Thorslev, writes “The Byronic Gothic Villain (of the novel, at least) is never sympathetic” (Thorslev 22). Neither, Heathcliff nor Shrek has any sympathetic behavior. Both characters do not mind doing what they have to so they feel protected. Also, if they feel they have been wronged by someone, they will not hold back on their wrath when it comes to soliciting revenge. Heathcliff and Shrek carry themselves of being dominant characters, which is important for a Gothic Villain, Thorslev writes that “An air of mystery is his dominant trait, and characteristic of all his acts” (Thorslev 54).
Which makes sense for these characters to possess that mystery with a dominant trait. Three years after Heathcliff returned to Wuthering Heights no one
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knew right away why he left and came back. He had a plot for revenge that he let simmer before he put into act. Slowly gaining his revenge over his enemies and other people who wronged him. Shrek, on the other hand, when rescuing Fiona she never knew his true intention of why he did so. Never once did he feel he had to explain himself to her. This mystique that Heathcliff and Shrek carries draws people to them unexpectedly. What makes Heathcliff and Shrek good description of Childe Harold’s are more circumstantial than personality traits.
Thorslev writes “He is suffering from unrequited love; in spite of his often-confessed preference for solitude and his dislike for mankind, he is a humanitarian” (Thorslev 137). Heathcliff’s whole meaning of happiness in life depending on Cathy loving him. While, at moments he received spurts of love from her he was happy. But because of the rules of society he never truly received the love he wanted from her. Focusing on Shrek, in this regard, it fits him perfectly. In Shrek, everyone in the swamp that lived around him depended on him to fight for their land. Although, Shrek was still an isolated person, he knew that he carried the burden of the land and swamp people. The act that he committed shows how deep down he has noble characteristics. Those characteristics just have to be brought up. Secondly, Thorslev comments that “Like most Romantic poetic personalities, he has been “fated,” set apart from other men, alienated from the social world of which he would otherwise gladly be a part” (Thorslev 137). In Wuthering Heights on countless occasions, Heathcliff tried to go out of his way to fit in with the society. As a young child he would try to set aside certain traits that he was born with just so others could be comfortable. Leaving for three years, Heathcliff returned back with money and still was not viewed as a Nobel person in society. No matter what
Heathcliff tried he would always just be viewed as an “outcast”. Also, the scholar sees in both Shrek and Shrek 2 the restriction society placed on Shrek. Anytime Shrek tried to make his way into society the community would feel uncomfortable with him. His good deeds and good hearted nature was not enough they still viewed him as “other” and “beastly”. .“This unending struggle, of which the struggle to advance from class society to the higher humanity of a classless world is but an episode, is conveyed to us in Wuthering Heights” (Kettle 141). This quote by Arnold Kettle in the book Emily Bronte Wuthering Heights sums up the overall point of this essay. Both Wuthering Heights and Shrek give great examples of the problems in the society. For Wuthering Heights to have been written in 1847 and for Shrek to come out in theaters in 2001 shows we have not came far in certain issues in society. Although, Wuthering Heights can be viewed by audience in a more serious tone, it is sad to know that Shrek a satire film still has to discuss the same problems. Shockingly in 2018 these issues are still around. Although, they might not be seen are viewed as much the problem that they exist happens to be bad.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
The widely popular film Shrek, produced and distributed by DreamWorks in 2001, grossed a total of $484,409,218 in worldwide sales (Box Office Mojo). The success of the film has led DreamWorks to create several shorts, companion films, and sequels. From its memorable characters to its whimsical, edgy humor, Shrek was an amazing, highly successful animation that would pave the way for DreamWorks to make billions off the franchise. Shrek’s success can be attributed to three main factors: the range of ages it appeals to, its creative use of intertextuality, and its ability to cover a wide range of the fairy tale functions proposed by Vladimir Propp.
Cathy is also depicted as physically separated from Heathcliff even when she returns to Wuthering Heights. Instead of a 'wild, hatless little savage' with whom Heathcliff has an affinity with, she returns as a 'very dignified person.' Heathcliff is now therefore separated physically from Cathy, not only by appearance but as he said in the previous chapter, her superiority "to everybody," including him.
