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Gender and sexuality in dracula essay
Dracula and sexuality
Women and literature during the victorian era essay
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In 1837 – 1901, the Victorian Era took place under Queen Victoria’s rule. It is a time that is known to consist of “…peace, prosperity, and national self-confidence for the United Kingdom” (Google). Under the Queen’s rule, society took a turn into the Reformation Era. They transition from rationalism to more of romanticism with as it also ties into religion. These elements lead to the writers to write in the way society treats them. In Bram Stoker’s Dracula, the elements of society encompassing writers and or authors influences the writing that they produce in ways such as the role of men and women along with the advancements in technology. In every town of city, there will always be issues such as crime and punishment in society. Kristen …show more content…
Guest, an author in her book review of Ellen L. O Brien’s Crime In Verse: The Poetics Of Murder In The Victorian Era states, “Over the last twenty-five years studies of crime, punishment, and social discipline have occupied a central position in scholarship of the Victorian era” (Guest 1). Common but dramatically immoral, dilemmas such as crime, immigration and anxiety roam the streets of Victorian Society. Like a disease, it spreads like one but almost never goes away. It only spreads to new areas and returns. With that being said, it can also spread in literature. Kristen states: “Ellen L. O’Brien takes up this approach to Victorian murder, offering an original focus on the ways that poetry participates in, and unsettles, social concerns about classed responses to crime, legal and medical theories of criminality and … anxiety” (Guest 1). A person’s surroundings definitely curve the view on how the world is interpreted. In Dracula, the setting depicts everything about the plot. Every detail symbolizes something. In addition to that, negativity is much stronger than positivity, and literature is one of many ways to have it recorded down subconsciously. The spread of corruption, crime, and immigration influence Stoker to mimic those same events with Dracula. During the Victorian Era, religion is a significant factor. Society lives by ways of their chosen religion and is heavily committed to practice. An unknown student author of the Dracula The Anti Christ Religion Essay, states: “…Victorian Era of the nineteenth century, faith in Christ was pretty much a necessity in Europe” (UK 1). In these times citizens were almost required to go to church and follow the same belief. Also, whatever is said in the Bible is considered a fact. In addition, it is without question that religion will be associated with the story. Stoker incorporates the Holy Bread, Holy Water, and the crucifix when dealing with evil. In Chapter 22 of Dracula, Van Helsing was blessing Mina for protection and “As he placed the Wafer on Mina's forehead, it had seared it had burned into the flesh as though it had been a piece of white hot metal” (Stoker 140). This goes to show that they believed God was the source to good and to end all evil. With every encounter with the Dracula, the clique is already equipped with holy wafers, a gun, and a crucifix. Each use of it, against the count of course, harms him and could possibly kill him. Furthermore, the fact that religion is heavily influenced in society, it comes to no question that it is discussed and practiced in Dracula. The story is written in such an odd way. It is composed of journal entries, letters, telegrams, and memos mainly written in first person by each character. During this time, people are just finding themselves and they are figuring out who they are. With writers, they want to experiment with how they want the reader to read but also keeping the properness of their way of life. Moreover, when writing the, “…multiplicity of voices gives the book a wonderful liveliness” (Acocella 14). The alternation of voices gives the story a texture and new feel compared to traditional stories or plays. As a reader, a story can seem boring and easily deemed false due to the lack to imagination from the reader or the author is not convincing enough. But, the way Stoker wrote it changes everything. Since the story, “…is reported by so many different witnesses, we are more likely to believe it” (Acocella 14). The Victorian Society pushes many concepts, one being creativity. This concept helps Stoker convince the reader that it is really occurring. The voices show creativity and how society pushes men to superior. Even in literature. Men and women are thought out to have different roles during this era in time.
