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Analytical essay on ovid
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“Success is the result of perfection, hard work, learning from failure, loyalty, and persistence,” as once stated by famed author Colin Powell. Indeed, the reader finds the truthfulness of this statement illustrated in Ovid’s original myth, “The Story of Daedalus and Icarus” from The Metamorphoses where Ovid argues that people’s failures affect their lives and the lives of those around him. In contrast, later works expound upon Ovid’s claim in their interpretations by offering the counterclaim that man is indifferent to the failure and suffering of others when it is a result of their own actions.
In today’s work, it has become more common for authors and artist to create new art based on their own interpretations of an original text. Ovid’s original myth “The Story of Daedalus and Icarus” has been taken by artists such as Williams, Bruegel, and Auden where they used his myth to illustrate how they view man’s failure. Each used Ovid’s myth to establish the central idea that failure can be used to one’s own advantage. Failure can be used as a better experience rather than a loss because it provides a learning opportunity that may not
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Bruegel uses his artistic talent to establish a warm, comforting tone in the painting, Landscape with the Fall of Icarus. Although the death of Icarus was a main piece of the myth, Bruegel chose to showcase the death of Icarus as a very small aspect of the painting, so it is not always the first thing that will catch the eye of others. The focus of the piece was on the common man and the events of daily life which can help readers better understand how disconnected people are from the failures of others. Like the original myth, Bruegel included important details that lead up to his death, such as the hot sun, the wings, and, of course, his death, but failed to include any information on the feelings of Icarus’ father,
Horrendous pain and suffering worthy of masochists is something that any sane person would shy away from. Yet, authors from all eras of time find those experiences pleasing to put down on paper. The Odyssey of Homer, as translated by Allen Mandelbaum, alongside William Golding’s Lord of the Flies are two such works of literature where the author writes about the agonies of their main characters, Odysseus and Ralph, respectively. Odysseus of The Odyssey of Homer and Ralph of Lord of the Flies are two characters who endured the backlash of divine powers and the pain of betrayal, yet they persevered onwards in their journeys towards success, teaching readers it is possible to push on past all of life’s challenges.
The myths of David and Goliath and Odysseus and Polyphemos from the Hebrew bible and the Odyssey, respectively, are examples of the classic little hero versus large enemy story. From both the Hebrews and the Greeks we receive iterations of the same myth of how the gigantic antagonist belittles the seemingly frail young man simply because of his short stature compared to that of the antagonist’s, but in the end he is subdued by the young man with an uncommon method. Warrior Odysseus and shepherd boy David both encounter their own menacing giant, a Cyclops and the champion of Gath, who they bravely defeat which results in the increase of morale
The Hero’s Journey describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. After reading the epic poem The Odyssey, by Homer, and watching the movie O Brother, Where Art Thou?, by the Coen brothers, they both show evidence of the Hero’s Journey. The Hero’s Journey is based on Joseph Campbell’s A Practical Guide to The Hero With a Thousand Faces. In The Odyssey, Odysseus is projected as the “hero” while in O Brother, a man by the name of Ulysses Everett McGill can be seen as the “hero”. Elements of The Odyssey and O Brother are shown through the stages in the Hero’s Journey like the Approach to the Inmost Cave, The Supreme Ordeal, and Threshold Crossing.
The choices we make define the destiny of our lives. Since the beginning of time, man has always been an imperfect being full of flaws. Man is faced with different situations that can end up bringing disgrace to himself and his family if the situations are not well handled. In the texts Book II of the Aeneid by Virgil, Antigone by Sophocles, Oedipus the king by Sophocles, and Book XXII from the Iliad by Homer; Creon, the Trojan people, Hector, Achilles, and Oedipus embody what can lead to a man’s downfall through their own choices. Through these texts we are able to learn from the mistakes people made in the past and lead good moral lives. The texts illustrate how pride, lack of empathy, and ignorance lead to the destruction of man.
Ovid, Pieter Brueghel and W. H. Auden have (inadvertently) created a lineage convenient to these demands. In Ovid's myth "Concerning the Fall of Icarus" from Metamorphoses[i], he created a character that has become an icon, several millennia later. Pieter Brueghel adopted the icon in the sixteenth century for his painting Landscape with the Fall of Icarus, which then received famous treatment in the twentieth century by W. H. Auden in his poem "Musée Des Beaux Arts." These three works provide a beautiful, laboratory-quality arena in which to apply various deconstructive ideas: Jacques Derrida's theories of translation and the "dangerous supplement" and Roland Barthes' conception of the myth as language. However, such an inheritance necessarily extends to include the critical work that draws it together.
