Zola Neale Hurston and Langston Hughes are among the most revered and well-respected writers of the Harlem Renaissance. Harlem Renaissance is a transition period that took place in Harlem, characterized by cultural, social and inventive revolution between the ends of the First World War and in mid-1935. As such, the two writers existed during this period and excelled in writing similar themes portraying the events that took place then. Even though they covered the same issues such as racism, sexism, social injustices, and discriminations, more so against the blacks, their approaches and styles are radically different. For instance, Hurston and Hughes employ different approaches as regards depiction of African-American life the factor that makes them apart. In his novel ‘Their Eyes Were Watching God’ Zora Neale Hurston talks about the kind of oppression and prejudice …show more content…
For instance, the poem “I Too, Sing America,’ Hughes talks about the oppression on racial grounds as experienced by the African Americans. In the poem, the protagonist complains about the unequal treatment he receives from the white, and thus an indication that the issue of racism dominates. Unlike Hurston, Hughes’ writings indicate some hope that the situation will eventually change for the better. For instance in the poem ‘I Too, Song America,’ the narrator hopes that the country will realize some transformation, which could restore equality and eliminate racism and other forms of prejudice (Rampersad). Nonetheless, the entire poem seems to depict America as a nation filled with racism and discrimination. Even though the two writers differ, one can note some commonalities, and thus an indication that the writers address the same issues. For instance, Hurston and Hughes affirm that the African Americans face discrimination on racism grounds, and thus making their lives miserable and
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013
Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987.
The character Janie in Zora Neale Hurston’s novel Their Eyes Were Watching God is portrayed as a woman who has a modern mindset that is much too advanced for her thinking. Janie does things that raise much controversy with the community and endures situations that would be deemed inhumane in today’s society. Examining the abuse, oppression and criticism Janie undergoes in Zora Neale Hurston's Their Eyes Were Watching God from both a contemporary woman's viewpoint and an early twentieth century woman's viewpoint reveals differences, as well as similarities in the way people respond to events.
Modern Critical Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. Pondrom, Cyrena N. "
This poem is often compared to Walt Whitman’s I Hear America Singing because of the similarities of the two poems. In this poem, Hughes argues that the African American race is equal to whites. Hughes even declares that one day the African American race will be equal to whites. Hughes proclaims, “Besides, They’ll see how beautiful I am and be ashamed-I, too, am America.” Hughes was very bold and daring when he wrote these lines in this poem. He is implying that the white people will regret what they have done to blacks. That they will be ashamed of how they treated them. Undoubtedly, this poem expresses Hughes cultural identity.
Zora Neale Hurston’s Their Eyes Were Watching God is greatly praised by most critics today but was held in a different light when first published. Popular black authors during Hurston’s era held the most disdain for Hurston’s novel. Famous writer Richard Wright harshly criticized the book as a “minstrel technique that makes the ‘white folks’ laugh. Her characters eat and laugh and cry and work and kill; they swing like a pendulum eternally in that safe and narrow orbit in which America likes to see the Negro live: between laughter and tears” (Wright, Between Laughter and Tears). Wright dominated the 40’s decade of writing for blacks (Washington, Foreword). His review explains Hurston book is feeding the whites additional reasons why black are the “lower” race. This was the complete opposite idea of what blacks strived to be seen as and as such Hurston’s novel would be unread by the black culture. This made Wright’s review the most crippling towards Hurston because it was intensely harsh and his influence greatly urge the readers to dismiss Their Eyes Were Watching God leading to its disappearance.
Hurston's writing is a resemblance of a reflection from the ideas of the Harlem Renaissance. The time in which it was written, along with the fact that Hurston had lived in New York City caused many to label the book as a product of the Harlem Renaissance. This was a period from the end of
The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The decade between 1920 and 1930 was an extremely influential span of time for the Black culture. During these years Blacks were able to come together and form a united group that expressed a desire for enlightenment. This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means of growth, they hoped to destroy the pervading racism and stereotypes suffocating the African American society and yearned for racial and social integration. Many Black writers spoke out during this span of time with books proving their natural humanity and desire for equality.
The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois. These creative black artists made an influence to society in the 1920’s and an impact on the Harlem Renaissance.
Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper Perennial Modern Classics, 2006. Print.
The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.
Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987.
The Harlem Renaissance was a period of great rebirth for African American people and according to the online encyclopedia Wikipedia, the “Harlem Renaissance was a cultural movement that spanned the 1920s and 1930s.” Wikipedia also indicates that it was also known as the “Negro Movement, named after the 1925 Anthology by Alan Locke.” Blacks from all over America and the Caribbean and flocked to Harlem, New York. Harlem became a sort of “melting pot” for Black America. Writers, artists, poets, musicians and dancers converged there spanning a renaissance. The Harlem Renaissance was also one of the most important chapters in the era of African American literature. This literary period gave way to a new type of writing style. This style is known as “creative literature.” Creative literature enabled writers to express their thoughts and feelings about various issues that were of importance to African Americans. These issues include racism, gender and identity, and others that we...
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and differences of the voice and themes used with the works “How it Feels to be Colored Me” by Hurston and Hughes’ “The Negro Mother”. The importance of these factors directly correlate to how each author came to find their literary inspiration and voice that attributed to their works.