There is a slight gap that continues to increase as time progresses and creates this gap that is present in this book between genders. Women: “…are weak but good, and men are strong but less good”. (Acocella 20) Men are seen to be superior and women are seen to have their morals in check. In fact, critics believe that Stoker is afraid of the New Woman. In Dracula, Mina is the new woman. Van Helsing states, “She has man's brain--a brain that a man should have were he much gifted--and woman's heart. The good God fashioned her for a purpose, believe me when He made that so good combination” (Stoker 373). Mina, is much more intelligent than any average woman and could be a match for a man. She has enough capability to have the same if not better strength and knowledge as a man. Unfortunately, this could not be a view of Stoker’s, it is merely a reflection of society and the gender differentiation. Differences between the sexes have been going for centuries. Throughout the book Mina is growing into a greater woman. As the author of the book, Stoker would not have written that portion if he did not agree with the equality in the gender …show more content…
role. With the Victorian society transitioning, inventions and innovations occur.
Technology is advancing at this time and this fascinates Stoker. Inventions and or advancements consist of blood transfusions, the phonograph, the typewriter, and trains. All of these wonderful inventions that aid the life of the Victorians aid the crew. Stoker shows us how up to date his writing is when having to defeat Dracula. Mina in this situation, she learns shorthand along with the phonograph and the typewriter. As Van Helsing states, “Which should have been difficult for a female to do” (Acocella 20). Doing so, it impresses Van Helsing and the rest of the group. Thus, plays into the New Woman title. However, with the blood transfusions, that are talked about quite frequently throughout the story, they are not quite accurate. One cannot just transfer any type of blood to another. It can kill someone and adds a check as a flaw in Stoker’s writing. Technology was advancing quickly at this time and age. It would make sense if Stoker incorporated it in his writing. Even though it is not entirely
correct. The constant concepts of sex, lust, and evil are viewed as strong conservative topics in the late 19th century. Thanks to Sigmund Freud, an Austrian neurologist, pioneered the dirty thoughts that humans possess today, Dracula contains many sexual references and situations that no one can run away from. For example, Van Helsing walks in the room only to see the count with, "With his left hand he held both Mrs. Harker's hands, keeping them away with her arms at full tension; his right hand gripped her by the back of the neck, forcing her face down on his bosom. Her white nightdress was smeared with blood, and a thin stream trickled down the man's bare breast, which was shown by his torn open dress" (Stoker 262). The text can be pornographic at times, with its vivid descriptions and superfluous vocabulary. It is too much. But it goes to show how deep sex has been portrayed in Stoker’s life. In society, men have more freedoms when it deals with sexual pleasures. Which explains why the Dracula is a man and completely violates both Mina and Lucy. He is given more opportunity to express himself and allows him to behave in such a manner. Lucy states, “Men like women, certainly their wives, to be quite as fair as they are; and women, I am afraid are not always quite as fair as they should be” (53). Women again, are being out in their place. Even in the most vulgar of situations, women are expected to be this impossible figure. Therefore, the concept of sex being widely talked of brings Stoker to apply it to Dracula. The outside world shapes people into what they believe and discuss. Stoker is guilty of it. Whether it is subconsciously or purposely, the Victorian Society and the events and topics that are conveyed highly influenced what Stoker conveys in Dracula. Stoker expresses topics such as the role of men and women and how they act, along with the advancements in technology that reflect the influence of Victorian Society upon him.
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
Mina is also vastly unlike the contemporary female Gothic tropes due to her financial independence. Although Mina could be described as the ideal Victorian lady, Stoker also managed to include qualities associated with the much feared and controversial New Woman in her. She and Lucy mock the independence of the New Woman and joke that the New Woman will try to introduce the inversion of gender roles that contemporary society feared;
...battle to life. In the novel, on the other hand, Stoker makes sure that his female character triumphs (by surviving) and that she returns home to “become a dutiful wife and caring mother”. This is where we could argue that “Stoker is much ahead of his times in portraying a ‘New Woman surpassing even the best male ‘professionals’ in terms of intellectual labor, a ‘gallant’ woman wit a remarkable ‘man-brain’ who helps save the empire, even though her power abruptly dimishes toward the end of the novel, and she is finally summoned home to become a traditional mother figure” (Kwan-Wai Yu 158). Although Stoker was very accurate in the new scientific and technological advances that he incorporated into Dracula, he was also very accurate in portraying a strong willful woman who is able to complete a job that was unwittingly given to her in the most extraordinarily manner.
