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The theme of good vs evil in the crucible
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Recommended: The theme of good vs evil in the crucible
Fear in The Crucible and Young Goodman Brown There are so many strange things that can trigger fear in one's mind. Things that first enter a reader's subconscious before striking thoughts of fright straight into the heart, causing adrenaline to rush and muscles to tense. Evil can be distributed in so many different ways. In the story "Young Goodman Brown", by Nathaniel Hawthorne, fear takes the shape as lies seeping through an eerie black forest late in the night. But in The Crucible, fear is disclosed not only in lies, but in false accusations. In "Young Goodman Brown", Goodman Brown finds himself leaving his wife, Faith, to meet someone at the edge of the forest late at night. At first, he is not quite sure why he feels uneasy. It may partly be because of the strange man with a cane which seems to writhe with a serpent-like appearance, or it may be because of the ominous woods he is trecking through. But the thing that makes Goodman Brown frightened the most is when he realizes that evil has penetrated its way into the only good he knows; his friends and acquaintances. He has also "lost his Faith", a double-meaning quote that was undoubtedly purposefully layed there by Hawthorne. This loss engraves in Goodman Brown a foreboding sense of lonliness. In The Crucible, lies take the shape of their container. Abagail Williams is undoubtedly the mastermind behind the fearful images imbedded in the minds of the ignorant townspeople. John Proctor, who committed adultry with Abagail, makes himself an easy target for Abagail's lies and torment, because he has that secret he cannot bear to let out. And soon, people are fearing, once again, for their lives. Afraid of being hanged by the very Puritan beliefs they worship. They begin to act paranoid toward one another and a crazed atmosphere inhibits the entire town. Fear takes so many forms. It can prey on a typical thing that most people are scared of, or create a perilous, threatening sense in the subconscious of a single being; the kind that makes the hair on the back of the neck stand at attention. Sometimes you do not even know why you feel frightened. Quickening your pace, hugging your stomach and darting glaces from side to side, are all instinct telling you you are in danger. These two stories make both fictional and non-fictional fear jump out of the page and into the turning wheels of the mind.
At times, fear motivates people to behave unscrupulously. Personal fears instigate some characters in Arthur Miller’s play The Crucible to cry witch. Reverend Parris fears losing his job, Abigail fears prosecution and losing John Proctor, and Tituba fears physical retribution. Fear induces people to defend their personal whims and use their power to harm others.
The idea of fear is a fairly simple concept, yet it carries the power to consume and control lives. Fears have stemmed from an inadvertent psychological response to situations deemed threating to one’s personal safety, but have evolved into a complex web of often illogical misconceptions which are able to cloud a person’s judgment and result in situations often worse than originally intended. Fears can be hard to quell, but it has been shown the best way to overcome fears is often to face them, as author James Baldwin asserted when he wrote, “To defend oneself against fear is simply to insure that one will, one day, be conquered by it; fears must be faced.” Baldwin makes strongly qualified statement, and his idea fears must be faced to ensure one is not conquered by them is evident frequently, and is especially visible in Nathaniel Hawthorne’s classic novel, The Scarlet Letter. In The Scarlet Letter, two characters are placed in situations in which they are directly confronted with their fears, but react much differently, resulting in contrastingly different consequences. Baldwin’s assertion is qualified by the journeys of Hester Prynne and the Reverend Dimmesdale in The Scarlet Letter, who show how facing one’s fears can have a positive outcome while defending oneself from their fears can have detrimental consequences.
The statement,“The Crucible is essentially about courage, weakness, and truth,” is proven true numerous times, throughout the play. The Crucible was written by Arthur Miller, about the true events that happened in Salem, Massachusetts, between the years 1692 and 1693. The Salem witch trials consisted of many hangings, lies, and complete mass hysteria. The citizens of Salem followed the religion of Puritanism, and the ideas of predestination. The root of the mass hysteria comes from their belief in the sense that in something happens then it must have been planned by God. In Miller’s portrayal of the story, Abigail Williams was the ringleader of the witch trials, and she used the idea of predestination to cover up her own sins. Abigail was a very manipulative girl and ruined many lives. John Proctor, Mary Warren, and Elizabeth Proctor were just a few of the victims in Abby’s game. John, Mary, and Elizabeth exhibit the traits courage, weakness, and truth, whether it was in a positive or negative way.
Of course, the most dominant example of fear was when Scrooge met The Ghost of Christmas Future, and saw his fate. Scrooge saw that people wouldn’t show up to his funeral, and saw that some thieves even stole from his room whilst his corpse was still resting in his bed. It made Scrooge want to become a better person, and have a better legacy when he died. In “Thank You M’am”, Roger was scared that Ms. Jones would report him to the police or kidnap him. When Ms. Jones shut the door on him, he was scared straight to knowing that stealing was wrong, and that the next time he steals somebody won’t be as generous as the lady. In my small group learning, Jesus was too scared about being faced with prejudice to help the lady with the valise and the kids. He hated that he was scared, so he decided to change himself to be helpful, even if he may be shunned by the way he looked. If somebody is about to lose their job, they change to focus more and learn how to do their job better. We all do have fear, but in some situations fear can be
Fear holds a great control over any mortal human-being through daunting and restricted words, most commonly seen while anyone is under pressure. While being controlled over fear, you may come to realize that you are being manipulated to the possibilities of a threatened punishment and may also be mislead by lies. Arthur Miller’s classic novel, The Crucible takes place in Salem, Massachusetts, where a lot of times fear would be used to control anyone to blame another of witchcraft. In The Crucible, Arthur Miller elucidates this through Elizabeth Proctor, Abigail Williams, and Mary Warren, that fear holds a great torment on the truth.
but. "Chaucer: The Pardoner's Tale." Washington State University - Pullman, Washington . N.p., n.d. Web. 10 May 2011. .
