Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Iago influence of othello
How othello is relevant today
Othello gender role
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Iago influence of othello
Bezawit Legese, Audrey Oduro
Engl 112N
Mrs. Tobin
December 9, 2014
There was no gate between heaven and hell
None was ready to hit the bell
The true love brought a lot of mess
Everything was changed with one sweet kiss
Desdemona, the lovebird
The way no one has ever loved
She gave the love to her strong man
Who subdued his enemy by his gun?
True love, eyeful girl
Roll down to Othello with a coil
Hate was conceived in the heart of Lago
Never loved to let the lovers go
The wish and desire
The cuddle full of care
Every little actions turned in to flame
Cassio and Lago ran for the fame
Rodrigo believed Money could buy happiness
But couldn’t approach the beautiful lioness
The first of all firsts and the beginning of all the lasts
Deep
in the ocean high above the mountains The place where Desdemona lived Othello rose up, above the skies Fell to the beauty and kneeled down to her grace Berbanizo didn’t like it Searched ways to break them day and night Here Lago came, the evil, the hated man Emilia, the messenger, the poor woman All involved to crush the love in the oven Cassio didn’t sleep with the beauty That would be a gift from almighty Lago’s tongue cutting thru the flesh and bones Depicting stories, new lies after lies Buying Othello’s trust, playing with the love he owned Breaking his fellow men’s heart, he shouldn’t have gained Planting hatred in his boss’s mind Letting the lovebird get killed It wasn’t the happy moment he waited for Killing the love forever more Couldn’t tolerate watching butterflies floating by On a sunny day, love in the air, splendid sky The ego twisted the mind Jealousy burned the skull Crown was taken by hell Love flew out to sail Othello fell in to the trap Lago couldn’t handle the game map The immortal soul of love with fabulous thyme Fell down with her this time Rodrigo, the man with wealth Busy of Listening to Lago’s myth Headed to the grave with no pocket Sending a message Love can live without a wallet The hole wasn’t full Death hadn’t been welcomed To live without her, he loved to find himself dead With a frown face, Gazing in the crowd Othello was happy to put his stomach on a sword The sky dropped tears the moon stopped shinning Birds shut their voices and no more cheering One heart in an exile No place for hate no more walks a mile Lago, the ego, the evil man Emilia, the messenger, his fine woman All passed away with Desdemona The love Bird, Belladonna
In America today, some states have in place the death penalty to punish the violators of society's most sacred laws. The American government may not decide who receives this punishment, but is the one who carries out the sentence. In the cases of John from Aldous Huxley's Brave New World and Othello from William Shakespeare's Othello, their deaths are a result of punishment for a wrong done. However, the government does not carry out the punishments; they are carried out by the wrongdoers themselves in the form of suicide. They have in common many situations, including their unfortunate end, in their respective stories but also share a few key differences. John and Othello share the fact that they are both physically and socially isolated from society, but they kill themselves for opposite reasons as John tries to separate from society and Othello wants to conform. Because of the way that Huxley and Shakespeare wrote the scenes leading up to their deaths, the importance of the deaths varies.
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
"She loved me for the dangers I had pass'd, and I loved her that she did pity them" (Othello, I.iii 166-167). William Shakespeare’s tragedy "Othello," is pervaded by a dominant theme, one of love. Othello, the Moor of Venice falls madly in love with a woman named Desdemona. They marry and are very happy together. Othello and Desdemona face many trials during the course of their nine-month marriage. The most notable one occurs when Barbanzio, Desdemona’s father accuses Othello of getting his daughter with witchcraft. During a court hearing, Desdemona confesses her love for Othello and Barbanzio is forced to let her go.
Themes Envy and jealousy are the catalysts for Hugo’s desire to hurt Odin and Mike. Hugo envies Mike for Odin choosing him over Hugo to share the coveted Most Valuable Player award (MVP). At the presentation, Hugo’s own father, Coach Duke Goulding, states boldly, “.And I’m not ashamed to say this in public but, I love him like a son.” The camera shows the dismay displayed on Hugo’s face.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Along the crowded streets of Philadelphia the cars rush by and people are always in a hurry, but the poverty of the people that live in the neighborhoods can never be hidden. The name, the City of Brotherly Love, is almost ironic as crime and hate fill the streets of the city. There is a division between the people that can not be hidden, but only exaggerated by people’s interactions. This is the setting in which the Shakespearian play “Othello” will be interpreted. This modernization of this classic tragedy will be more appealing to the youth of today, who will be able to relate more to the characters and the setting of the play. The changes to the plot and the language of the play are minimal, but the changes to the setting and characters are drastic. The same issues, race, jealousy, and manipulation, still remain, but there is a twist to how they are portrayed.
Gardner, Helen. “Othello: A Tragedy of Beauty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.
