle that the couple lives by aborting this baby, and pesters Jig continually hoping to sway her with the thought of living their same lifestyle that they currently live. However he never directly tells her his desires and instead attempts to manipulate her as he feels his desire is in their best interest regardless of how he achieves his desire. However he does not realize that in his examples he is strengthening Jig’s resolve and conviction in her own wishes. Earlier on in the narrative the American is quick to turn and begin attempting to conform Jig, without any warning or inkling of a change in topic he quickly turns it into what he wants: “‘Should we have another drink?’ ‘All right.’ ‘The [beer is] nice and cool,’ the man says. ‘[It is] lovely,’ Jig agrees. ‘[It is] really a simple operation, Jig… I know you [would not] mind it.’ [Jig] did not say anything.” (2) Without transition or a telling sign, the American quickly turns an agreement about how lovely the cool beer is on a warm day, into pressuring Jig to conform to his desires. All because of his selfish need and lack of responsibility to settle down and lead a life where they can raise the child, and his desire to continue living a life of excess and materialism, yet he cannot convey these desires of him
There is a common theme in “Hill’s like White Elephants” and “The Birthmark” of a life altering decision. Both women are thinking about having an operation that will affect them for the rest of their lives. In “Hill’s like White Elephants”, Jig and the American are debating whether or not they should have an abortion. This decision is something that will affect both of them deeply throughout their lives together. By the way the two characters interact with each other the reader can deduce how important they feel the operation is. There seems to be a tension in their sentences with each other. Jig says things like “Everything tastes of licorice. Especially all the things you've waited so long for” and “That's all we do, isn't it-look at things and try new drinks” (Hemingway 841)? These responses to the American show that Jig is in a distasteful state of mind which would most likely stem from her thoughts about the operation and what they will do in regard to it. Because these thoughts of the operation are affecting her socially, it shows just how important the operation is to her. How Jig interprets the scenery around them while they are discussing the operation also suggests the importance ...
In the short stories "Story of an Hour" by Kate Chopin and "The Chrysanthemums" by John Steinbeck the writers convey the importance of freedom by looking at women 's lives and their role in society. Both Chopin and Steinbeck use characters Louise and Elisa, to illustrate the different roles of gender and demonstrate their oppression after marriage. Although both short stories use evidence to support their freedom which is given for a limited amount of time to both women yet, differentiates later on by their reactions from it being taken away.
Hemingway, does not, however, tell us that there is in fact an abortion. Jigg and her lover lead a very simple life before they are forced to consider a solution to their situation. “That’s all we do, isn’t it—look at things and try new drinks?” said Jigg (Hemingway 2). With the “awfully simple operation” (Hemingway 2), however, their entire world will be turned upside down. The American reassures Jigg “It’s really not anything…” and the entire process will be over in a few minutes; everything will be completely natural and fine. Yet Jigg, worried about their life together afterwards, asks the American what will happen. He responds, “Just like we were before.” (Hemingway 2). This leads one to believe absolutely no change will happen, at least in the eyes of the characters. In the story of Jigg and the American, there is what some consider a death (abortion) and what some simply consider an operation. Jigg is worried things will change from the way things were between herself and the American. The American continues to reassure Jigg that by having the “perfectly natural” operation things will go back to normal and “We’ll be fine afterward.” (Hemingway
Hills like White Elephants takes place in the early twenties, a time when abortions were not only illegal, but negatively impacted ones reputation detrimentally. In the 1920’s, some 15,000 women a year died from abortions because they were shamed into having them done illegally by those who were not medically trained to perform such an operation. (Pollitt) This was because of the extreme prejudice against women and their rights to their own bodies and to making their own decisions. In a time where a woman was viewed as her husband’s property, Jig is torn between making the decision she feels is right and the decision that she is being told is
The story "Hills Like White Elephants" is a conversation between a young woman `Jig' and an American man waiting for a train at a station in Spain. The author never names the topic of their discussion but as their dialogue progresses; it becomes evident that Jig is pregnant. The man wants Jig to abort the unborn child but she is unconvinced and wants to become a mother. Hemingway has brilliantly written the story's dialogue which "captures the feel of a private conversation while at the same time communicating the necessary narrative background" (O'Brien 19). At the end of the story, it is unclear as to what decision has been made; however, Hemingway gives the reader several clues regarding what Jig feels, and what she wants to do. Jig's private thoughts are illuminated by Hemingway's description of the setting, the character, and the conflict. Stanley Renner suggests that, as a result of the couple's discussion, "Jig has become able to make a more clear-sighted estimation, and perhaps a better choice, of men" Wyche(59). The couple's inability to communicate effectively their true thoughts and emotions makes their dialogue very appealing. The story examines the gender differences and miscommunications as they influence the decision whether to abort the unborn child or not (Smiley). In his book on Hemingway, published in 1999, Carl P. Eby points out that "[f]or the past two decades, Hemingway criticism has been dominated by a reconsideration of the role of gender in his work" (Bauer 125).
