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Human perception of others
Human perception of others
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Humans have five senses that are naturally given, but their significance only comes out when they become a necessity. Throughout Perfume Suskind goes into depth about smells, and how scent contrasts Grenouille to God and Satan. Grenouilles lack of personal scent connects him to the devil, while his olfactory supremacy compares him to God.
In Grenouille’s mind smell determines everything, which prevents his adaptation to society. From the start Grenouille becomes more determined with the idea of preserving scent and at the same time getting away from the smell of humans. He decided to “not just avoid humans, but villages as well”(116). Along his journey of avoiding humans he “discovered a natural tunnel, in which he spends several days.” During
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The narrator rarely mentions Grenouille viewing the world with his eyes, his nose determines where he tends to go next. Thus emphasizing Grenouille has more animal like qualities than human. Suskind's diction indicates Grenouille lacks confidence and awareness of his surroundings. The context reveals that Grenouille never intentionally meant to kill the young red haired girl, but “he in turn, did not look at her, did not see her delicate freckled face, her red lips, her large sparkling green eyes, keeping his eyes closed tight as he strangled her, for he had only one concern-not to lose the least trace of her scent”(42). The narrator makes the readers well aware that Grenouille only intends on mastering scent, and once Grenouille realizes how powerful he can become when he embodies the ultimate scent, he becomes more determined with keeping every drop of the unique girl. Grenouille needs more than one drop of the redhead girl, so when he finds a scent that brings back memories of the night when he murdered her he becomes infatuated with their scents and does everything in his power to distill the scent of similar
The view of the painting brings to mind the all the senses. Smell is the first to come to mind as the smoke from the candle billows up, the burning smell reaches the noise as well as the burning cigar. The fruity smell overshadows that of the smell of chicken and peas. The noise of a dropped tray and the breaking of glass as it hits the floor makes everyone turn to the right. People talking over each other to be heard. All of the senses are realized as the painting is viewed.
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Nature against society is also discussed in Grendel. The fact that citizens surrounded with religion and social status could be so easily overtaken by nature (Grendel) gives a sense of irony to the reader.
In Grendel, nearly all of the characters are driven to shape the world to their ideas. Hrothgar spends his life crafting a government. Grendel's mother is described as loving her son "not for myself, my holy specialness, but for my son-ness, my displacement of air as visible proof of her power (138)." Both Grendel and the Shaper constantly seek the ability to reshape reality with words. While they have differing motives, all of these acts of creation give power and significance to the creator. As Baby Grendel desperately convinces himself, it is the act of observing and commenting on what is outside that makes one real: "I understood that, finally ...
One thing that influences perception of reality that is initially explored in Grendel are words. This is demonstrated when Grendel secretly listens to the poem sung by the shaper, who is a blind court bard who sings poems with the harp, and sees how the people are
As in the parallel comparison of beauty to ugliness, it can be seen that good and evil are only identifiable in their contrast of one another. If there was nothing defined as beautiful, for instance, nothing could be ugly. There would be no such concept. Similarly, having no definition of good would make evil, too, a non-existent idea. In Grendel, Gardner grasps this thought, and maximizes its importance with the help of a horrendously confused monster and the society that he terrorizes.
...life. In not seeking the connection between heart, mind, and soul, Grendel lives a disjointed life, fulfilling the prophecy of the dragon; all is meaningless, because it is meaningless to and through him. "Nihil ex nihilo, I always say."
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
Innocence? In Grendel? Grendel is a monster, right? Wrong, in the eyes of John Gardner. Taking the role of the Shaper, Gardner makes us see Grendel as an ostracized person, one so lonely he "relishes the thought of acceptance," even though the idiocy of their society repulses him at times (Milosh 221). He is just a naïve teenager, searching for his role in life.
This shows a shift in Grendel’s feelings towards himself as well. After hearing the Shaper’s song, Grendel “...fled, ridiculous hairy creature torn apart by poetry - crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe - and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t (Gardner, 44).” This clearly shows how the Shaper influenced, quite heavily, Grendel’s shift in viewpoint on life itself. On the surface, Grendel hides his positive outlook on his life, pretending that the Shaper is wrong, and going completely against everything the Shaper attempts to reveal. This only solidifies the Shaper’s optimistic influence on
Grendel feels like an outcast in the society he lives in causing him to have a hard time finding himself in the chaotic world. He struggles because the lack of communication between he and his mother. The lack of communication puts Grendel in a state of depression. However, Grendel comes in contact with several characters with different philosophical beliefs, which allows his to see his significance in life. Their views on life influence Grendel to see the world in a meaningful way.
Despite her evil actions, it is evident that there is less malice in her than Grendel and she is less of a symbol of pure evil than he is. For example, her attack on Heorot is somewhat appropriate and could be considered honorable by the standards of warrior culture, as it marks an attempt to avenge one’s son’s death. In fact, the motive for her attack is similar to Beowulf’s motive for his attack on her: avenging the death of a loved one. One of the most interesting aspects of Grendel’s mother’s attachment to this vengeance-demanding code that the warriors follow is that she is depicted as not entirely alien or monstrous. Her behavior is not only comprehensible but also justified. In other ways, however, Grendel and his mother are indeed portrayed as creatures from another world. One aspect of their difference from the humans portrayed in the poem is that Grendel’s strong parental figure is his mother rather
Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves companionship while he is isolated. With his “ear pressed tight against the timbers [of Hart]” (43), he watches and listens to the humans and what goes on in Hart, the meadhall of King Hrothgar, to feel like he is a part of civilization. He also has feelings in relation to specific humans. Just like the citizens of Denmark, he is extremely affected by the Shaper and his songs that are “aswim in ringing phrases, magnificent, golden, all of them, incredibly, lies” (43). Grendel is profoundly “moved by the power of the Shaper’s poetry” (Butts). Queen Wealtheow shows Grendel the feminine, sweet, and kind side of life. “She had secret wells of joy that overflowed to them all” and her peaceful effect on those around her is a main cause of Grendel’s almost obsessive fascination with her and in turn, drives Grendel to feelings of rage. Grendel’s humanlike feelings show that his personality is similar to that of a human, helping those who read his story to relate to him.
Throughout the renowned novel Grendel, author John Gardner illustrates a captivating characterization of the monster Grendel. While the reader may initially brand Grendel as a sadistic villain, Gardner gradually reinforces the complexity of this character, to the extent where a pressing question arises and begs the reader’s attention--is Grendel truly evil? As the story progresses, it becomes evident that Grendel simply does what he knows to do, as a monster, in addition to doing what he can do, as an emotional being which often lacks favorable choices. Furthermore, Grendel’s status as an evil beast relies entirely on morals, which are wholly subjective. Essentially, because of the complicated nature of naming a creature “good” or “bad,” and