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The theme of power struggle in Julius Caesar
Julius caesar tragedy analysis
The leadership style and how he influences or motivates others of Niccolo Machiavelli
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Recommended: The theme of power struggle in Julius Caesar
Julius Caesar , by William Shakespeare, is a tragedy that is based on recorded events, by Plutarch, a Greek historian, biographer, and essayist, from Roman history. It is a play that is synonymous with the struggle of power, betrayal and brutality, in the name of leadership. The Prince, by Niccolò Machiavelli, is a 16th-century political treatise which also concerns it self with dominate leadership and power struggles. Through different textual forms – drama and prose, the ideas which they highlight, alongside the values and attitudes which they convey, are intricately connected with the contexts within which each composer was writing, as well as with the artistic effect each achieves. In both works, language is skillfully shaped to convey …show more content…
Shakespeare is a dramatic play, which was primarily created for the purpose of entertainment, while The Prince is a treatise, which is a formalized systematic discourse, which concerns itself with power, with in a political arena. Julius Caesar consists of two different types of speech, Blank Verse, or Unrhymed Iambic Pentameter, and Prose. Shakespeare has used these two distinctive forms of text to help the audience distinguish between the nobles, who speak in Blank Verse, or Unrhymed Iambic Pentameter, and the commoners who speak in prose. This creates death between the characters in the play and shows how much power each character contains. It also makes the commoners sound less formal, and less educated. An example where this is exercised is when the daft plebeians are manipulated by Antony’s speech and threaten to revenge Caesar by killing the conspirators “Revenge! About! Seek! Burn! Fire! Kill! Let not a traitor live!” It demonstrates the simple, but strong and powerful language used by the commoners. The language used by Shakespeare helps to indicate the power which a character possessives, while also creating depth and exciting the audience of the play. Shakespeare has also used Prose as a means to create a didactic text, which explores leadership and
When closely evaluating the two texts: Plutarch's The Lives of the Ancient Grecians and Romans and Shakespeare's Julius Caesar, there are stark differences of the theme and characters. While Plutarch's text is mostly informative, as describing a series of historical events, Shakespeare incorporates a wide variety of dramatic conventions as well as changing many events to entertain an audience. It is important to note that Shakespeare's play was based on Plutarch's text, which is why many of the differences are because of Shakespeare's revision. Shakespeare changes the tone of many important characters such as Marcus Brutus and Mark Antony. He also adds details to make the storyline heroic and inspiring. Plutarch's text is a third-person view on the events, with little explanation of people's opinions and thoughts.
The most predominate and important aspect In the play Julius Caesar, by William Shakespeare are the speeches given to the Roman citizens by Brutus and Antony, the two main charaters, following the death of Caesar. Brutus and Antony both spoke to the crowd,using the same rhetorical devices to express their thoughts. Both speakers used the three classical appeals employed in the speeches: ethos, which is an appeal to credibility; pathos, which is an appeal to the emotion of the audience; and logos, which is an appeal to the content and arrangement of the argument itself. Even though both speeches have the same structure Antony’s speech is significantly more effective than Brutus’s.
The Tragedy of Julius Caesar by William Shakespeare is a historic tragedy about the brutal murder of the Roman senator, Julius Caesar. Within the play, Caesar has two close friends—Brutus and Antony. Antony is a loyal friend, supporting Caesar and encouraging him in his climb to kingship; Brutus is a king-fearing traitor who leads the plot to murder Caesar. After Caesar is murdered, both friends make speeches—Brutus to justify his actions and Antony to passive-aggressively disprove his claims. In the speeches, they use three rhetorical literary devices: ethos, the appeal to gain the crowd’s trust; pathos, stirring the crowd’s emotions to influence behavior; and logos, the use of logic to reason with the crowd. By comparing the use of ethos, pathos, and logos in each speech and by
The Bible teaches love, compassion and generosity. Niccolo Machiavelli found the Bible’s lessons idealistic and unrealistic for leaders. Machiavelli wrote his book, The Prince, to show the ruling Meddici family that the world is not a fairy tale. Prior to Machiavelli writing The Prince, the majority of books depicted people as virtuous and ethical. However, The Prince is not the only work of literature that manifests Machiavellian techniques. William Shakespeare’s Julius Caesar utilizes similar methods. As shown in Julius Caesar and The Prince, a leader who follows Machiavelli’s advice will accomplish their goals; if the leader does not adhere to Machiavelli’s recommendations, then the leader will not fulfill his aspiration.
