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Light and Growth in A Raisin in the Sun and Death of a Salesman.
In A Raisin in the Sun by Lorraine Hansberry and Death of a Salesman by Arthur Miller, both authors use motifs of light and growth within their settings to convey messages about the intrinsic values and potentiality of their characters. A Raisin in the Sun begins with a faint little light, filtering through the kitchen window. It's not much of a light, but it is successfully kindled by Lena Younger to keep her little plant alive and to help sow the seed of human dignity in her children. In Death of a Salesman, the physical light is blocked by the encroaching concrete jungle of New York City and the spiritual light is extinguished by Willy Loman's misguided, illusionary values. Willy and his family are trapped in the tiny shadow cast by his giant illusions and nothing grows in their world.
The opening description of the setting in A Raisin in the Sun states, "The single window for these 'two' rooms is located in the kitchen area. The sole natural light the family may enjoy in the course of a day is only that which fights its way through this little window." This window provides a view to the outside world which Walter Younger seeks to tame. Walter looks out of this window as he smokes his cigarette and comments on the people "running and racing to work." Lena Younger has what is described as a "feeble little plant growing doggedly in a small pot on the windowsill." She worries that "if this little old plant don't get more sun than it's been getting it ain't never going to see spring again." ( Hansberry, 856 ) The light from the window feeds the dogged little plant which Lena says "expresses me." Although they live in a small, cramped apartment...
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...erry is saying that to find the pot of gold which lies at the end of a rainbow, man needs food for the soul.
Works Cited and Consulted:
Draper, James P. Black Literature Criticisms. Detroit: Gale Research Incorporated, 1992.
Field, B.S. "Death of a Salesman" Twentieth Century Literature. January, 1972. 19-24. Rpt. in World Literary Criticism. Ed. Frank Magill. "Arthur Miller" Detroit: Gale Research, 1992. 2366-2368.
Gunton, Sharon R. Motifs in A Raisin in the Sun. Detroit: Chelsea House Publishers, 1986.
Miller, Arthur. Death of a Salesman,The Heath Introduction to Drama, Fifth Edition. Lexington, Mass.: D.C. Heath and Company, 1996, pp. 731-808.
Hansberry, Lorraine. A Raisin in the Sun, The Heath Introduction to Drama, Fifth Edition. Lexington, Mass.: D.C. Heath and Company, 1996, pp. 841-914.
Miller, Arthur. Death of a Salesman. The Bedford Introduction to Literature. 8th ed.Ed. Michael Meyer. Boston: Bedford, 2008. 1908-1972. Print.
Even though south side chicago had a low amount of hope, the characters of Lorraine Hansberry’s A Raisin in the Sun, Walter, Beneatha, and Mama found a way to dream big. It led them to doing what they thought was right, eventually molding Walter into a greedy man during most of the play, Beneatha into an aspiring woman that demands respect, and Mama into an improvising woman who loves her
In the beginning of A Raisin in the Sun, Lorraine Hansberry describes the living space of the Younger family and how there is only “sole natural light” (Hansberry 24) that the family can enjoy throughout the day, which can
Works Cited Austin, Addell. A Raisin in the Sun. Cyclopedia of Literary Characters, Revised. Third Edition (1998): 1-2. Literary Reference Center.
Hansberry, Lorraine. "A Raisin in the Sun." Ed. Nellie Y. McKay. The Norton Anthology of African American Literature. Comp. Henry Louis. Gates. 2nd ed. New York: W.W. Norton &, 2004. 1771-830. Print.
A Raisin in the Sun, by Lorraine Hansberry is realistic fictional drama in which the play 's title and the character represent the play 's theme. The play focused on Black America 's Struggle to reach the American Dream of life, liberty and the pursuit of happiness during the 1950s and the 1960s. The idea of everyone having the chance to achieve a better life should exist for all. Hansberry conceives her title using a line from Langston Hughes poem “A dream deferred”. The original poem was written in 1951 about Harlem. Hughes’ line from the poem state that when dreams are deferred “Does it dry up like a Raisin in the Sun”. This meant that they describe them as being small and already pretty withered. Hughes poem further suggested that when
Hansberry, Lorraine. A Raisin in the Sun. The Norton Introduction to Literature. 10th ed. New York: W.W. Norton & Co., 2011. 950-1023. Print.
A Raisin in the Sun, by Lorraine Hansberry, has often been dubbed a “black” play by critics since its debut on Broadway in 1959. This label has been reasonably assigned considering the play has a cast that consists primarily of African American actors; however, when looking beyond the surface of this play and the color of the author and characters, one can see that A Raisin in the Sun actually transcends the boundaries of racial labels through the universal personalities assigned to each character and the realistic family situations that continue to evolve throughout the storyline. As seen when comparing A Raisin in the Sun to “The Rich Brother,” a story for which the characters receive no label of race, many commonalities can be found between the characters’ personalities and their beliefs. Such similarities prove that A Raisin in the Sun is not merely a play intended to appeal only to the black community, nor should it be construed as a story about the plights of the black race alone, but instead should be recognized as a play about the struggles that all families, regardless of race, must endure in regard to their diversity and financial disparity. A succinct introduction and excellent writing!
During the 1960s, the African-American people were in racial situations due to their “lowered status”. They had no control over the strong beliefs in segregation, which “is characterized by a mixture of hope and despair.” (Nordholt) African-Americans, like normal people, had strived to achieve set goals. Unfortunately, their ethnicity was what inhibited them from accomplishing their dreams. In Lorraine Hansberry’s A Raisin in the Sun, the author conveys the theme of the seemingly trivial efforts of the African-American people in their individual pursuits for a satisfactory life lead each person down a road of self-discovery that reveals an indefinite amount of truths, which transform their promising hopes into unachievable fantasies. By using powerful characterization, Hansberry creates characters with contrasting personalities dividing their familial hopes into different dreams. With the use of symbolism, each character’s road is shown to inevitably end in a state where dreams are deferred.
Hansberry, Lorraine. "A Raisin In The Sun." Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 1771-830. Print.
Hansberry, Lorraine. ?A Raisin in the Sun.? Making Literature Matter: An Anthology for Readers and Writers. Eds. John Schilb and John Clifford. Boston: Bedford/St. Martin?s 2008.
Eisinger, Chester E. "Critical Readings: Focus on Arthur Miller's Death of a Salesman: The Wrong Dreams." Critical Insights: Death of a Salesman (2010): 93-105.
Miller, Arthur. “Death of a Salesman.” The Norton Introduction to Literature 10. New York: W. W.
Hansberry, Lorraine. A Raisin in the Sun. Norton. Ninth. Ed. Alison Booth, J. Paul Hunter,
Miller, Arthur “Death of a Salesman” Literature: Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw Hill, 2012. 205-13. Print.