Similarities between Heart of Darkness and Wuthering Heights
Although Joseph Conrad's novel, Heart of Darkness, and Emily Bronte's, Wuthering Heights, were written in different era, they do in fact share a few similarities.
First of all, Heart of Darkness and Wuthering Heights compare in the manner that both novels draw on their respective author's personal experiences. Emily Bronte, who wrote in the latter Romantic Period but also had characteristics of Victorian writers, was left motherless at the age of two and spent most of her life with her father and siblings in Haworth, England. It was in this location that Emily first experienced the moors that play a critical role of her novel linking Wuthering Heights with Thushcross Grange. The moors was the area Heathcliff and Catherine would escape to when things were difficult. Haworth was a town that was isolated and surrounded by moors much like the setting of Wuthering Heights is described. Also, Emily Bronte parallels her own life in the manner in which she creates motherless characters. For example, Catherine and Hindley lose their mother at a young age as well as Catherine eventually dies leaving her young daughter, Catherine motherless. Joseph Conrad draws on his own person
al experiences in his novel, Heart of Darkness. Joseph Conrad had always been enthralled with the open oceans, maps, and uncharted territories of the African continent. He was hired by a British Company to operate a small steamship on the African Congo. He went on this trip and while there began keeping journals that would later become the basis for this novel.
Secondly, the authors of Wuthering Heights and Heart of Darkness both write their novels in the narrative fr...
... middle of paper ...
...bright and upbeat feeling. It is true of both novels, for every good there is an evil. In Wuthering Heights, the characters are paired. For instance, two opposite households and the contrast of characters in Heathcliff vs. Linton. We see the coalition of good verses bad in Heart of Darkness, in the distinguishable manner in which Conrad writes o
f the black and the white. The underlying tone of Heart of Darkness is the oppression of the British over the African natives in the Congo.
In conclusion, many years separate Wuthering Heights and Heart of Darkness. The issues at hand facing these two authors were different, however they do possess similar ways of expressing to their readers the message they hope to convey.
Works Cited
Bronte, Emily. Wuthering Heights
Conrad, Joseph. Heart of Darkness
Gersh, Marianna. "Heart of Darkness"
Each one of the Timucua villages was ruled by a chief who exacted tribute in the form of food from the villagers. Village chiefs owed allegiance to a tribal chief who had numerous villages under his control. These chiefs were selected from important clans, and they inherited their title and wealth from their mother’s brother. The chief with the most important village often had the greatest power and influence; power grew out of the respect and prestige afforded that chiefs village (Milanich 151). Timucua villages had several titles for their villages such as holata, utina and paracusi, but the most important received the title utina or paracusi. These titles are really weird, it just seems like they mushed a couple of letters together to make a word that may sound nice. I don’t even know how to pronounce none of these words, I’m so glad we don’t have any hard titles to say for the people that are in charge of our states and country. The Timucua Indians seemed to be very attractive people, with them being over six feet tall with olive or brown colored skin (Thompson 15). They were very sturdy, muscular and athletic because of their way of living and them having to work and make everything that they had. The men had long black hair that they would bound up around their head, it would be
The most obvious contrast found in Heart of Darkness is between that of light and dark. In the beginning of the novel when the sun set upon London, the city began to light up yet the narrator describes the light as a "lurid glare under the stars" (Conrad 6). The lights from the city illuminated the Thames River. Because London is described as being light, the light then symbolizes civilization, or at least Conrad's view of civilization. Conrad's view of civilization is one of great despise. Civilization is a place where evil is ever present but ignored and people believe they know everything. The light is the knowledge that we have gained through exploration and the civilizing of places that have not yet been civilized. In contrast there is the darkness. Represented in the novel by Africa and the Congo River, the darkness is the evil that lurks in the unknown. The darkness is full of savages and cannibals. It is the uncivilized and uninhabited part of the world where people eat people and the savages lurk in the trees and in the darkness. Africa is the "heart of darkness," the place where man's inner evil is brought out in the open and is displayed through their thoughts and actions, such as those on Marlow's boat, letting the bullets fly into the jungle without reason or need.
Virginia Woolf’s Mrs. Dalloway and Emily Bronte’s Wuthering Heights share similarities in many aspects, perhaps most plainly seen in the plots: just as Clarissa marries Richard rather than Peter Walsh in order to secure a comfortable life for herself, Catherine chooses Edgar Linton over Heathcliff in an attempt to wrest both herself and Heathcliff from the squalid lifestyle of Wuthering Heights. However, these two novels also overlap in thematic elements in that both are concerned with the opposing forces of civilization or order and chaos or madness. The recurring image of the house is an important symbol used to illustrate both authors’ order versus chaos themes. Though Woolf and Bronte use the house as a symbol in very different ways, the existing similarities create striking resonances between the two novels at certain critical scenes.
