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Women struggled in the 19th century
Women in the 19th century
Summary of the issue of women's rights in the late 1800s
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Dorothy M. Johnson’s Some Went West novel and The Hanging Tree short story share symbolism, characterization and the connecting themes of culture clashing and feminism through the eyes of men and women to reveal the experiences of nineteenth century women and their fates.
For example, Some Went West and The Hanging Tree both share the theme of clashing cultures. In both novels, Natives and European settlers are present in the plot and are the two groups that cause conflict throughout the books. “Whenever danger from Indians threatened, the men hurried to drive their livestock into the protecting fort, seized their weapons, and prepared to defend their families.” (Johnson 2) In Some Went West the Natives were a threat to European settlers and vise versa
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In The Hanging Tree women are perceived as housewives while in Some Went West women were seen to be whatever they wanted and more. “...they weren’t hunting husbands; they were seeking jobs.” (Johnson 54) While some chose to stay back with their husbands and start a family; many wanted more. Most nineteenth century women headed west in search of a job to pursue their biggest dreams. For example, Bethenia Owens-Adair became a doctor and was independent as well as Fanny Kelly who proceeded on to formulate a novel about her experience as a captive. Many people were against these two women who wanted to pursue their dreams ,including their families, but they did it anyway because they believed they could. The families of these women sometimes disowned their own children because of the decisions they made when choosing a pathway to follow. During this time period, it was a shock for a woman to remain single but several women did, rejecting each proposal that came their way. Feminism is important in both these books because it is a beacon of light for all the women reading the novels to receive the message that women can accomplish anything they set their mind
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
Sandra Cisneros short story “Woman Hollering Creek”, has many allegories about culture, morality, and gender roles.
The setting of both stories reinforces the notion of women's dependence on men. The late 1800's were a turbulent time for women's roles. The turn of the century brought about revolution, fueled by the energy and freedom of a new horizon…but it was still just around the bend. In this era, during which both short stories were published, members of the weaker sex were blatantly disregarded as individuals, who had minds that could think, and reason, and form valid opinions.
Welter, Barbara. “The Cult of True Womanhood: 1820-1860.” Nineteenth Century Literature March 1966: 102-106. Jstor. On-line. 10 Nov. 2002.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers of children. Only with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension comes from men, society, in general, and within a woman herself. Two interesting short stories, “The Yellow Wall-paper" and “The Story of an Hour," focus on a woman’s fix near the turn of the 19th century. This era is especially interesting
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
The point of this novel is to provide a personal understanding into the lives of women in the twentieth trying to break free from the restraints of society. This novel takes place in two different areas. Grand Isle, where the novel starts the journey Edna encompasses,
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
In comparing the three authors and the literary works of women authors Kate Chopin (1850 -1904), The Awakening, Charlotte Perkins Gilman's (1860-1935), The Yellow Wallpaper, and Edith Wharton's (1862-1937) Souls Belated, a good number common social issues related to women are brought to light and though subtly pointed out are an outcry against the conventions of the time. In these three stories, which were written between 1899 and 1913, the era was a time in which it seems, that women had finally awaken to realize their social oppression and were becoming rebellious in their pursuit of freedom from the male-dominated societal convention in which they existed. They commenced viewing their social stature as unjustly inferior and realized that these conventions placed deterrents on their intellectual and personal growth, and on their freedom to function as an independent person. All three of these women authors have by their literary works, have voiced their strong unfavorable feelings about the patriarchal society in which they lived.
Women in the nineteenth century, for the most part, had to follow the common role presented to them by society. This role can be summed up by what historians call the “cult of domesticity”. The McGuffey Readers does a successful job at illustrating the women’s role in society. Women that took part in the overland trail as described in “Women’s Diaries of the Westward Journey” had to try to follow these roles while facing many challenges that made it very difficult to do so.
French, Katherine L., and Allyson M. Poska. Women and Gender in the Western past. Boston, MA: Houghton Mifflin, 2007. Print.
...demonstrates the oppression that women had to face in society during the nineteenth century. The nursery room, the yellow wallpaper, and the windows, all symbolize in some way the oppression of women done by men. She bases the story on one of her life experiences. Charlotte Gilman wrote the story because she believed that men and women should be treated equally.
Western Writers of America. The Women Who Made the West. Garden City: Doubleday & Company, 1980. Print.