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Sophocles portrayal of antigone
Women in English literature
An essay on sophocles- antigone
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The Oppression of Women in a Male Dominated Society
The plays Susan Glaspell’s Trifles and Sophocles’ Antigone, examine the contrast between the roles of women versus the roles of men in a male dominated society. Women are often viewed as inferior to men. The women in Trifles are second class citizens, who are to follow the beliefs and commands of man, whereas Antigone is a headstrong and defiant woman, who doesn’t mind challenging a man’s authority. In both these plays, the women showed great courage and bravery by going against cultural conventions and defying the rules of man.
Trifles is a play that shows clearly how women were treated and ridiculed by men in the 1900’s. It is a one-act play that took place at the farmhouse of John Wright.
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Mr. Wright has been murdered and his wife, Minnie Wright is the prime suspect.
In this play, the women are housewives; responsible for bearing children, and keeping the house. They are often made fun of or made to feel less of themselves when they didn’t perform those duties to the specifications of the men. The city attorney openly criticizes Mrs. Wrights housekeeping skills by stating “here is a mess, dirty towels! Not much of a housekeeper would you say, ladies?” (Glaspell 1109-1110). Mrs. Hale describes Minnie Foster as “real sweet and pretty, but kind of timid and fluttery” (Glaspell 1114). But a lot of changes are evident once she marries Mr. Wright. She spends her days in isolation, focusing on her quilts, preserves, and caring for her canary. She didn’t receive any type of appreciation for her hard work. This defeats her mentally and she doesn’t have any joy left in her life. While looking for evidence in the murder, Mrs. Peters and Mrs. Hale find red flags that support her mental decline, such as blocks on the quilt described as “all over the place” (Glaspell 1113), like she didn’t know what she was doing and a “dead bird in a fancy box, wrapped in a piece of silk” (Glaspell 1114). After the death of her beloved canary at the hands of her husband, …show more content…
she lost complete control of her emotions, but her motive for murder went far beyond the killing of her bird. Years of maltreatment and isolation also has a hand in Mr. Wright’s demise. The women in this play are the only ones who found any evidence in the case. It was only after being mocked by their husbands did they decide to conceal what they found. Without any evidence, the attorney had no case against Mrs. Wright and without any evidence, she would not be convicted. In the end, all the women in this play showed great courage and bravery when it came to standing up to the men. Mrs. Hale and Mrs. Peters went against their morals and supported Mrs. Wright during her time of need and Mrs. Wright finally found the courage to stand up to Mr. Wright. In the play Antigone, Antigone is a heroic and brave woman who stands up for what she feels is right.
She protects her dead brothers’ honor as she disobeys the laws of King Creon. She feels that the gods are the only ones who have a say on the burial of a person as stated, “I did not believe your proclamation had such power to enable one who will someday die to override God’s ordinances” (Sophocles 497-500). She is brave, passionate, and full of fury; she is strong and determined enough to do what she feels despite the laws of the land. Ismene, who is Antigone’s sister is more of the conservative, law-abiding, bow down to men type of woman, as shown by her comments to Antigone “you ought to realize we are only women, not meant in nature to fight against men” (Sophocles 70-71). Ancient Greece is a male dominated society, and Antigone knows all too well the punishment she will receive to breaking this law, when she states, “for whoever breaks the edict death is prescribed, and death by stoning publicly” (Sophocles 40-41). After being caught burying her brother, she showed her true bravery and dedication to this cause by saying to Creon “Yes, I confess; I will not deny my deed” (Sophocles 487). It infuriated Creon that a woman broke his law. Creon tells Haemon, his son and Antigones’ fiancé, “I caught her openly in disobedience alone out of all this city and I shall not make myself a liar in the city’s sight. No, I will kill her” (Sophocles 706-709). Creon wanted to put her to
immediate death, but at the urging of his son, Creon casts her into the wilderness and says "if she lives or dies, that's her affair, not ours: our hands are clean" (Sophocles 1264). Antigone accepted this punishment and it proved to everyone that she is courageous and willing to stand up to a man when she believes what she did was right. In Trifles, Mrs. Wright commits murder and gets away with it due to a lack of evidence, whereas the character Antigone in the play Antigone admits to her crime and accepts her punishment. These two plays document the oppression of women, but in two different distinct ways. Trifles incorporates the mood of society towards women by men through belittling and making them feel insecure, whereas Antigone is a true tragic hero, for standing up to the king. She is able to defeat Creon by standing on her morals. In the end, due to his stubbornness, he not only lost the respect of the people of Thebes, but also lost his son, Haemon and his wife, Eurydice both to suicide.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
A work of literature often subtlety alludes to a situation in society that the author finds particularly significant. Susan Glaspell incorporates social commentary into her play Trifles. By doing so, she highlights the gender stratification that exists even in the most basic interactions and presents a way to use this social barrier to an acceptable end. Despite being written almost a century before present day, Glaspell’s findings and resulting solution are still valid in a modern context. Trifles demonstrates the roles of men and women in their everyday behaviour and interaction. The women use their ascribed positions to accomplish what the men cannot and have the ability to deliberately choose not to help the men with their newfound knowledge.
