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Recommended: The Ideas of Karl Marx
In my video, I talk about Karl Marx and his theories around the base and superstructure of society and relate them to the movie, “The Matrix”, directed by Lana Wachowski and Lilly Wachowski (a.k.a. the Wachowski brothers). The article “Film and Ideology”, by John Hess, discusses these terms in depth, so I used it as a reference to guide my analysis of the film. In the article, Hess states that “The totality of these relations of production constitutes the economic structure of society, the real foundation, on which arises a legal and political superstructure and to which correspond definite forms of social consciousness.” I believe that this quote easily relates to the entire movie, as these machines have created their own political superstructure and are fooling the entire human race into believing in this illusory, simulated reality shaped by them, that in turn shapes their social consciousness. According to Hess, “The totality of economic life includes our …show more content…
conscious as well as our unconscious participation in it.” The base, which is the economic means of production, is divided into the owners and workers of production. The machines and the humans represent these subdivisions in the movie. The article states that the owners or ruling class consist of the people who own the economic means of production. In this case, the machines represented in the movie, are the owners of production. They control the humans and their social consciousness through the matrix. The working class were the humans. They technically work for the machines by providing them with constant energy regardless of the fact that they are participating totally unconsciously. The machines are dependent on the energy that is produced by the humans because they need it for their own survival. In the same way, the owners are dependent on the worker’s labor for their economic means of production. I portray this in my video when referring to how the machines are using the humans as batteries in order to stay functional. To keep the working-class cooperative, the members of the ruling class create this sense of “false consciousness”.
This is illustrated by the matrix, the fake, simulated world that the humans are kept in. This world was created by the machines to keep the humans from seeing the truth. In the article, Hess points out how Marx shows us where to look for the relation between base and superstructure. He claims that Marx believed that the realm of production "conditions the general process of social, political and intellectual life.” Hess goes on to explain that ideology is “unreliable” and mystifies social relations. I represent this in my video by explaining how, in the movie, Morpheus tries to get Neo to understand this concept by opening the curtain of the matrix and revealing the truth behind the illusion. When Neo begins to understand the matrix, he realizes that he is merely a worker being exploited for the machine’s benefit, and that the world he knew was only an ideology created and ensured by
them.
Ray Bradbury's novel Fahrenheit 451 speculates on a future society in which there is no real knowledge, just a façade of lies because there are no testaments of truth, books. This book shares a plot much like that of the Warner Brothers' blockbuster, Matrix, in which the human race is kept in the shadow of the truth by being put into a virtual reality. In both stories a destroyed civilization is being suppressed by an evil leader. Also, in both of these works have an average man rise from the ashes of his previous life and become instruments in the changing of the way life is. Of course, no story would be complete without the tenacious leaders who push the chosen ones to become what they are. Morpheus is the leader of the light, as is Faber, Beatty is the evil which replicates himself onto others to keep them in ignorance, just like Agent Smith physically replicates himself. And the powerless which becomes powerful, the one, Neo is the mirror of Montag, the fireman.
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
...The Matrix” and Plato’s “The Allegory of the Cave” almost gives the idea that the movies writers may have had a lot of influence from Plato’s allegory. The creation of this movie gives and futuristic prospective of “The Allegory of the Cave” letting the people who have seen the movie think about reality and the truth. In conclusion, Plato’s story of the cave brings up many philosophical points and most significantly, addresses the topic of society’s role in our lives. On some level, we are all influenced by the thoughts and actions of everyone else, but at the same time, we as humans have the ability to question, make our own conclusions, and finally make our own choices.
Marxism is a method of analysis based around the concepts developed by the two German philosophers Karl Marx and Fredrich Engel, centered around the complexities of social-relations and a class-based society. Together, they collaborated their theories to produce such works as The German Ideology (1846) and The Communist Manifesto (1848), and developed the terms ‘’proletariat’ and ’bourgeois’ to describe the working-class and the wealthy, segmenting the difference between their respective social classes. As a result of the apparent differences, Marxism states that proletariats and bourgeoisie are in constant class struggle, working against each other to amount in a gain for themselves.