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
From being isolated in the moors of England, with only the two houses-Wuthering Heights and Thrushcross Grange. And those are placed 4 miles apart from each other. Having grown up at Wuthering Heights, Catherine, Hindley, and Heathcliff all suffer from a lack of love and structure. Wuthering Heights is a very bleak and dark place, that isn’t too happy. None of them found happiness until they fled from that dreary place that they call home. Heathcliff is grumpy and mean, and wants to inflict that on everyone else around him. Hurt people, hurt people. As opposed to Thrushcross Grange, which is more structured. Edgar and Isabella are more compassionate people, because of the love that they received from their parents. It also leaves them vulnerable to Catherine and Heathcliff’s aggressive nature, as well as a ploy in Heathcliff’s plan. Knowing this, Catherine is only stuck with two options-marry Heathcliff or Edgar. Based on the decision she made (good or bad, depending on the person) it started a spiral of events that currently effects Linton, Hareton, and Cathy. The same thing is to be said about Cathy. Cathy is still in the same environment. Though she is growing up at Thrushcross Grange, and be raised by her father and Nelly. Hareton is growing up at Wuthering Heights, under the wrath of Heathcliff, which is not pleasant. He is becoming mean and malicious, something Heathcliff wants. Then you have Linton who grew up
...ctive. Catherine is pushed to death and Heathcliff to brutal revenge, bordering on the psychotic. Yet before Cathy’s death, the knowledge that the other loves them is strong enough to make Wuthering Heights such a classic love story, and “that old man by the kitchen fire affirming he has seen two of 'em looking out of his chamber window, on every rainy night since his death,” shows that as they walk together on the moors, their self destruction may have led them to death, but also to what they most desired-being together.
Primarily, Heathcliff's hunger for revenge blindsides the character’s, Hindley, Catherine, Hareton, and young Catherine. Revenge is what Heathcliff wishes to
The final sense of alienation and the most implicating occurs with Catherine's marriage to Edgar, Heathcliff considers this a betrayal of his love for her, since she wants the social status and existence at the Grange. Heathcliff is however proud and determined and does not cower when opposed by those consider themselves to be superiors. Finally, when he realizes that Catherine has chosen status, wealth and position over him, he disappears for three years and returns in the manner of a gentleman.
... images the story of Catherin and Heathcliff’s struggle to find one another and themselves at Wuthering Heights was able to be understood by the reader. The central theme of identity search was clear because of the words chosen by Emily, the passages from the text above and the central line “I am Heathcliff” (82). The social status and sew of the characters is what ultimately lead to the choices they made which in turn determined their final identities, the ones that they were destined to get but did not want. Catherine and Heathcliff both made their decision on who they wanted to be and how they wanted to be defined. Their identities are what they died with and although they were buried beside eachother that’s not how they lived their lives. Identity is a balance between outer and inner perception and once one realizes what they want it’s hard to balance the two.
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
Suffering endlessly and betrayed countlessly, Heathcliff experiences emotional trauma, but in some cases it appears as if he likes suffering. Tolerating years of misfortune, Heathcliff finally decides to take his revenge against the two families that have wronged him. Ever since he was a boy, Heathcliff was hated and abused by many especially by his step-brother Hindley. Every event that takes place in the novel, Wuthering Heights, leads up to what occurs in the future. The negative actions taken against Heathcliff shape the type of vengeful, but loving character he has become.
Although, Mr. Earnshaw tried to make Heathcliff an equal part of the family, Heathcliff never truly fits in. Heathcliff is from a completely different social class than the rest of his “family”. This led to the hatred that Hindley felt towards Heathcliff. Hindley robs Heathcliff of his education, forces him to work as a servant at Wuthering Heights and frequently beats him. Throughout this all, Heathcliff never complains.
Heathcliff is characterized “as dark almost as if it [Heathcliff] came from the devil.” (45) Throughout Wuthering Heights, Heathcliff is treated poorly and is mainly a product of a troubled childhood. This man then manifests into a person that is hardly capable of holding back his impetuous actions, and, therefore, exemplifies the capacity of the most powerful emotions. Although he may not be the ideal protagonist, it is ultimately not his fault and in the end is defined by the events in the story. Due to the extreme emotional and physical pain endured throughout his life, Heathcliff exhibits the strongest love and hate towards others through passion and revenge.
In the novel Wuthering Heights by Emily Bronte, Heathcliff is an orphan boy brought to Wuthering Heights by Mr. Earnshaw, who has two children of his own already - Catherine and Hindley. Heathcliff changes over the course of his life by the following; Heathcliff begins by getting along well with Catherine Earnshaw, however, Catherine Earnshaw is introduced to Edgar Linton and Heathcliff becomes jealous of their forming relationship, and once Catherine has passed away after delivering Edgar’s child, Heathcliff becomes haunted by her ghost, and wishes to only be united with her in death.
In conclusion, Bronte uses the supernatural and ghosts in Wuthering Heights to emphasise the power of love between Cathy and Heathcliff and proving that love exists beyond the grave and that the quality of love is unending. Furthermore, ghosts are used to assist in the storytelling, to help in enhancing the setting and develop characterisation, particularly in the character of Heathcliff, Nelly and Lockwood. The use of the supernatural enables the reader to be intrigued by the confusing use of extraordinary beings.