The real definition of diversity includes different elements of the identity and culture of each person. Diversity involves cultural differences, such as origins, religious or political affiliation, race, and gender, and other more profound differences, such as experiences and personality. As Banks argues in her research, the real definition involves several elements of our identity (149). Therefore, the way in which we define and conceptualize diversity affects the way in which we interact with people of others culture, race, and affiliations.
...he complicated relation between subjectivity and epistemology. On the other hand, Joseph Conrad was remembered for a novel like “Heart of Darkness”, which drew on his experience as a mariner and addressed profound themes of nature and existence as well.
In modern day America most of the customs that the Ibo culture has would not be considered okay in today's society. In the book Ekwefi had had two children before Ezinma they were thought to be Ogbanje. They mutilated the second child after it dies to hopefully scare the spirit away, so it would never return. Eventually Ekwefi had Ezinma who carried the spirit inside of her, but they got rid of it with her Iyi-Uwa. I think that this is so unusual and cruel to think your child is something so evil when it hasn't even had a chance to grow up and become somebody. They based their information on the date of death of their child, which in my opinion doesn't determine if a child is evil or not. In modern America mutilating your child after death and then throwing it into a forest would not be considered okay. People who would do these things would be thought of as sick minded psychopath. Another custom that would be considered wrong in most American households and in job positions is that the men almost always hold the position of power. If a woman in the Ibo culture does one miniscule thing wrong, she gets beaten. It is not okay for anyone in America to beat another human being and even abusing animals. If they were to do this they would not just get away by making an offer to the gods, they would be doing their justice in jail or prison.
Heart of Darkness is not only the title of Joseph Conrad’s novella, it is also a main theme. This is portrayed through different images of darkness, black and evil throughout his story. The setting is often used with images of darkness; even as Marlow tells his tale, it is night. This ‘darkness’ is inside many concepts of the novella such as Africa, women, black people, maps, the ivory trade corporation and Kurtz. Through these images on his journey, Marlow has a realization about the inner darkness of man, and thus brings out the theme, and title, Heart Of Darkness.
Twagilimana, Aimable. Hutu and Tutsi (Heritage Library of African Peoples Central Africa). 1st ed. New York: Rosen Publishing Group, 1998.
more than slaves. Now the power is a little more equally divided, but is still
Seldom are works as brilliantly written as Conrad's Heart of Darkness or Golding's Lord of the Flies. There are effective comparisons and contrasts between the two novels. The novels deal with many similar issues and contain many of the same themes.
Heart of Darkness is a novel based on European imperialism in the late nineteenth-early twentieth century. During the turn of the century in 1900, the more significant countries in Europe (i.e. England, France, Germany, et al.) had gotten to a point where expansion within Europe was no longer foreseeable, so for financial, political, and egotistical reasons, these countries looked south to their neighbor Africa, the "black continent." "God-forsaken wilderness." Marlow says of Africa. (Page 73) Trade routes were established and the home countries found reliable executive willing to travel and develop relations in the country. In Conrad's novel, Kurtz was this man. He started out with a noble goal, i.e. to modernize Africa, but suffered the effects of a deadly disease, greed. "It was reckless without hardihood, greedy without audacity, and cruel without courage." Said Marlow (of what Kurtz and the ivory company had done to Africa.) (Page 102.)
Firstly, the theme of hypocrisy is integrated in both works for the purpose of portraying man’s staggering and absurd potential for evil. In the novel, Heart of Darkness, the Europeans state that their objectives in Africa are to trade with the natives and immerse them with the light of civilization. However, their actions fail to reflect their stated motives since the Europeans take the ivory from the natives by force and they treat them inhumanely. Not to mention that the Europeans constantly refer to natives as objects such as machinery as well as suppress and eradicate them at any opportunity. Ultimately, the Europeans utilize their false words as a civilized veneer that masks their capability of being evil and savage.
Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was apparent of colonization. The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the reader have to interpret for themselves what they thought the writer meant. Conrad experiments with this style, leaving some sentences without ending: "not a sentimental pretense but an idea;…something you can set up…and offer a sacrifice to…." (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone. Conrad skips about from talking of the "two women knitted black wool feverishly" at the gate of the city (of hell), to his aunt which he feels women are "out of touch with truth," to how the British are as "weak-eyed devil(s) of a rapacious and pitiless folly" (Conrad, Longman pp. 2198, 2199, & 2202). Conrad's mind moves about as ours do along a large duration of literary monologue to convey to the reader the author's ideas, as interpreted by the reader.
In Modernist literature, much like painting, there is experimentation with form: narration style, tone, plot line. Instead of having Kurtz tell his story, or Marlow recite the tale of his journey, the actual narrator in the Heart of Darkness is an unknown passenger on the Nellie.
Diversity is defined as “people from differing age groups, genders, ethnic and racial backgrounds, cultural and national origins, and mental and physical capabilities.” (Plunkett, Allen, Attner, 2013).