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Frankenstein and The Picture of Dorian Grey comparison essay
Chapter 5 summary volume 1 frankenstein
Chapter 5 summary volume 1 frankenstein
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Comparing Frankenstein to Picture of Dorian Gray
"The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play” (Wilde 4). Many different events can cause someone to become evil in their thoughts and actions, but we can take refuge in the fact that it is possible to grow and change for the better. People often transform into better versions of themselves all the time. As humans, it is our nature to care for one another and be a productive member of society. There are certain moral standards that allow every and any individual to become the best version of themselves, no matter where they come from or their background. Through maturation and experience, individuals attempt to better themselves no
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In both novels, death plays an important role. Characters tell lies to each other that leads to more falling out between them, and later results in loss of friendship, and in extreme cases, the death of some important acquaintances. Both Mary Shelley and Oscar Wilde illustrate characters that have to endure the loss of important people in their lives. In The Picture of Dorian Gray, the first death we encounter as the reader is the death is Sybil. Dorian treated Sybil very nicely until they had a falling out. He becomes disappointed that he claimed to really love her since her performance the night he goes to see her with his friends is disappointing. Dorian begins to contemplate whether he wants to marry her or not, or if they would even be happy together. He decides against the marriage, thinking it was not a good idea. The next we as the reader hear of Sybil, she is dead. It is assumed that she committed suicide because of the events between her and Dorian. Perhaps from this, Dorian will learn to be a better person, and will look beyond good looks when selecting friends. The next death witnessed is Basil’s. Dorian and Basil get into an argument over the picture, because he has caused Basil’s most precious work to get older instead of himself. Basil in that moment “felt as if his blood had changed in that moment from fire to sluggish ice. His own picture! What did he mean? Why had it altered?” (Wilde 225). Not only does this show how self-centered Dorian is, but it shows that he is wasting his time worrying about looks versus the impact it has on other people. Dorian pulls out a knife on Basil and kills him over the argument. After, he feels guilty. When he talks to Lord Henry later in the novel, he tries to cover up his faults by asking him about the mysterious disappearance of Basil. When the topic gets brought up, Dorian is anxious and lies about it. Dorian even
In her novel Frankenstein, Mary Shelley and the film Edward Scissorhands by Tim Burton their creations have a desire to be loved. Which leads them on a journey of acceptance for themselves and others. Everyone has felt the need to find why they are here on earth; we all search for answers we are no different from them.
The human spirit is one of the most beautiful forces in the world, but it is also one of the most vulnerable. In the novels Frankenstein by Mary Shelley and The Picture of Dorian Grey by Oscar Wilde, this idea of the human spirit is portrayed clearly. Both novels have similar aspects about the human spirit, but they also have their differences. Both novels have main characters who are influenced greatly by someone that they admire, and they are destroyed by that influence. The difference that these novels have is that in Frankenstein, the main character is influenced and destroyed by something he creates himself, while in The Picture of Dorian Grey, the main character is influenced and destroyed by his friend and mentor. Again, both novels portray the human spirit's motivation and vulnerability.
During the novel, The Picture of Dorian Gray, three people die: Sibyl Vane, Basil Hallward, and James Vane. In one way or another Dorian played a part in each of their deaths. Kestner says that the second type of narcissism is the inability to feel (217). Dorian feels no remorse for the deaths of these people and takes no responsibility for his part in it. Sibyl Vane committed suicide after Dorian’s brutal rejection of her. Dorian murdered Basil after showing him the painting. Basil was trying to save Dorian’s soul by begging him to confess his sins. Dorian flew into a rage and stabbed Basil, afterwards “he felt strangely calm” (Wilde 152). He justified his actions by saying that Basil was “the friend who had painted the fatal portrait to which all his misery had been due” (Wilde 152). Then Sibyl Vane’s brother, James Vane, came to get revenge on Dorian Gray and ended up dying when Dorian distracted a gunman during a hunt. None of Dorian’s friends on the hunt cared that the man has died; they only care that he has “spoiled [their] shooting for the day” (Wilde 193). These are the type of people which Dorian surrounds himself, people who will continue his down fall. The friends only care about beauty and titles which then influences Dorian to look at the world in the same way. Oscar Wilde added multiple encounters with Dorian’s friends as a criticism of society. The
Both characters from the novels Prometheus and Victor Frankenstein were similar because they were both intelligent. Victor loved science, he sued to go on journeys to seek more information about life and death, because at home he had nobody to teach him.” My father was not scientific, and I was left to struggle with a child's blindness, added to a student's thirst for knowledge. (Victor Frankenstein quotes on education). And he even studied abroad to see more knowledge on his favorite subject. This created major conflicts with his professor at the university but also admiration among professors and peers.
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
“In the long run, we shape our lives, and we shape ourselves. The process never ends until we die. And the choices we make are ultimately our own responsibility.” (Eleanor Roosevelt). This is just one of the infinite examples of how human nature has been explored by so many different people. Each and every human is born with the capability of making their own choices. The decisions that they will make in the future will determine how evil they are viewed by others. Although one’s nature and nurture do affect their life, it is their own free will that determines whether or not they are evil.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
There is a strong thematic relationship between the texts; Frankenstein and The Picture of Dorian Gray. The texts show us two individuals that are influenced by the outside world to make monstrous decisions. In Frankenstein, by Mary Shelley, a scientist with the intention to bring about life to the world ends up bringing about a hideous creature. The scientist, Victor Frankenstein, is horrified by what he has created and wants nothing to do with him, which causes him to become a terrible human being. In The Picture of Dorian Gray, by Oscar Wilde, a beautiful man named Dorian Gray commits many unforgivable acts. Lord Henry Wotton influences Dorian into thinking that he should view the world in his way and in turn creates a monster. That sensual
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources. Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12).
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Dorian Gray starts off as a young, beautiful man who is loved by many. Because of this, he is all that Basil Hallward, a painter, and Lord Henry Wotton, a nobleman, ever think about. However, they have different ideas on what they want Dorian to become. Their conflicting influences become one of the main conflicts of the book, and this is noticed by Basil. He says, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” Basil influences Dorian’s choices and actions the most at the beginning of the novel. This is evidenced when Basil says, “He is all my art to me now.” Basil wants Dorian to devote himself to love and selflessness in order to live a happy life. Dorian follows this advice and falls in love with Sibyl Vane, and she becomes another conflict for the novel. He is willing to sacrifice anything for Sibyl, which pleases
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama. " Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corruption. Before we examine the quality of the error that Dorian Gray commits, we should first examine his friends and their relation to him, because Dorian falls into this error with a little help from his friends. 1. What is the difference between a. and a The relationship between Dorian Gray and Basil Hallward.