The play The Tragedy of Julius Caesar by William Shakespeare showcases many characters and events that go through many significant changes. One particular character that went through unique changes was Julius Caesar. The 16th century work is a lengthy tragedy about the antagonists Brutus and Cassius fighting with the protagonists Octavius, Antony, and Lepidus over the murder of Julius Caesar. Although the play’s main pushing conflict was the murder of Julius Caesar, he is considered a secondary character, but a protagonist. Throughout the theatrical work Julius Caesar’s actions, alliances, character developments, and internal and external conflicts display his diverse changes. William Shakespeare retold a very unique event
Throughout Machiavelli’s novel, we encounter several specific instances in which the author gives explicit advice to would be or currently serving princes and rulers of nations. Much of this advice can be easily translated to world leaders in the present day, including the President of the United States. However, some of the advice that Machiavelli gives out are things that often times don’t apply to current world leaders. As I explore the novel, I can’t help but imagine several real life politicians using some of the methods of ruling discussed by Machiavelli, with the true of definition of Machiavellianism being “the employment of cunning and duplicity in statecraft or in general conduct.”
“The Prince”, by Niccolo Machiavelli, is a series of letters written to the current ruler of Italy, Lorenzo de’ Medici. These letters are a “how-to” guide on what to do and what not to do. He uses examples to further express his views on the subject. The main purpose was to inform the reader how to effectively rule and be an acceptable Prince. Any ruler who wishes to keep absolute control of his principality must use not only wisdom and skill, but cunning and cruelness through fear rather than love. Machiavelli writes this book as his summary of all the deeds of great men.
Machiavelli states that "it is necessary for a prince, who wishes to maintain himself, to learn how not to be good, and use this knowledge and not use it, according to the necessity of the case." Machiavelli's ideas both compare and contrast to the methods used by Hamlet. Hamlet's desire to drive the king mad and eventually kill him, is what he thinks he must do in order to set things right. Hamlet struggles to maintain his position as prince. Perhaps he lacks the essential qualities of a prince outlined by Machiavelli.
Shakespeare, William. Julius Caesar. Elements of Literature. Ed. Edwina McMahon et al. New York: Holt, Rinehart and Winston, Inc., 1997.
In William Shakespeare's play The Tragedy of Julius Caesar, two speeches are given to the people of Rome about Caesar's death. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views. Brutus tried to make the people believe he killed Caesar for a noble cause. Antony tried to persuade the people that the conspirators committed an act of brutality toward Caesar and were traitors. The effectiveness and ineffectiveness of both Antony's and Brutus's speech to the people are conveyed through tone and rhetorical devices.
The motif of ambition runs continuously throughout Julius Caesar, written by William Shakespeare, which originates in Ancient Rome and highlights the power struggles, politics and deceit of those vying for power. Ambition leads many of the characters such as Caesar, Cassius, and Brutus to a fate different from what they expected. The play revolves around Caesar, his ascent to power and his eventual loss of everything. Although ambition may lead these public officials to power, it is the same ambition that will be their downfall, ultimately resulting in the death of Julius Caesar, Cassius, and Brutus.
“Julius Caesar” by William Shakespeare is the story of the assassination of Julius Caesar. Two speeches were made after his death, one being by Mark Antony. He uses many rhetorical devices in this speech to counter the previous speech and persuade the crowd that the conspirators who killed Caesar were wrong. Rhetoric is the art of persuasion and these many devices strengthen this by making points and highlighting flaws. Antony uses many rhetorical devices, all of which are used to persuade the crowd that the conspirators are wrong and Caesar did not need to be killed.
A tragic hero is the antithesis for the common protagonist. Most protagonists show how they overcome great obstacles however, the tragic hero shows a more humane character, that stumbles and falls. The tragic hero usually exhibits three specific traits that lead to his or her downfall. In the play, Julius Caesar by William Shakespeare, the characters of Brutus and Caesar both exhibit the three attributes of a tragic character. The first trait of any tragic hero is a high rank and potential for greatness. Both Brutus and Caesar hold his trait, as they are beloved high ranking Romans. The second characteristic a tragic hero must possess; is a fatal flaw that dominates their personality, and Brutus’ sense of justice and Caesar’s ego, fulfill this
In the sixteenth century, there were three sets of socioeconomic statuses that one could acquire or be a part of, the clergy, the nobility, and the peasantry. The divide between these three generalized classes was far more complicated in reality that it seems, as socioeconomic classes consist of multiple branches. Nonetheless, it all essentially came down to two undeniable factions, the oppressors and the oppressed. Niccolo Machiavelli, being a mixture of the two due to his living situation while writing the book, gained a middle-ground which allowed him to achieve omnipotent intelligence that so many rulers normally lack, first hand experience of what it like to live both lives, one as a peasant and the other as a nobleman. This omnipotent
Niccolò Machiavelli wrote, in his novel The Prince, that strong central political leadership was more important than anything else, including religion and moral behavior. Machiavelli, writing during a period of dramatic change known as the Italian Renaissance, displayed attitudes towards many issues, mostly political, which supported his belief that strong government was the most important element in society. These attitudes and ideas were very appropriate for the time because they stressed strong, centralized power, the only kind of leadership that seemed to be working throughout Europe, and which was the element Italy was lacking. Machiavelli understood that obtaining such a government could not be done without separating political conduct and personal morality, and suggested that the separation be made. The Prince, written to the Medici family over five hundred years ago contained many truths, so universal and accurate that they still influence politics today.