Comparing Handmaid's Tale And Harrison Bergeron

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Dystopias plausibly extends existing real-world tensions to confront readers and antagonize their complacency. Margaret Atwood’s postmodern speculative novel The Handmaid’s Tale (1985) and Kurt Vonnegut’s absurdist short story ‘Harrison Bergeron’ (1961) are both shaped by the rise of conservative politics and protest movements in the mid twentieth century, as well as ongoing fears about totalitarian regimes. Both texts critique how draconian state oppression leads to a loss of identity and humanity for individuals. As a result, both authors warn readers against complacency in the face of government control and call on readers to be resistant, active citizens in their own societies. Both authors depict alarming authoritarian regimes to warn …show more content…

Atwood was influenced by second wave feminism of the 1960s, where women protested for greater social equality, and she affirms both the progress and stagnation achieved during and after the movement. When Offred finds scratched text by a past Handmaid she narrates, “in tiny writing, quite fresh it seemed.” the symbolism of writing as a form of rebellion is a transgressive act that seeks connection as a way of rebellion and to claim autonomy. Through metafiction, as the previous Offred is scratching a message for the second Offred, the reader is encouraged to join her in a line of women who have been oppressed and to actively antagonize societal fundamentalism to create change. However, the complex relationship between rebellion and complacency is exemplified when Offred states, 'I tell him my real name.I should know better.' The irony of relinquishing her name to the Commander, which symbolizes power and identity, is juxtaposed with immediate regret. While Offred is reclaiming her identity, she ultimately realizes that by admitting her name to him, she inadvertently gives him power over her. This act signifies a complex paradoxical assertion of self and submission. Atwood’s ambiguous ending heightens reader ambiguity and warns against the stagnation of women's rights during the 1980s, which jeopardized the previous societal progress. Offred announces, “I have given myself over into the hands of strangers”. The tone of resignation and acceptance highlights her unwillingness to resist for her autonomy and complete detachment from herself which starkly contrasts with her earlier moments of rebellion and defiance. The readers horror in response to her combined desire for rebellion, which is altered by unavoidable

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