While thought of as an improvement to human society, science also makes humans more close-minded. In Bram Stoker’s Dracula, technology plays an important role in the Victorian society. There are trains, phonographs, typewriters, and telegraphs. Trains are the main use of travel and telegraphs allow the characters to send each other short messages. In fact, the story itself has diary entries made by Mina’s typewriter or Dr. Seward’s phonograph that records his voice in wax cylinders. Also, the new medical concept of blood transfusions play an important aspect in the story. With these advancement of technology, the Victorian mindset leans more towards science and logic. This conflicts with Dracula who symbolizes the ancient mindset of humans:
When we compare the portrayal of characters in the areas of gender, race, and age, we find striking contrasts. In the 1931 version, men's roles are well-defined: they are the protectors. For example, Jonathan hovers over Mina in many scenes, giving us the impression that Mina is a helpless creature. In Coppola's version, Jonathan is by no means a protector. He barely escapes Dracula's castle; Mina has to go to him--to protect him.
Podonsky, Amanda . "Bram Stoker's Dracula: A Reflection and Rebuke of Victorian Society." RSS. Student Pulse: The International Student Journal, 1 Jan. 2010. Web. 6 May 2014. .
Victorian Women were highly held back in their full potential. Their main role in the household was to “be happy - a sunbeam in the house, making others happy” (Hardy, E.J. 1887). On top of this, Women in the Victorian era were not allowed to display their sexuality or “tempt” men in public; they were meant to be submissive and meek (Causey S., 2008). The Victorian era lasted from 1837 til 1901, with women being punished everyday for crimes that are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time.
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Bram Stoker craftily allows women to take charge, though at times he allows them to seem pitiful creatures in need of male protection and care. Through the word "journal" in reference to Mina's writings, Stoker allows her to be equal with her male companions. She is also put on the level by being allowed to travel and be an active part of their discussions and works.
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
Bram Stoker’s novel Dracula, is a highly controversial work of fiction that is still being read for the first time today. Dracula touches many different categories including; sci-fi horror to 1800’s English romance literature. This is the main reason why the novel Dracula can be analyzed in many different ways using many different literary theories. The theory which stuck out most to me while reading this novel was the Feminist Theory. The Feminist Theory cannot be used to analyze Dracula as a whole novel, but it can be used in order to analyze the different female characters throughout the book. Therefore, Bram Stoker’s Dracula can be analyzed through the feminist theory by focusing on the characters Mina Harker, Lucy Westenra, and the three brides of Dracula.
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
There are a few characters in Dracula that embody society’s views of the time towards the uprising of women for better rights. On the other hand there are also characters that portray the Victorian ideals that men are stronger than women and how it should stay that way. As author Bram Dijkstra mentions in his response essay, “Stokers work demonstrates how thoroughly the war waged by the nineteenth century male culture against the dignity and self -respect of women had been fought”.(Dijkstra , p.460).
According to Altner, “Romance between Mina Harker and Count Dracula is not a new concept. While vacationing in Whitby, Mina is instantly attracted to a handsome stranger. Mina holds secret, passionate assignations with him, although she feels guilty about her husband Jonathan (72). Stoker argues that “Mina is authority’s scapegoat; she dies to illuminate the necessity of escape. There is nothing pretty about Mina’s death or undeath. Mina doesn’t fade into robust new life: she chokes graphically to a death made more painful by the laudanum Dr. Seward idiotically gives her. There is nothing seductive about the Mina who rises: she is no swollen Hammer sexpot, but a decomposing corpse with broken, bloody teeth. This Mina is contrary to literary