The idea of falling victim to one’s own flaws is often closely associated with the Aristotelian definition of tragedy, particularly the concepts of hamartia (a tragic or fatal flaw) and hubris (pride before a fall). Although The Winter’s Tale, The Great Gatsby and The Remains of the Day are not widely considered to be tragedies, yet there are elements of the definition that are relevant. This c...
“Adversity has the effect of eliciting talents which in prosperous circumstances would have lain dormant- Horace.” After analyzing this quotation about adversity from the Roman Poet Horace, it is evident that his assentation about the role that adversity plays in developing a person’s character is accurate because without some sort of hardships or trial majority of the celebrities and population wouldn’t have been as successful. For example, world renowned soccer players, Walt Disney, Famous authors, and more wouldn’t have been prosperous without their misfortune pushing and inspiring them to want a better life for themselves.
The representation of the new age of exploration, which serves as an allusion to man’s potential, is starkly contrasted with the depiction of Icarus that serves as an allegory for man’s limits, indicating the shift from a euro-centric universe. This painting is an oil canvas landscape of the sun setting on the horizon of the ocean sea, while the ships were sailing through the body of water. The focus on humanism during this period is clearly portrayed by the presence of the plowman, shepherd, and fisherman performing their daily task. Lighter colors are used, which differ from the darker colors that were emphasized during the Dark Age or Medieval period. Shadows can be seen on the ground next to the plowman, showing the increasing artistic methods that begin to be utilized.
W.H. Auden and Pieter Bruegel were both keen observers of the ordinary. In Bruegel’s painting “The Fall of Icarus”, he is able to look past the tragedy of the death of Icarus and focus on the simple scene surrounding the event. Auden’s poem, “Musee des Beaux Arts”, has the same qualities: it glazes over the nature of tragedy, and chooses to instead examine the fact that life goes on while disaster occurs. Arthur F. Kinney highlights this idea of calm in the face of tragedy in a critical essay entitled “Auden, Bruegel, and Musee des Beaux Arts”. Kinney explores Auden’s inspiration for the theme of the poem. The theme, Kinney explains, is not merely generated by “The Fall of Icarus”, but also two other Bruegel pieces. “The Numbering at Bethlehem” portays Joseph and Mary arriving at Bethlehem, while “The Massacre of the Innocents” shows a torturer and his horse in a town square. Both pieces convey the same main theme as “Musee des Beaux Arts”: the complex nature of a substantial event, contrasted with the simplicity of every day life. Each of the paintings reflects on human nature, in the context of apathy amidst tragedy. In his critical article “Auden, Bruegel, and Musee des Beaux Arts” Kinney asserts that “the same statement [is] made by two art forms”, and that Bruegel’s painting and the poem it inspired, “Musee des Beaux Arts”, “juxtapose the unique and the commonplace.”
While mortals do not unjustly complain about their fates, they fail to acknowledge that they are also responsible for their ill fate, as mortals themselves, possess a sizable degree of control. There is little doubt that Odysseus and his crew are unlucky, but had it not been for their brash decisions they would have reached Ithaca much sooner. After Od...
Greek politician and playwright, Sophocles, in his play, Oedipus the King, depicts a series of chronological events of the consequences of Oedipus’ downfall caused by his excessive pride. Sophocles’ purpose is to instruct readers that too much pride can dismally lead to unfortunate events. Sophocles illustrates an effective tone in order to inform the readers of the negative outcomes of stubbornness and denial.
In both of these tragic plays, “Macbeth” by Shakespeare and “Oedipus the King” by Sophocles, a catastrophic fate transforms the lives of the protagonists and ultimately becomes a sad reality for both of them whether they flee from it or pursue it. In this way, the authors present fate and destiny as the unavoidable reality every human will have to face, and whether it is a simple statement made by strangers or satirical act of unmerciful gods, it shows life is not in our hands but rests in the power of outside forces.
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
Ultimately, with the grim ending of Plato’s account of the Greek myth, it can be said that Plato’s version is hopeless and depressing in comparison with Ovid’s more positive
Zeus through his thunderbolt with all his strength and as it flew through the air, Phaethon though his last thought as the thunderbolt struck him killing him instantly. In greek Mythology some important lessons are in Daedalus and Icarus the moral is to always listen to the advice given to you by the people you trust. In the myth Phaethon the moral is to never lie to people or it's the consequences that will hurt the most. In the myth Arachne the moral is to never bragg because the consequences that will be fatal.