Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Theme of warfare in the charge of the light brigade
The nature of heroism essay
The nature of heroism essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Comparing The Charge of The Light Brigade, War and A Wife in London.
Select three poems from the selection, which are concerned with
different aspects of war. Write about and compare the poems in respect
of the following:
¨ The views of war that the poets are expressing
¨ The tones and atmospheres of the poems
¨ The ways in which language and rhythm are used to reinforce the
poets’ themes and viewpoints
¨ Any other factors considered important.
The three poems that I have chosen are: “The Charge of The Light
Brigade”, “War” and “A Wife in London”. I chose each of them for
different reasons, but mainly because they each look at very different
aspects of the war and the poets all have completely different
attitudes to war.
“The Charge of The Light Brigade” is an exultant poem, concerned with
the glorified aspect of war, that all men are heroes, brave and
courageous for fighting for their country. It is about a suicidal,
yet heroic battle fought by the British Cavalry in 1854. A mistaken
command received by a superior sent, unquestioning, 600 horsemen
charging into the head of a valley bristling with artillery and nearly
all of them ‘fell’.
“War” is set ‘behind the scene’ and concerns itself with the people
who dealt with the consequences of war - the doctors and orderlies. It
is a moving poem and shows the reader how bad conditions were in South
Africa. It is about the dedication of people to try and save the
“Case” (patients) and prevent them from turning into another “It” –
yet another dead body. The poet, Edgar Wallace was a medical orderly
himself, so he would have had first hand knowledge of how bad
conditions and casualties could get.
“A Wife in London” deals with the suffering...
... middle of paper ...
...ng in
the tent and during the “War!” – “the part that is not for show”, “a
very unhealthy trade” and “Orderly, clean this knife!”. These each
have a way of opening a window into this little part of the war and
gives us an understanding of how horrible it is, with the never-ending
stream of casualties and reports back home in newspapers that are not
allowed to show anything against war (“the part that is not for
show”).
Each of the three poems, haunts the reader after a reading or two,
whether for good or for bad. They have made sure that I, as a reader,
am totally against war, no matter how good the reasons are or how much
glory it is given as in “The Charge of The Light Brigade”. I am
against the waiting and mourning for those left behind as in “A Wife
in London”. Moreover, I am most definitely against the loss of
fathers, sons, brothers and husbands.
The first poem we are going to look at is ‘The Charge of the Light
Guy Sajer’s The Forgotten Soldier is a work notable not only for its vivid and uncompromising account of his experience as a member of the Wehrmacht in World War II, but also for its subtle and incisive commentary about the very nature of war itself. What is perhaps most intriguing about Sajer’s novel is his treatment of the supposedly “universal” virtues present within war such as professionalism, patriotism, camaraderie, and self-sacrifice. Sajer introduces a break between how war is thought about in the abstract and how it has actually been conducted historically.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
A prominent theme in A Long Way Gone is about the loss of innocence from the involvement in the war. A Long Way Gone is the memoir of a young boy, Ishmael Beah, wanders in Sierra Leone who struggles for survival. Hoping to survive, he ended up raiding villages from the rebels and killing everyone. One theme in A long Way Gone is that war give innocent people the lust for revenge, destroys childhood and war became part of their daily life.
In the painting from document B, it reveals what the lodging looked like, the state of our clothing and shoes, and the health that most of the soldiers were experiencing. We have had to deal with, “poor food- hard lodging- cold weather- fatigue, “(Document B). In this diary by Dr Waldo, a doctor we have at camp, he has accurately described what life is like at camp. The factors that we undergo make us sick both physically and mentally, these factors make us lose all sense of empowerment to win this war that we once felt, these factors make us want to go home more than anything just to hear our mother’s voice just once more.
This book review praises the format that O’Brien used in his novel, The Things They Carried and commends the cohesion it has with the realities of war. Jones, a writer for Newsweek comments that O’Brien does not romanticise the death of his fellow soldiers making their deaths seem more heroic than what they actually were. Jones acknowledges that it was a messy war, so the format of the stories being told about it should reflect that. O’Brien outlines the realities of war in this novel, and does not sugar coat it at all.
