In the tales of Homer's Odyssey and Sophocles Antigone, the recurring themes of duty and fate play significant roles in guiding the journeys of the main characters. This essay will aim to compare quotes from these works to highlight the subtle differences in how duty and fate shape the experiences of Odysseus and Antigone. By exploring their reactions to influences and their choices to accept or challenge predetermined destinies, we can observe how mortal individuals navigate their futures amidst cosmic forces. Additionally, this analysis will reveal the importance of duty, as well as fate, as motivations behind the characters' decisions and the ethical dilemmas they confront. When looking at the passages from Homer's Odyssey and Sophocles' …show more content…
Despite his efforts to alter the course of destiny Odysseus eventually comes to terms with the certainty of Teiresias' predictions, understanding that his choices are fragments, in the design of divine providence. His acknowledgment of fate is marked by acceptance and reluctance as he admits “All this he said would come true” (Od. XXIII.247-99). In contrast, in Sophocles Antigone the main character challenges King Creon's decree prohibiting her from burying her brother Polynices. Despite facing punishment and societal disapproval, Antigone remains steadfast in her belief that honoring her brother's body is a sacred obligation that surpasses human laws. Antigone's strong sense of responsibility is deeply rooted in her loyalty to family and moral principles. When she boldly tells Creon “What could bring me honor and recognition more than to lay my brother to rest?” it is clear that her dedication to honoring her relatives outweighs any fear of consequences (lines 510-25). Her commitment to Polynices and the gods surpasses her loyalty to authority, leading her to challenge Creon's decree despite the risks involved. Similarly, fate plays a role in Antigone's
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
She expresses her allegiance to family by giving her beloved brother, Polyneices, a proper burial despite Creon's orders. She ignores his threats to any citizen of Thebes who buries him will be executed for treason. Antigone, daughter of Oedipus, puts her own life on the line to do what she thinks is right for her brother, and honoring him in death. "He is my brother still, and yours; though you would have it otherwise, but Ii shall not abandon him." (193) She feels that everyone deserves a proper burial regardless of circumstance and in support of the Gods wishes. Antigone pays the ultimate high price for her loyalty to her brother Polyneices because it results in her death when she commits suicide after being locked up by Creon, This which sets up a chain reaction forof the suicides of Haemon and Eurydice. Antigone is also loyal to her sister because she wouldn't let Ismene participate in the burial and share any blame or punishment. She says "I will not press you any more. I would not want you as a partner if you asked" (194) . Regardless of Creon's edict, she decides to do what is right according to a much stronger law, her own personal law of family loyalty. When faced with Creon's anger, Antigone does not deny burying Polyneices' body, showing pride in her decision. Antigone realizes that regardless of what a king or a ruler wants, family loyalty comes
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
At the start of Antigone, the new king Creon has declared the law that while Antigone’s brother Eteocles will be buried with honor for his defense of Thebes, however the other brother, Polynices will be left to rot in the field of battle for helping lead the siege of the city. Antigone discusses with her sister Ismene that she shall go and pay respects to her now dead brother, and give him the burial that she feels that he deserves. Her sister tries to persuade her otherwise, but Antigone claims she is going to follow her determined fate, not the law of ...
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
Sophocles’ Antigone and Euripides’ The Bacchae are indubitably plays of antitheses and conflicts, and this condition is personified in the manifestation of their characters, each completely opposed to the other. Both tragedians reveal tensions between two permanent and irreconcilable moral codes; divine law represented by Antigone and Dionysus and human law represented by Creon and Pentheus. The central purpose is evidently the association of law which has its consent in political authority and the law which has its consent in the private conscience, the association of obligations imposed on human beings as citizens and members of state, and the obligations imposed on them in the home as members of families. Both these laws presenting themselves in their most crucial form are in direct collision. Sophocles and Euripides include a great deal of controversial material, once the reader realizes the inquiries behind their work. Inquiries that pertain to the very fabric of life, that still make up the garments of society today.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone’s firm belief that her brother Polyneices should have a proper burial is established by her conviction in that the law of the gods is above all else. This law proclaims that all men be mourned and honored by family and friends through means of a suitable burial. Antigone’s need to put honor upon Polyneices’ soul is so grand that she ignores the advice of everyone around her, including her sister Ismene, who tries to pull her away from performing this criminal act because it will disobey the law set by King Creon, and lead to her demise. However, Antigone does not care about the repercussions because even though “[s...
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
Antigone is a strong willed character who is not afraid to defend her beliefs. After learning that Creon has denied Polyneices of a proper burial she uses her free will to decide that she must lay her brother to rest, as she strongly believes he should be honored like the other fallen soldiers. Unable to
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
Antigone risks her own life to bury her brother, therefore, she goes against Kreon’s edict that Polyneices should be left unburied; she believes Polyneices deserves to reach the afterlife. Antigone tells Ismene, “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (Sophocles 23). Antigone is willing to risk her own life by disobeying the king’s authority; She stands up for her religious belief that Polyneices should be buried. Kreon tells Antigone before she takes her own life, “I won’t encourage you. You’ve been condemned” (Sophocles 57). Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th...
Loyalty to the household is one of the foundational values of Grecian cultures. Both Antigone and the Odyssey portray the benefits of this devotion to kin, yet also expose the tensions that can arise while keeping an allegiance to a household. Polis, the city-state, was grounded in the concept of oikos, or households. Ancient Hellenic women were expected to uphold certain standards within society, such as burying the dead family members, pledging allegiance to the household of the betrothed, or marrying into a new household following the death of a husband. Consequently, massive repercussions, even death, could arise if a woman did not fully pledge allegiance to a betrothed household or abandoned her current family without justifiable cause.
In Sophocles’ Antigone, Creon and Antigone, through their free-willed actions establish their own unavoidable fate. By striving to rule in fairness of judgment, Creon defies the laws guiding the burial of the dead when he declares death to anyone who dared to bury Polynices (Lines 25-43). On the other hand, Antigone, with respect to the laws of the gods, and family honor, defies Creon’s orders and buries her brother Polynices (lines 451-492). In this context, we see that both characters are aware of the consequences of their actions: Creon, with knowledge of how the gods doomed Oedipus’ due to defiance, and Antigone Knowing the price that came with laying her brother to rest. Regardless of knowing these consequences, both characters exercised their desires of free-will, and for that, they paid the price of a tragic hero with Antigone’s death, and the death of Creon’s son. Again, just as in Oedipus Rex, we witness fate being the results of free will, but this time around we also see fate as an outcome generally accepted by the characters when they choose free will in opposition to abiding to the
Antigone respects her blood relations, and she is driven by this to oppose the laws created by Kreon. Even though she recognizes the sin in which Oidipous bequeaths upon his kin, she refuses to abandon her brother is determined to "not be caught betraying him" (Sophocles, 58). Kreon's man made laws cannot "keep [her] from [her] own," and in this she accepts the blood line of her doomed oikos. Furthermore, Antigone justifies herself by honoring her brother above other relationships that she is capable of producing. Antigone states that she "would never have assumed this burden...if it had been [her] children or [her] husband who had died...no more brothers could ever be born- This was the law by which [she] honored [Polyneikes] above all others" (966-77). Using this reasoning, the death of Antigone’s brother means extinction of the blood line and proper burial is still needed, even if it the traitor was Eteokles. Antigone's breach of nomos is a necessary one, for the dead cannot be revived and must be honored, especially those that en...