Bernard Marx is an intriguing character in the book Brave New World. At the beginning of the book, he is a very main character, but as the book goes on he is put more and more into the background of the story. The reason for this can be explained by the way his character changes as the book progresses. Aldous Huxley makes an interesting point by showing how a person can be changed by obtaining something he desires. It makes the readers wonder whether success would change them in the same way or if they would be able to maintain their character.
As individuals overcome the inevitable process of change, they begin to realize their full potential. In the set text, the 1999 Wachowski Brother’s film, The Matrix, the concept of change is significantly explored. In the related texts “Plato’s Allegory of the cave” and “The Door” clearly represents and reinforces this concept of change; that it is inevitable and experiences from this process leads to wisdom. In each text, the individual composers explore certain themes such as “the illusion of reality”, “choices and the endless outcomes of change” and “the fear and danger of knowing”. All the texts mentioned visible represents that “It is the process of transformation that ultimately allows potential to be realized”.
Therefore, although the film appears to send a revolutionary message of a rage against ‘the machine’ or the matrix and its oppression, ...
Society is flawed. There are critical imbalances in it that cause much of humanity to suffer. In, the most interesting work from this past half-semester, The Communist Manifesto, Karl Marx is reacting to this fact by describing his vision of a perfectly balanced society, a communist society. Simply put, a communist society is one where all property is held in common. No one person has more than the other, but rather everyone shares in the fruits of their labors. Marx is writing of this society because, he believes it to be the best form of society possible. He states that communism creates the correct balance between the needs of the individual and the needs of society. And furthermore thinks that sometimes violence is necessary to reach the state of communism. This paper will reflect upon these two topics: the relationship of the individual and society, and the issue of violence, as each is portrayed in the manifesto.
The 2006 film V for Vendetta, a cinematic remake of the classic graphic novel series by the same name, is the epitome of a Marxist fairy tale. The film is complete with a bourgeoisie government who spreads their ideology, via mass media, to a citizenry composed entirely of proletariats, and a hero who sets out to break said citizenry from the prison of false consciousness. If one examines the setting and environment of the film, and follows the main characters as they fight against, or break free from, false consciousness, evidence of Marxist themes are present throughout the film.
In the Communist Manifesto we see early versions of essential Marxist concepts that Marx would elaborate with more scientific rigor in mature writings such as Das Kapital. Perhaps most important of these concepts is the theory of historical materialism, which states that historical change is driven by collective actors attempting to realize their economic aims, resulting in class struggles in which one economic and political order is replaced by another. One of the central tenets of this theory is that social relationships and political alliances form around relations of production. Relations of production depend on a given society’s mode of production, or the specific economic organization of ownership and division of labor. A person’s actions, attitudes, and outlook on society and his politics, loyalties, and sense of collective belonging all derive from his location in the relations of production. History engages people as political actors whose identities are constituted as exploiter or exploited, who form alliances with others likewise identified, and who act based on these
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
For Marx in "The German Ideology" people 's ideas and ideologies are conditioned by the historical formation of powers of production and relations of production. This is the ground for Marx 's famous distinction between economical base; which includes the forces of production, relations of production and division of labor and the "superstructure" which includes culture, ideology, religion etc. For Marx, the superstructure is determined by the material base, and not as the Idealist philosophers would have
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
Karl Marx’s critique of political economy provides a scientific understanding of the history of capitalism. Through Marx’s critique, the history of society is revealed. Capitalism is not just an economic system in Marx’s analysis. It’s a “specific social form of labor” that is strongly related to society. Marx’s critique of capitalism provides us a deep understanding of the system to predict its pattern and protect ourselves from its negative sides.
Marx has helped us to understand how we all live in a world which has