Even with the pain of bearing children, raising them, doing household and even farm chores, their efforts have never been truly appreciated. Mrs. Wright was “…real sweet and pretty, but kind of timid—and fluttery…” as Mrs. Hale, her neighbor, describes her (22). This would all soon change after her wedding day. With Mr. Wright’s insipid character and lack of patience of any joyous sound, Mrs. Wright’s spirit dwindled to nothing. It seems she spent hours at a time focusing on her quilts, preserves, and caring for the only life there was in the house, her canary. Even when Mr. Hale offered to get a party telephone, Mr. Wright responded, “…folks talk too much anyway…”(5). This silence he preferred also applied to his spouse. There were no hugs given out much less a smile. He failed to give her even the most minimal sing of appreciation much less the emotional warmth she hungered for.
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Her sister Ismene warned Antigone by exclaiming, "Sister please, please! Remember how our father dies: hated, in disgrace, wrapped in horror of himself, his own hand stabbing out his sight. And how his mother-wife in one, twisted off her earthly days with a cord. And thirdly how our two brothers in a single day each achieved for each a suicidal Nemesis.” This has already given Antigone the mindset that even the Gods are against her will. She is also up against a great foe in fighting that of Creon's edict. Ismene said this: "The rest, if we defy our sovereign's edict and his power. Remind ourselves that we are women, and such not made to fight with men. For might unfortunately is right and makes us bow to things like this and worse.” Antigone sees herself as not only one who can defy the power of the Gods but the power of the state. Thus she would be up against a force greater than her own.
The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.”
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Mrs. Hale describes Minnie as formerly singing “real pretty herself” (Glaspell p666). The connection between Minnie and the canary is established here, and in the bird’s physical death parallels Minnie’s emotional death (Russell). Mrs. Hale’s keen wit and patience contributes to her embodiment of The Fate sister named Clotho the Spinner, which even more evident in her correcting of Minnie Wright’s improper stitching (Russell). Mrs. Peters begins the process of investigation deeply devoted to keeping the law. She doesn 't want any disruption in the house saying, “I don 't think we ought to touch things” (Glaspell p 666) when Mrs. Hale began searching for clues. Upon finding the dead canary, Mrs. Peters view on the situation changes drastically, and she decides with Mrs. Hale to hide the tiny dead bird from the men. They both figure that if the dead canary was discovered, Mrs. Wright would be thought to be a mad woman, though it was likely Mr. Wright who killed it. Mrs. Peters sympathizes with Minnie remembering back to an old memory of her childhood, where a menacing boy killed her small kitten with a hatchet (Russell). Mrs. Peters then realizes that the justice to be served is to conceal evidence and find the answers for themselves. These
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
When Antigone comes to her sister for assistance in burying their brother’s body, Ismene refuses. While this may be seen as an example of her cowardly, docile nature, such as how the line “You ought to realize we are only women” (61) is often interpreted, it shows that Ismene was aware of where she stood in Theban society. It is common knowledge that Ancient Greece was a patriarchy, with women holding little to no political power. Even beyond the fact that she and Antigone are women living in a male-dominated society, Ismene recognizes how low their family has fallen, with herself and Antigone being the children of a kin-slayer and his wife. A reasonable person in Ismene’s situation would most likely have acted in a similar manner, as it would be far too great of a risk to defy Creon. Ismene was simply aware that no one would come to the aid of Oedipus’s daughters when they faced “the edict of death”
Once the guards catch Antigone, they bring her before Creon. He sentences her to death, as his original decree had indicated. When he questions Ismene on her involvement, she tells Creon that she “did it … [and] shares the guilt, and the consequences too” (86), meaning that she would face execution as well. This infuriates Antigone, who asks Ismene “who did the work” (87)? She then goes on to say that she cannot share Antigone’s death, and tells Ismene to “[not] lay claim on something [she] has not touched” (87), and that “[her] death will be enough” (87). Antigone feeling so strongly against her sister dying alongside her, shows her true intentions. She is unwilling to let Ismene share any of the glory that Antigone feels she has just achieved. This shows that the glory and attention is more important to her than her brother getting a proper burial, or her sister’s desires. It is not clear if Ismene was trying to take partial credit for the burial, or if she just wanted to die with her sister, rather than stay lonely in a world with nobody left to support her. If it was the latter, then Antigone’s reaction is not only in poor taste, but also proves how obsessed she is with the theme of pride, as she believes that Ismene hasn’t done enough to earn
In the drama, "Antigone", the story revolves around, a young, strong-willed and defiant female, Antigone. She disobeys the order imposed by a male, the King of Thebes, which stated that Polynices should be left, unburied and unmourned, and anyone who broke this decree would suffer death as a punishment. She reacted unselfishly, opposing all that represented power in her world, in order that her brother gain peace and harmony in his after life. She justifies her actions by stating that she was bound to comply with the undying laws of right and wrong in spite of any human laws. It is her belief that Creon's law is inferior to that of the Gods. Therefore by breaking the law she felt it was her obligation to bury her own flesh and blood, and to perform the necessary ceremonial burial rituals. She was accomplishing the doctrine her God Zeus had instilled in her. When Antigone was confronted with her "crime", she denied nothing. As a result she m...