Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Give criticism about Uncle Tom's cabin
Personal analysis of uncle toms cabin
Personal analysis of uncle toms cabin
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Give criticism about Uncle Tom's cabin
Slavery is a topic much written about, especially in nineteenth
century literature. Many books and poems have been written in favor or
against it. Two stories written in the decade before the Civil War,
when the discussion about slavery was at its height, still stand out
today. Herman Melville's Benito Cereno (1855, 1856) and Harriet
Beecher Stowe's Uncle Tom's Cabin (1852) both criticize the
institution of slavery, but in a different way. Where Melville is
quite subtle, Beecher Stowe is much more obvious and sentimental.
In Benito Cereno Melville uses irony and the naivety of Captain Delano
as means to criticize slavery. He does this in a very subtle and
tricky way. The reader is misled through the whole story, but that is
only because of Captain Delano's description and misunderstanding of
the situation on the San Dominick. Captain Delano is incapable of
realizing what is really going on onboard. There are several passages
in the story where this comes plainly clear. Melville more or less
apologizes to the reader for this, by explaining the character of
Captain Delano in the fourth paragraph of the story, "a person of a
singularly undistrustful good nature, not liable, except on
extraordinary and repeated incentives, and hardly then, to indulge in
personal alarms, any way involving the imputation of malign evil in
man. Whether, in view of what humanity is capable, such a trait
implies, along with a benevolent heart, more than ordinary quickness
and accuracy of intellectual perception, may be left to the wise to
determine".[1] There are several scenes in the story where Captain
Delano's naivety becomes rather embarrassing afterwards. When reading
the story for the first time the reader does not know Cap...
... middle of paper ...
...e. By making a sentimental and not too difficult story she was
able to spread her criticism on slavery under a large audience. And
though Melville's story may be literary as good or even better than
Beecher Stowe's, history has proven the former more effective.
Works Cited
[1] Herman Melville, Benito Cereno. In: Nina Baym (ed.), The Norton
Anthology of American Literature, Shorter Fifth edition (New York,
London: W.W. Norton & Company, 1999), p. 1134, 1135.
[2] Herman Melville, Benito Cereno. In: Nina Baym (ed.), The Norton
Anthology of American Literature, Shorter Fifth edition (New York,
London: W.W. Norton & Company, 1999), p.1166
[3] Harriet Beecher Stowe, Uncle Tom's Cabin. In: Nina Baym (ed.), The
Norton Anthology of American Literature, Shorter Fifth edition (New
York, London: W.W. Norton & Company, 1999), p. 803
This lecture provided an overview of development of slave narratives as a genre unique to the United States. It divided slave narratives as a genre into several distinct time periods that were characterized by different literary characteristics. The three temporal divisions of the genre include 1760-1810, the 1840’s, and the 1850’s and beyond.
Harriet Beecher Stowe was born on June 14, 1811. Her father was Lyman Beecher, pastor of the Congregational Church in Harriet’s hometown of Litchfield, Connecticut. Harriet’s brother was Henry Ward Beecher who became pastor of Brooklyn’s Plymouth Church. The religious background of Harriet’s family and of New England taught Harriet several traits typical of a New Englander: theological insight, piety, and a desire to improve humanity (Columbia Electronic Library; “Biography of Harriet Beecher Stowe”).
Overcoming the death of a loved one can be one of life's most difficult tasks, especially when that loss involves a parent or a child. Author and abolitionist Harriet Beecher Stowe grieved over death as both mother and child. When she was only five years old, her mother Roxana Foote Beecher, died of tuberculosis. Later at age 38, she lost her infant son Charley to an outbreak of cholera. Together these two traumatic events amplified her condemnation of slavery and ultimately influenced the writing of one of America's most controversial novels, Uncle Tom's Cabin.
Harriet Beecher Stowe’s novel, Uncle Tom’s Cabin and Olaudah Equiano’s Narrative of his Life both endeavor to stir antislavery sentiment in predominantly white, proslavery readers. Each author uses a variety of literary tactics to persuade audiences that slavery is inhumane. Equiano uses vivid imagery and inserts personal experience to appeal to audiences, believing that a first-hand account of the varying traumas slaves encounter would affect change. Stowe relies on emotional connection between the readers and characters in her novel. By forcing her audience to have empathy for characters, thus forcing readers to confront the harsh realities of slavery, Stowe has the more effective approach to encouraging abolitionist sentiment in white readers.
From 1813 to 1879, lived a woman of great dignity, strong will, and one desire. A woman who was considered nothing more than just a slave girl would give anything for the freedom for herself and her two children. Harriet Jacobs, who used the pen name Linda Brent, compiled her life into a little book called Incidents in the Life of a Slave Girl. Mrs. Jacobs' story, once read, will leave nothing but pity and heart ache for her readers as they discover the life she had to endure. She however boldly states, "[I] earnestly desire to arouse the women of the North to a realizing sense of the condition of two millions of women at the South still in bondage, suffering what I suffered, and most of them far worse. I want to add my testimony to that of abler pens to convince the people of the Free States what Slavery really is."(preface 1) Harriet Jacobs wanted to show the people who were not experiencing slavery exactly was going on in hopes that it would influence them to bring a stop to it. Though you cannot help but pity Harriet Jacobs, you can also take her story and the hard ships she endured and realize how strong a woman she truly was.
