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Influences of art
Important factors that influenced the modern art movement
Influences of art
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Both Herbert Read and William Morris are considered defenders of their time, both having a huge influence on the art world through their writings. Both Morris and Read considered themselves anarchists, and also, strangely enough, both wrote their own utopian novels. Morris believed that art was in the detail of everyday life, including household good and the planning of towns. Morris was influenced by John Ruskin, the critic from the famous Ruskin versus Whistler trial, and similar to Whistler rejected the status of artist, setting out to create affordable yet hand-made art. He was very involved with the Pre-Raphaelites, which was a group that also rejected mechanistic approach to art, which was becoming more popular through industrialization, …show more content…
Abstraction was a major difference between Morris and Read. While Read advocated about it, Morris’s impression of a post-revolutionary life did not fit the aesthetic ideas that went hand in hand in abstraction. Both Morris and Read showed how there is great art in craftsmanship, and Morris especially showed that in the Red House and Green Dining Room, where they were obviously made for a purpose but still were meticulously crafted by hand to create an aesthetically pleasing work of …show more content…
Andy Warhol often talked about his personal aura as well as with his arts. While Benjamin saw reproductions as cheap imitations of the original art, Warhol thought that it created a new sense of aura. One of his famous works is his Marilyn Monroe print, which is multiplied several times, and Warhol thought this gave off an aura of celebrity and fame. The destruction of the aura creates a more even playing field for all artists, allowing them to get their art out into the world however they please, and giving them more artistic freedom. If Warhol had followed Benjamin’s thoughts, then we may have had only one of each of his
He just doesn’t want to change the legacy that Mr. Morris left behind and he feels the art has no value to be placed next to paintings by people like Picasso. Throughout the play, they debate on what’s
Getlein, Mark. "Chapter 17-The 17th and 18th Centuries." Living with Art. 9th ed. Boston, MA: McGraw Hill, 2008. 384-406. Print.
The word “original” is often used to describe paintings that have been manufactured by hand, but it is not clear whether hand-made copies of work are still considered so. When an artist copies another’s art, is his own art original now that it has been tainted by the thoughts’ of others? The poem “To A Mouse” by Robert Burns served as inspiration for John Steinbeck when writing the famed tragedy “Of Mice and Men.” Steinbeck, a Nobel prize-winning author, set many of his books during the Great Depression or the California Dustbowl, times when the future seemed bleak. In Of Mice and Men, man-child Lennie and his “father figure” George form an unsuspecting friendship, and set off into the world with their dreams of one day buying land and settling down. The characteristics of these protagonists are directly taken from the Burns’ poem, which describes similar characters. Is such a close emulation detrimental to the value of originality in the work? Steinbeck believed that “only through imitation do we develop toward originality,” a motif seen in Of Mice and Men. Inspiration is necessary for all art, but by exploiting Burns’ poem, Steinbeck bastardizes the innocence of originality.
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
The earliest forms of art had made it’s mark in history for being an influential and unique representation of various cultures and religions as well as playing a fundamental role in society. However, with the new era of postmodernism, art slowly deviated away from both the religious context it was originally created in, and apart from serving as a ritual function. Walter Benjamin, a German literary critic and philosopher during the 1900’s, strongly believed that the mass production of pieces has freed art from the boundaries of tradition, “For the first time in world history, mechanical reproduction emancipates the work of art from its parasitical dependance on ritual” (Benjamin 1992). This particular excerpt has a direct correlation with the work of Andy Warhol, specifically “Silver Liz as Cleopatra.” Andy Warhol’s rendition of Elizabeth Taylor are prime examples of the shift in art history that Benjamin refers to as the value of this particular piece is based upon its mass production, and appropriation of iconic images and people.