Elisa Allen embodies the image of a simple woman eager to escape the confines of a gender defined role in society. Readers are introduced to Elisa as a 35 year old, strong woman living with her husband, Henry, on a ranch in Salinas Valley (Steinbeck 460). Elisa’s masculinity is highlighted from the attire she is wearing to the strength in her hands. Henry affirms that Elisa is capable in her endeavors when he states, “you’ve got a gift with things,” in regards to her garden (Steinbeck 460). Even though Elisa is delighted at Henry’s suggestion that she work in the orchard, the idea does not seem to get a second thought (Steinbeck 460). The idea of a woman working in the orchard is dismissed on the premise that the orchard is not a woman’s place. In Elisa’s account with the man in the wagon, her sexuality exudes in her graphic explanation of picking off the flower buds and being under the stars, to the point that she almost physically touches the man (Steinbeck 463). Her desire would go unsatisfied, as it would not be appropriate for her to act on her impulse. Elisa is searching for fulfillment in life but finds her role to be trivial. Intrigued by the idea of traveling, as the gentleman in the wagon does, she states, “It must be very nice. I wish women could do such things.” She is shot down as the man replies, “It ain’t the right kind of a life for a woman” (Steinbeck 464). This conversation clearly depicts the prevalent inequality of the sexes. Furthermore, once the man leaves in the caravan Elisa cements her urge for something more, looking out at the horizon whispering, “That’s a bright direction. There’s a glowing there” (Steinbeck 464-465).
In Hemingway’s “Hills Like White Elephants” Jig changes her position completely when she claims her dominance over her situation, and possibly ends the relationship with The American Man. She changes from powerless, weak, and ambiguous to taking complete control and deciding to make her own decisions about the circumstances in which she is in.
Throughout Hills Like White Elephants, the American refers to his girlfriend only as Jig (which is a device used for measuring whiskey). This nickname implies that he sees her only as an object; a companion to his wolfish self-gratification. The name in itself is an epithet for the bibulous and carefree lost generation lifestyle on which the two indulged. By leaving the American nameless, Hemingway endows the character with strength in anonymity. He is not concerned with his health, life or future and is only preoccupied with his present existence and the preservation of what he considers to be pleasurable to him alone. This gives the American the upper hand over Jig; thus exhibiting his dominance. Although she so desperately wants to move on from this lifestyle and start a family, she does not want to lose the man she loves. Therefore she is willing to postpone her transition into womanhood so as not to ruin the romantic connection she feels exists between them.
...but romantic. That simple gesture is enough to sustain Elisa for the present time. She probably also realizes that the wine is the most she will get out of Henry for a long time.
She sees a “passing cloud shadowing the white hills with darkness is a subtle portent of doom to Jig’s pregnancy” (Abdoo 238). There are two contrasting landscapes that the girl sees, one that is fruitless and has a wind to it and the other that has trees and is lively. This represents her options by keeping the baby so she can have a fulfilling life or have the abortion and be left sterile and barren.
Is the husband to Elisa Allen. The writer manages to depict Henry as a three dimensional character by displaying character traits that are conflicting. We see him appreciating his wife’s gardening skills and at the same time we see him giving her condescending remarks and demeaning her. He treats his wife kindly and even makes the effort of taking her out occasionally in the evenings yet we get to see that he does not have sexual relations with the wife leaving her feeling neglected. He is depicted as being a very moderate man but who is unable to fulfill the needs of his own wife.