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Analysis of the shining film
Analysis of the shining film
The shining genre analysis
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Introduction: Stephen King’s book, The Shining, and Stanley Kubrick’s film have many differences and similarities. Both the movie and the book is centered around a family of three. The dad, John Torrence, the mom, Wendy Torrence, and the child, Danny Torrence who have a rough time at Overlook hotel. While they are very similar, Stephen King’s book, The Shining, and Stanley Kubrick’s film show the many small and large differences. Stanley takes a different route in his interpretation of Stephen’s story with the main characters’ personalities and how the Overlook hotel has taken a toll on them. Paragraph 1(differences with John/Jack): Jack Torrence, or John Daniel Torrence, is portrayed differently in both the book and the movie. The effect
While watching the movie, I could see that the main characters in the book, both their names and traits, were the same in both the movie and book. However, aside from that there were many different as...
Although there are similarities and differences in the novel and the movie, I liked that Gene was crazy because he caused Finny. Both works of art demonstrated a good representation of the true message from John
Some of the characters in the novel, like Lennie, are portrayed differently in the movie. In the novel, Lennie is said to be “a huge man” (2), but in the movie he isn’t very big, although he is bigger than George and some of the other characters. In the movie he is stronger and bigger than the others, but not to the extreme amount that the book portrays him to be. Also, Lennie is depicted as very mentally challenged, which is shown by the way he speaks. Whereas in the book, Lennie is said to have a mind of a young child instead of being disabled. As well as Lennie, Curley’s wife is represented a little bit differently. In the movie,...
Overall, the movie and book have many differences and similarities, some more important than others. The story still is clear without many scenes from the book, but the movie would have more thought in it.
The plot in the film is very similar to the book but in parts, especially towards the end, the plot is slightly different to the film. The plot is varied in the film to show
The second difference of this character in the movie and in the book is that in the movie version, she was far less believable as a real character compared to the book version.
In his classic horror film, The Shining, Stanley Kubrick utilizes many different elements of editing to create unique and terrifying scenes. Kubrick relies on editing to assist in the overall terrifying and horrifying feel created in the movie. Editing in the movie creates many different effects, but the most notable effects created add to the continuity of the film as well as the sense of fear and terror.
The film that was produced after the novel has a lot of differences and not as
Another example is when Chance watches television. In the book, the narrator explains that when Chance changes the channel, he feels like he is changing himself. As he changes the channel, he gets caught up in all the different images he sees. In the movie, all you see is a man watching television, which doesn't explain too much. In the movie, the only time we find out what Chance thinks of television is when he is talking to someone else.
Stanley Kubrick’s “The Shining” presents the audience a twisted tale of a man named Jack Torrance and his wife Wendy and son Danny, who spend a few winter months in isolation as caretakers of the Overlook hotel. This is no typical horror movie. Viewers are slowly lead though a slow film journey following the Torrance family in their moments of horror and insanity with help from bizarre events connected to the haunted Overlook Hotel.
Characterisation is vastly different in the film when compared to the play. This, however, is done so as to make more sense to a modern
The weakness of the individual is another motif in the film. Perhaps we see this most clearly with the boy who is sensitive to and harassed by the supernatural forces in the hotel. As we know from everyday experience children seem weak because they are small and usually are very sensitive and easily hurt by the negative and destructive outbursts of adults. Our general sense of a child’s vulnerability is heightened by the way the child of The Shining is forced to grapple with such evil and terrible forces which are likely to be difficult for all of us.
In most well made films, “hidden” symbols are waiting to be uncovered by a discerning eye. Stanley Kubrick’s The Shining is undoubtedly one of these films that have an abundance of symbols, many of which have even caused the birth of conspiracy theories. Using blood, a German typewriter, and a maze as symbols, Kubrick is able to create an underlying theme that history repeats itself when people do not learn from their mistakes.
Rene Descartes was a philosopher who introduced a popular philosophical method called Radical Doubt in his book Meditations on First Philosophy. Descartes “proposed discarding any kind of belief that could be doubted, [because it] might be false”. In both Shutter Island directed by Martin Scorsese and The Shining directed by Stanley Kubrick, the viewers are introduced to characters that doubt the very existence of reality, much like Descartes, and who are drowned in the depths of insanity. Fear, paranoia, and doubt are the main ingredients that make both movies a psychological mind maze that constantly teases the brain in every turn. Martin Scorsese and Stanley Kubrick are both masters in cinema direction and are not regulars in the horror genre. Nonetheless, both have created a product that makes viewers question what it's like to be sane. The goal of this essay is to demonstrate the similarities and differences between Shutter Island and The Shining based on their themes of insanity, isolation, and alcoholism.
This film analysis will define the problems related to the dysfunctional family unit in American society in Stanley’s Kubrick’s Lolita (1962) and The Shining (1980). The underlying dysfunction of Kubrick’s family unit is primarily based on violence and sexual behavior that results in loveless and obsessive relationships. Lolita (1962) defines the broken family due to the deviant and obsessive behavior of Humbert Humbert (James Mason) that takes advantage of a young girl, Dolores “Lolita” Haze” (Sue Lyon). Lolita’s mother, Charlotte Haze (Shelley Winters), is unable to protect her daughter from Humbert’s deviant