Andy Warhol and Frida Kahlo had an immense amount of impact on the world of art. Warhol has always explored the rooted connection between celebrity culture and artistic expression, which left him with a lasting legacy that has marked him for one of the most famous artists to have existed. The population was fascinated by Warhol’s ability to blur the lines between fine art and innovative design, providing him a large following and work that will be remembered for decades. Kahlo too is a name that is not likely to be forgotten. Her work is recognizable on a global level and her works are loved by many people. The deep admiration her followers have given her, and the amount of modern artists that she has influenced, creates an immortalization
The Brilliant Minds of Leonardo Da Vinci and Andy Warhol Leonardo Da Vinci and Andy Warhol were, and still are, two of the most influential and perpetual artists of their perspective time periods. Da Vinci being from the late 15th century to the early 16th century, he combined aspects of form and idea but also the ideals of mathematics and complete realism like no other that has done before. Andy Warhol, of the 20th century, portrayed his paintings and photographs using his personality and uniqueness that gave off a certain vibrato that made people fall in love almost instantaneously. Da Vinci had a bizarre but wonderful obsession with the anatomy of individuals and used this addiction to drive his sculptures and paintings. Andy Warhol was
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
... turning some who can be seen as a blank canvas into someone new. In both ways, Evelyn and Henry Higgins are the artists to their work. Though they might not treat the people they are working with as a human, in the grander idea they have made them better. Adam finally comes to terms with his true personality, while Evelyn exposes what society believes are the norms for a person’s appearance. While, with Eliza, she leaves the life of being a beggar and becoming a duchess, showing how through hard work a person can change, and it becomes hard to return to one’s prior self. Both instances show art playing a large role in shaping their lives. From learning about life through art, people then strive to be on the same level as the art the see, trying to live a grander lifestyle. Showing that to a certain extent art can influence life more than life can influence art.
Benjamin stressed the Marxist democratization of art through digital reproduction, a media which allows for de-emphasizing the original work of art. Throughout the history of arts, particularly visual arts, we have revered the individual paintings created by artists, locating them in exclusive galleries and museums which are subject to the tastes and privilege of the upper class philanthropic elite. The value of a work is based in part by which wealthy patrons have owned or commissioned it, and the history of a canvas often becomes more important than the actual formal representation on it.
Though the interiors he designed were created to be useful spaces, his focus was more on aesthetic than function . Within his individual objects of art such as chairs, tables, drawers, staircases and many others he focused more on the form of the object than on its intended use. Instead, Kuramata appeared to want the presence of the piece to surpass its function, something that is only possible when there is a symbolic value . One of the best examples of a work of art fitting these stipulations was his design of the Miss Blanche armchair (fig. 3) in 1988 . The chair is made of acrylic resin and embedded with artificial roses and aluminum . Kuramata’s title of the work, choice of materials, color contrast, process of creation and simple aesthetic combine to create a piece of work that forces the viewer to question whether or not it can even be considered a chair. This work of art allows the functionality to disapp...
Abstract art in comparison to realism, can be described as two art forms on opposite ends of the art style spectrum. Picasso and Pollock both had a massive impact on the outcome of modern art through their ability to challenge viewers as they interpret art, not for what the painting shows, but instead what the idea of it came from. Picasso’s painting is now an iconic symbol for an anti-war message, and Pollock’s painting now represent a form of freedom of speech and expression throughout America. Ultimately the reason artists moved from realism to abstract came from the invention of the camera, giving artist a reason to branch to new and edgy art forms, which will later create the modern art
The Arts and Crafts movement, led by William Morris, was established in the 1860s as a response against the manufacturing of low quality goods due to industrialization. He also felt that the society was degrading as a result of this. The philosophy behind the Art and Crafts movement was that the Industrial Revolution had taken artistry and design away from of the quality of goods produced. The goal was to advocate a return to craftsmanship and enable individual craftsmen to assert their own creative independence. More importantly, the movement wanted to promote mor...
If modernism and postmodernism are arguably two most distinguishing movements that dominated the 20th century Western art, they are certainly most exceptional styles that dominated the global architecture during this period. While modernism sought to capture the images and sensibilities of the age, going beyond simple representation of the present and involving the artist’s critical examination of the principles of art itself, postmodernism developed as a reaction against modernist formalism, seen as elitist. “Far more encompassing and accepting than the more rigid boundaries of modernist practice, postmodernism has offered something for everyone by accommodating wide range of styles, subjects, and formats” (Kleiner 810).
Many believed that Modernist works were not “art” because they did not always look like real life. But what is “real life”? A new outlook on reality was taken by Modernists. What is true for one person at one time is not true for another person at a different time. Experimentation with perspective and truth was not confined to the canvas; it influenced literary circles as well.