I Had Seen Castles primarily chronicles the disillusionment of wartime heroism in the archetypal young solider, John. His illusions of war sustain Ginny’s controversial criticisms, though she infuriates and bewilders him, ultimately demonstrating the chilling effect of patriotic propaganda upon entire American communities throughout WWII. Beyond my diorama depiction of young lovers and a venerable mother meeting beneath clean laundry, the gruesomeness of war lurks and waits. Rylant brings war history to life in detailed, intimate ways, in dismembered, bloody soldiers, in the child with frozen legs that come off in warm bathwater, and in realistic treatment of John’s disenchantment; “as the war dragged on through 1944, it became more difficult for us to justify to ourselves why we fought” (81). Yet Rylant also offers a picture of the resilience in human beings, through our undeniable bonds to one another, despite nationality, class or war loyalties.
Erich Maria Remarque’s classic novel All Quiet on the Western Front is based on World War I; it portrays themes involving suffering, comradeship, chance and dehumanization. The novel is narrated by Paul, a young soldier in the German military, who fights on the western front during The Great War. Like many German soldiers, Paul and his fellow friends join the war after listening to the patriotic language of the older generation and particularly Kantorek, a high school history teacher. After being exposed to unbelievable scenes on the front, Paul and his fellow friends realize that war is not as glorifying and heroic as the older generation has made it sound. Paul and his co-soldiers continuously see horrors of war leading them to become hardened, robot-like objects with one goal: the will to survive.
Billy was not dressed as a soldier should be, lacking a helmet, an overcoat, a weapon, and boots. In fact, “He didn’t look like a soldier at all. He looked like a filthy flamingo” (33). Much like other children sent into the war, Billy was not prepared for what he would face. To other soldiers he seems laughable, a joke on the face of the entire army, but all other soldiers are as unprepared as Billy. Billy’s comical appearance acts as a symbol of his placement in the war; in other words, a scrawny, unprepared soldier is absurd during wartime.
Others weep for the ones lost. They then got prison clothes that were ridiculously fitted. They made exchanges and went to a new barracks in the “gypsies’ camp.” They waited in the mud for a long time. They were permitted to another barracks, with a gypsy in charge of them.
In Tim O’Brien’s “Field Trip,” Yusef Komunyakaa’s “Camouflaging the Chimera,” and “Fortunate Son” by Creedence Clearwater Revival the way the soldiers rationalize the war is more emotional than the diplomacy the rich and powerful use. In Camouflaging
As poet laureate and patriot, Alfred, Lord Tennyson was very influential in 19th century England. He successfully showed the ignorance of the English Army leaders while still reflecting his strong nationalist views in an attempt to create propaganda for the Crimean War in his poem, “The Charge of the Light Brigade.” The charge was a tragic incident that took place in 1854 during the Crimean War, which was England, France and Sardinia against Russia, when English Army generals blundered and sent over six hundred soldiers on a charge that was destined for disaster. The solders were known as the Light Brigade and the charge resulted in over two hundred deaths to soldiers and over three hundred deaths to horses. In this horrific aftermath, Tennyson responded to this event by writing a poem which went on to become a classic. Tennyson was a strong nationalist and very political. He was moved and troubled when he received news of the tragic charge. The poem became a form of propaganda for the Crimean War due to Tennyson glorifying the sacrifice of the soldiers by using his exceptional writing skills. Although this poem is regarded by many as propaganda, he included the word blunder in the poem which showed the ignorance of the Army leaders.
“…a camp – made up of twenty or more khaki green tents, arranged in rows. We approached the camp in a long line, and at the gates we were met by a group of men in military uniforms”(Nazer 105).
The Charge of the Light Brigade by Tennyson and The Last of the Light Brigade by Kipling
as if you are one of the Light Brigade. With this war language he uses