Among the similarities shared by the modern tyrant and the legendary Scottish king are a tendency for pretense, a tyrannical mercilessness, an abrasive and harassment pattern of behavior, a lust for domination and destruction, a drive for assurance and inspection, and a willingness to impose terror, ruination, and death on their own subjects in order to achieve their goals and govern their societies as they saw fit. Macbeth, written by William Shakespeare, exemplifies a leader’s desire for political supremacy and dominance through the power of deception and the use of hostility which parallels with Joseph Stalin’s administration during World War II.
A resemblance between Stalin and Macbeth emerges in their memoir shortly resulting from a catalytic
…show more content…
death that commences their ambitions to become pungent individuals. The demise of the Communist revolutionary, Lenin, initiated Stalin to yearn for totalitarian authority.
After outsmarting his political competitors, the troika, and winning the domineering conflict for jurisdiction of the Communist Party, “Stalin became General Secretary in 1922 and used that platform to seize control upon Lenin's death” (Robertson). Along with the nation’s condolences by the decease of Vladimir Lenin, Stalin was effortlessly proficient in accomplishing political mobility by seizing his predecessor’s administrative prestige with the intention of gaining dictatorial power. Correspondingly within the Scottish play, an influential occurrence in death profoundly supervened and manipulated Macbeth to become a power hungry leader. Three witches emerge amongst Macbeth and Banquo to foretell Macbeth’s prophecy of becoming the thane of Cawdor and ultimately the king; this prophecy initiates Macbeth and Lady Macbeth to acquire corrupt desires for dominance and conduct murderous schemes. Outside of Macbeth’s …show more content…
castle, Macduff expresses with Ross, a Scottish nobleman, that the other lords crowned Macbeth as king: “Then ‘tis most like the sovereignty will fall upon Macbeth…he is already named and gone to Scone to be invested” (II. IV. 30-31). Because the immoral and murderous strategy of Macbeth to slaughter King Duncan was triumphant, Macbeth was capable of departing to Scone, a traditional site where Scotland’s kings are crown, and become christened as king to the sovereign throne. The similarities between Stalin and Macbeth arise in their ethical chronicle, such as the catalytic death that inaugurates their determinations in becoming authoritative leaders. Both Stalin and Macbeth wrought malicious acts of terror in their nation state to advance their supremacy and facilitate upon political mobility. Joseph Stalin implemented an augmented organization of concentration camps called gulags during the course of his crusade to turn the Soviet Union into a modern industrial power and to collectivize agriculture. As a tyrannical leader, Stalin sent an aggregate amount of people to labor camps or killed them: “In 1935, Stalin started the Purge which was a process that kills anyone who could put him out of power” (“Stalin's Dictatorship”). Because of Stalin’s paranoia and ghastly proceedings of terror seen during the purge, proves that his callous ideology was to instigate havoc upon the subordinates of his country. Similarly, Macbeth performed unethical deeds to transfer up in the political ladder, and he also felt paranoia towards those who may seek to overthrow him. Keith Gregor says that, “the mere threat of genocidal terror and suffering can allocate a dictator to command a whole nation.” In Macbeth, Macduff commends Malcolm to join him in a conquest of Scotland, where the people suffer under Macbeth’s punitive rule: “This tyrant, whose sole name blisters our tongues was once thought honest; you have loved him well… great tranny, lay thou thy basis sure” (IV. III. 12-13). The insight between Macduff’s conversations expresses the horror and hysteria that was occurring during Macbeth’s reign. Both Stalin and Macbeth wrought malevolent acts in their nation to advance their authority and power. Both Stalin and Macbeth were infamous in ascertaining a false pretense towards their predecessor of the realm.
Stalin established a dissembling character towards Lenin, who believed that Stalin would become a great leader until the years following his own death. Stalin was a principal aide to Lenin and assisted the regime in winning a civil war in opposition to those who combatted the Bolsheviks: “Stalin began plotting to gain power before Lenin’s death… Lenin expressed misgivings about Stalin’s use of power.” (Joseph Stalin). Stalin created a deceiving persona towards Lenin that misleads him in order for Staling achieve his goal of taking Lenin’s position in dominance and influence. Likewise, Macbeth established a misleading character towards his predecessor, Duncan. After the battle, King Duncan splendors Macbeth for his victory in combat in which Macbeth and Lady Macbeth invite the royal family for a celebration banquet: “Our honored hostess, the love that follows us sometime is our trouble, which still we thank as love... and thank us for your trouble” (I. VI. 11-13). In this scene, King Duncan with his gratitude has no idea that Macbeth and Lady Macbeth are arranging to scheme his murder which creates a false pretense. Macbeth’s false pretense towards Duncan in his career tremendously corresponds with Stalin’s deceitfulness against his leader, Lenin. Both Stalin and Macbeth were notorious in ascertaining a false pretense towards their processors of the
realm. Macbeth, written by William Shakespeare, exemplifies a leader’s desire for political supremacy and dominance through the power of deception and the use of hostility which parallels with Joseph Stalin’s administration during World War II. Among the similarities shared by the modern tyrant and the legendary Scottish king are a tendency for pretense, a tyrannical mercilessness, an abrasive and harassment pattern of behavior, a lust for domination and destruction, a drive for assurance and inspection, and a willingness to impose terror, ruination, and death on their own subjects in order to achieve their goals and govern their societies as they saw fit.