There are other contrasting aspects of the stories that call for attention. Most significantly Benito Cereno – ultimately – portrays slaves as evil and Babo as the mind behind the cunning plan that deceives Captain Delano. The reason for this one-sided representation is naturally the fact that we experience the story from Delano’s point of view. In the beginning, we perceive Babo as the typical docile, helpful, and faithful servant so often portrayed in other slave characters such as Stowe’s Uncle Tom and Jim in Twain’s Huckleberry Finn. Babo is more than just a slave; he is a “faithful fellow”, “a friend that cannot be called slave” . And despite all the underlying hints of a slave insurrection, Delano does not grasp their meaning. Examples are the slaves’ treatment of the Spanish sailors and the hatchet polishers , but in Delano’s narrow-minded world, only the white man is capable of conceiving plans of ‘evil’. And when he – and the reader too – finally sees “the mask torn away, flourishing hatchets and knives, in ferocious piratical revolt”, he is embarrassed and “with infinite pity he [withdraws] his hold from Don Benito” . From this moment on, Babo is a malign devil and Melville removes speech from Babo’s mouth. This strengthen our opinion of Babo as ‘evil’ even more, for how can we sympathise with him without hearing his version of the story? Apparently, Melville proposes no other alternative for the reader than to sympathise with the white slave owner Don Benito, whom Babo so ingeniously deceives.
Harriet Beecher Stowe publishes “Uncle Tom’s Cabin” in 1852. This anti-slavery book was the most popular book of the 19th century, and the 2nd most sold book in the century, following only the Bible. It was said that this novel “led to the civil war”, or “the straw that broke the camel’s back”. After one year, 300,000 copies were sold in the U.S., and over 1 million were sold in Britain.
...ns it held. Melville creates a character who never sees the reality on board the ship in his many speculations, particularly because Delano sees the slaves as too ignorant as to be able to devise such a thing, when the grand irony is the he is too blind to see it. Melville reverses the master and slave roles and brings them before a very slavery-conscious audience to whom he leaves the interpretation open, but laden with subtle messages about the horrible institution of slavery.
Slave narratives were one of the first forms of African- American literature. The narratives were written with the intent to inform those who weren’t aware of the hardships of slavery about how badly slaves were being treated. The people who wrote these narratives experienced slavery first hand, and wanted to elicit the help of abolitionists to bring an end to it. Most slave narratives were not widely publicized and often got overlooked as the years went by; however, some were highly regarded and paved the way for many writers of African descent today.
From the period of Antebellum America up into the present time, many documents and pieces of work have been published regarding the abolition of slavery and slavery in general. Regarding the abolition of slavery, slave narratives were one of the ways to get readers first hand look at accounts of slavery and in turn were a big part of abolitionist movements. In class we have read three of the great slave narratives and there are abolitionist themes that can be traces through all three of them. These themes argued against slavery and were used to persuade their readers to support the abolition of slavery. Although there were many similar themes through out the narratives I will be focusing on just two of the most effective ways that argue for the abolition of slavery: slavery seen as a slow poison, and emotion through extreme cruelty and suffering.
Melville has an interesting way of conveying his ideas about slavery into Benito Cereno. One way in which he does so is through Captain Delano. Throughout a good portion of the story Delano is incapable of discovering the truth. Most specifically, about the situation that lay in front of him on the St. Dominic. Delano cannot even conceive of the idea that the slaves on board the ship were in the driver’s seat, as far as power is concerned. For instance, after Cereno gives the background story concerning the ship, Delano claims, “the Spaniard 's manner while telling the story. There was a gloomy hesitancy and subterfuge about it” (Melville 1145). His suspicion always lies with the Spaniards. In fact, it took Delano nearly the whole story to
Harriet Beecher Stowe, a northern abolitionist, published her best-selling novel Uncle Tom’s Cabin in 1852. Uncle Tom’s Cabin contracts the many different attitudes that southerners as well as northerners shared towards slavery. Generally, it shows the evils of slavery and the cruelty and inhumanity of the peculiar institution, in particular how masters treat their slaves and how families are torn apart because of slavery.
Herman Melville is known greatly in the world of literature for his enigmatic works, such as "Bartleby the Scrivener", and "Benito Cereño". His complex plot and unique character personalities make his works both interesting and compelling. In "Benito Cereño", we are introduced to the narrator Captain Delano as he and his crew encounter the ship, the San Dominick, in need of assistance. Upon climbing aboard he meets Captain Cereño along with is crew and slaves, and is informed of their unfortunate events has left the ship without supplies. However, Captain Delano is not aware of what is actually going on behind the fake story he is told. The slaves aboard are the ones in charge holding the Spaniards hostage and forcing them to take them back to Africa. Throughout the story the narrators suspicious rises but is never investigated therefore saving his life and the life of Captain Cereño. Captain Delano dismissed his suspicions because he believes the slaves are stupid, cannot organize, and know their place, but this text is a notice or warning to slave owners in the south, and involved with the Trans-Atlantic trade slave trade. The underestimation of the slaves ability can lead to the down fall of many if not taken seriously.
By the 1830s, a small but outspoken abolitionist movement arose, led by New Englanders and free blacks, including William Lloyd Garrison, Frederick Douglass, and Lucretia Mott. Many people North and South considered slavery an undesirable institution, but by the 1840s the militant abolitionists went much further and declared that owning a slave was a terrible sin, and that the institution should be immediately abolished. Southerners bitterly resented this moralistic attack, and also the stereotypical presentation of slave owners as heartless Simon Legrees in the overwhelmingly popular (in the North) book and play by Harriet Beecher Stowe, "Uncle Tom's Cabin" (1852). Historians continue to debate whether slave owners actually felt either guilt or shame (Berringer 359-60[1]). But there is no doubt the southerners were angered by the abolitionist attacks. Starting in the 1830s there was a widespread and growing ideological defense of the "peculiar institution" everywhere in the South.
West, Elizabeth J. "Slavery." American History Through Literature 1820-1870. Ed. Janet Gabler-Hover and Robert Sattelmeyer. Vol. 3. Detroit: Charles Scribner's Sons, 2006. 1092-1100. Gale Virtual Reference Library. Web. 3 May 2014.