The play “The Crucible” is an allegory for the McCarthyism hysteria that occurred in the late 1940’s to the late 1950’s. Arthur Miller’s play “the crucible” and the McCarthyism era demonstrates how fear can begin conflict. The term McCarthyism has come to mean “the practice of making accusations of disloyalty”, which is the basis of the Salem witch trials presented in Arthur Miller’s play. The fear that the trials generate leads to the internal and external conflicts that some of the characters are faced with, in the play. The town’s people fear the consequences of admitting their displeasure of the trials and the character of John Proctor faces the same external conflict, but also his own internal conflict. The trials begin due to Abigail and her friends fearing the consequences of their defiance of Salem’s puritan society.
Fear brings forth a certain atmosphere which compels us to act upon it. The era in which the book was published allows us to see how common these fears were. Shirley Jackson's The Haunting of Hill House is an excellent portrayal of how fear controls the human mind by using the characters as examples. In the book Eleanor, Theodora, Luke, and Dr. Montague have all been influenced by fear in the story, whether it be the fear of love, the unknown, family, rejection, expression, or loneliness. These different types of fear plagued their minds causing their actions to reflect upon them. Jackson explores the theme of fear in The Haunting of Hill House by creating a cast of characters that in turn are manipulated by the inner workings of their minds and the
The crucible, written by Arthur Miller, is about the Salem witch trials and how people react to hysteria created from the fear of witches. In the play, after hysteria breaks out, the Salem government starts persecute and hang people it believes are witches. This prompts people to start to accusing people of witchcraft. Some people who accuse others of committing witchcraft are Abigail Williams and Thomas Putnam. They do not accuse people of witchcraft to stop witchcraft, but for personal gain or to hurt others. Thomas Putnam, one of the many characters who takes advantage of the witch trials, is able to use the fear of witches to bend the court to his will. Hysteria causes people to believe claims that are clearly false. This allows Putnam to persecute his enemies. He and many other are able to get away with this because hysteria driven persecutions are not run like regular courts and the fact that witchcraft is an invisible crime allows evidence to be made up. The theme of The Crucible is when any persecution is driven by fear and people can and will manipulate the system so they can gain and hurt another.
In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism. Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young Goodman Brown is unable to accept the indefinable vision of betrayal and evil that he encounters in the forest. The uncertainty of this vision, enhanced by Hawthorne's deliberate, yet effective, use of ambiguity, is also seen in the character of Faith, the shadows and darkness of the forest, and the undetectable boundaries that separate nightmarish dreams from reality.
Fear drives people to act completely out of character and unusual for themselves. In most cases, the change of character is not for the best. Sophie Wender acts un-brave and afraid when she runs away from the fear of the unknown. Joseph Storm acts not so out of character for himself, but out of character for a fatherly figure when facing the problem of his son asking something he fears. Lastly, Emily Storm acts very out of character from her naturally caring motherly self when she calls her niece who has a deviation a monster. Fear is a one of the strongest emotions humans have to face. When faced with fear, everyone must learn to control their emotions so they do not come off as someone they are not.
It is surprising, in a way, to discover how few of the many critics who have discussed "Young Goodman Brown'' agree on any aspect of the work except that it is an excellent short story. D. M. McKeithan says that its theme is "sin and its blighting effects." Richard H. Fogle observes, "Hawthorne the artist refuses to limit himself to a single and doctrinaire conclusion, proceeding instead by indirection,'' implying, presumably, that it is inartistic to say something which can be clearly understood by the readers. Gordon and Tate assert, "Hawthorne is dealing with his favorite theme: the unhappiness which the human heart suffers as a result of its innate depravity." Austin Warren says, ''His point is the devastating effect of moral scepticism." Almost all critics agree, however, that Young Goodman Brown lost his faith. Their conclusions are based, perhaps, upon the statement, "My Faith is gone!" made by Brown when he recognizes his wife's voice and ribbon. I should like to examine the story once more to show that Young Goodman Brown did not lose his faith at all. In fact, not only did he retain his faith, but during his horrible experience he actually discovered the full and frightening significance of his faith.
The concept of fear is rather simple on first glance, but rather powerful on analysis. Fear can be thought of as an acronym for false evidence appearing real, and this evidence appearing real can be manipulative, destructive, or maybe even beneficial. In the Lord of the Flies and the Book Thief, fear is a common factor in the character’s decisions. Fear can take many forms, but also have many forms. For instance fear can act as a powerful force in general that causes an immense change. Fear can also have a strong negative impact, but fear can have a strong positive impact as well. Throughout Lord of the Flies and The Book Thief, the authors use fear as a powerful force that manipulates and changes the lives of their characters. The authors
The Host replies, “Thou woldest make me kisse thyn olde breech, / And swere it were a relyk of a seint, / Though it were with thy fundement depeint! / But, by the croys which that Seint Eleyne fond, / I wolde I hadde thy coillons in myn hond (948-955). Harry Bailey suggests that the Pardoner and his testicles have not surely parted company. He also infers to possible sexual insult when the Pardoner calls for the Host to kneel before him, unbuckle his "purse," and "kiss the relics. “Anon they kiste, and ryden forth hir weye” (968). However, by inducing Harry Baily to kiss the Pardoner, Geoffrey Chaucer brings both men into contact. The physical affection of the sense of touch serves as a way by which both men can verify their bodily vulnerability and defenselessness. The Host proceeds to assume clear information on the Pardoner, signifying that he is inclined to the same sex, categorizing him as a
with whom you are to pass your life'. In this day a nd age a very