A.C. Bradley describes Othello as "by far the most romantic figure among Shakespeare's heroes"(Shakespearean Tragedy, 1). This is an unusual description of a man who murders his own wife. However, Othello's feelings of hate for Desdemona started as an overwhelming love for her when their relationship began. This transformation from love to hate also inflicted the characters Iago and Roderigo and like Othello their hatred resulted in the murder of innocent people. Roderigo's love for Desdemona was transformed into hate towards any man that he thought was loved by her. Iago's love for his job and his wife, Emilia changed into a destructive hatred of Cassio and Othello. As a result of their hatred Cassio, Emilia, and at the end themselves were killed. The connection between love and hate in William Shakespeare's "Othello" is the ugly feeling of jealousy that caused such transformations. Jealousy can be described as a fear of losing something or someone that is valuable (Godfrey 2). As minor as this feeling appears to be by that definition, it can take on varying degrees of damaging behavior. Othello, Roderigo, and Iago became paralyzed by jealousy. Their thoughts, actions, and behaviors were ruled by it. Jealousy caused their inability to the act rationally. They became paranoid and unable to love. This paper will examine the jealousy that caused love to turn into hate for Roderigo, Othello, and Iago.
In her novel Orlando: A Biography, Virginia Woolf draws upon Shakespeare's Othello to both enhance the images within her novel through allusion and further Orlando's character development using juxtaposition. Spanning about 400 years, various historical eras, and gender ambiguity in the characters, Orlando is certainly not a traditional novel. Thus, it follows that its use of historical information and literature breaks from convention as well. This is true for Woolf's use of Shakespeare's Othello. While the play is drawn upon in various contexts, from character traits to plot line, Woolf carefully places her allusions such that they support her plot line at one moment while they may be inconsistent at another. This works well within her novel because as she breaks from convention by utilizing multiple timelines and shifts in gender and sex for her characters she is able to shift in her parallels from the characters in Othello to the characters of Orlando. These shifts accent the changes she is making within her characters and plot line and also force the reader to break with the long standing views of gender and "otherness" established in Shakespeare's work.
Othello and Iago Comparison Othello and Iago are different in their characters as well as in their colours. It could be said also, however, that they are similar because of their fallibility. Iago is overcome with his desire for revenge to such an extent that he puts it into action. Othello's love and possessiveness of Desdemona take over him until he eventually would rather kill her than allow anyone else to have her. In this way, despite their contrasts, Iago and Othello both represent the extremity of the same thing - human emotion.
To many, Othello would appear to have a beauty about it which is hard to match. Helen Gardner in “Othello: A Tragedy of Beauty and Fortune” touches on this beauty which enables this play to stand a...
In the play, The Tragedy of Othello, Shakespeare really tests our conception as to what love is, and where it can or can't exist. Judging from the relationship between Desdemona and Othello, the play seems to say that marriage based on an innocent romantic love or profane love is bound to fail. Shakespeare is pessimistic about the existence and survival of a true type of love. There is a common thread of betrayal and deceit among his female characters, especially. Othello and Desdemona, as portrayed in the play, are the two greatest innocents there ever were. The two appear to love one another romantically at first, but this romantic love becomes more of a profane love, or more likely was truly a profane love all along. This comes to pass because there is no foundation for a relationship here. There is no trust, no communication, and no understanding. Othello has spent most of his life in battle, which makes him good at some things-- namely, battle. Othello says "Rude am I in my speech,/ and little bless'd with the soft phrase of peace;/ for since these arms of mine had seven years' pith,/ Till now some nine moons wasted, they have us'd/ Their dearest action in the tented field;/ And little of this great world can I speak/ More than pertains to feats of broils and battle" (1113). Desdemona is little more that a girl, inexperienced in the ways of the world. She is taken in by Othello's war stories.
In the play, Othello by William Shakespeare, the memorable ideas have been presented through dramatic techniques by the characterization of Iago and Othello. These two characters are the cause and effect of the play and through them, the destruction of human nature, the question of the effect that love can have on our ability to reason and the deceptive nature of man are explored. Love links the ideas of jealousy and deception, as Iago manipulates this strong emotion to his advantage. Also, Shakespeare’s dramatic technique of presenting this story as a play, is what is able to reveal all the ideas and themes to the extent that the full emotion and feelings are able to be felt by the audience, just the way he wants them to.
Second, a human must be able to love. Without love, there is no suffering. Love does not have to mean sexually, it can mean a mutual bond between friends, family, and for oneself. In William Shakespeare’s Othello, Othello’s love for Desdemona is a strong, passionate love as is Desdemona towards Othello. Desdemona says:
The themes are timeless and resonate the views in a modern society despite being written in disparate contexts, these values concern the core of human nature. This can be shown and evidenced through Shakespeare's "Othello" and the similar views in Clint Eastwood's "Unforgiven". Both texts echo the same views and themes through timeless society, these being Gender, and Honour.