As what critic Joseph White accurately describes as “more vicious and less pitiable,” Rupert Goold’s Macbeth is perceived by the viewers of film as a Stalin-like dictator. The halls of his palace are decorated with murals of his face. The film also illustrates the large masses of crowds. Through this perspective of Macbeth, Rupert Goold emphasizes the theme of the corrosive power of unbridled ambition.
In understanding the art form of expression in various ways like music and play writes, it brings together this sense of self identity that the artist wants to fulfill. Having this understanding about the life behind the scene, screen, and/or stage. My paper will present two art forms music by 50 cent “Many Men” and William Shakespeare play “Macbeth” in which I will describe similarities among the characters. My four categories for 50 cent and Macbeth are as follow Greed, Savage, Survivor and Success.
As the play Macbeth by William Shakespeare went on, the friendship and comparison of Macbeth and Benito Mussolini grew. Both of their actions forced them into power and made them the historical features they are today. The cause of their terrible actions lead them to their death. Throughout the play Macbeth, Macbeth shows many similarities to Benito Mussolini because both used other people to push them to power, lost that power and were both brutally killed.
Shakespeare's Macbeth shows similarities to Richard III of England in his ambition and Machiavellians deeds, but their nature sets them apart. In the end, they are seen as similar tyrants in the way their countries reacted to their kingships. Despite the similarities, they both have had a very different path that led to their Ambition. Because of their natures, one was a victim of fate, the other was a victim of his own pessimism. These Machiavellian characters take different paths to a parallel end.
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
A quote which really defines Lady Macbeth and Macbeth’s ambition regarding power is “Power does not corrupt men; fools; however, if they get into a position of power, corrupt power” George Bernard Shaw. Lady Macbeth is more ambitious in terms of gaining power then Macbeth is and that Lady Macbeth will do almost anything to gain power, even evil things that she normally wouldn’t do. This is shown when Macbeth and Lady Macbeth learn about the witches’ predictions, then roles in the plans to murder king Duncan in order to gain power and then finally after the murder, Macbeth doesn’t want to finish the plan making Lady Macbeth angry and causing a chance they might get caught and gain no power at all.
Although most of Shakespeare's play " Mac Beth " is not historically accurate, MacBeth's life is the subject of the tragedy. There are characters and events that are based on true events and real persons but, Shakespeare's "MacBeth " differs significantly from history's MacBeth. The first example of a difference between the Shakespeare "MacBeth" and historical Mac Beth is the death of Duncan I. In Shakespeare's " Mac Beth ", Duncan I was murdered by MacBeth.
Macbeth, a tragedy, starts with a dying, bloody Captain talking about the valor with which Macbeth fought. How does this brave, devoted, valiant soldier become an insane, cold-blooded murderer, killing men, women, and children alike? The story of his downfall begins with his new-found ambition to become king after three witches tell him of his “imperial theme.” After fighting so courageously in battle, Macbeth, Thane of Glamis a title inherited from his late father, and fellow nobleman Banquo, encounter three witches. They greet Macbeth by his current title, by a title soon to be bestowed upon him, and last by the title of king. Immediately, Macbeth is intrigued by their prophecies, but unsure since the King and the
There was a common saying, “Behind every great man there's a great woman”. The men, Macbeth and Winston Smith in Shakespeare’s Macbeth and George Orwell’s 1984 may not be considered as the “great man” however, both Lady Macbeth and Julia are good examples that can be presented as the “great woman” behind the men. Both Lady Macbeth and Julia do an excellent job of pretending to be someone who they are not, they are not only affecting the men in their lives to rethink their previous position but also have a bad ending accompanied with physical and psychological issues.
William Shakespeare’s Macbeth is a play centred around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a noble and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very nave, gullible, and vulnerable.
Ambition can consume leaders, nonetheless some leaders can handle the pressure that comes with having to lead individuals like Abraham Lincoln. However some leaders like Adolf Hitler and Macbeth allowed their ambition to get the best of them and cause harm. Hitler allowed his ambition to drive him to make catastrophic decisions such as trying to conquer other (stronger) countries, make dangerous weapons, torturer, and kill millions of innocent people. Whereas Macbeth allowed his ambition to kill the people that loved and supported him the most in order to gain control of the kingdom. Both Macbeth and Hitler illustrate leadership, but turned mad in order to consume more power.
Macbeth: Shakespeare's Comparisons and Contrasts. Throughout Macbeth Shakespeare uses comparison and contrast to bring out characteristics of his main character, Macbeth. Shakespeare uses comparisons with Duncan, Lady Macbeth, and Banquo to bring out aspects of Macbeth's character. After hearing of Macbeth's courageousness on the battlefield, Duncan, a good and honest king, bestows the title of Cawdor on Macbeth.
In the play, Macbeth by William Shakespeare has a strong theme of power. Macbeth is a king who is given three predictions from three witches, one of which is that he will become king. The one problem is he doesn’t know what he has to do in order to become king. His wife then decides that in order for him to become king, he must kill the current king. This one murder then leads to others in order to cover the original murder up. Once Macbeth becomes king, he doesn’t want anything to change, he wants to stay king until he dies. He then begins to kill again, but instead of killing to cover something, he is killing anyone who stands in his way of staying king. Macbeth’s fate is affected by the personality trait of bravery, his ability to be manipulated, and his determination.
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeths critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that result in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.